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Multilingualism and the attention paid to its role in the context of development co-operation
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Geschichte und Gegenwart des kastilisch-deutschen Sprachkontakts in der Kolonie Pozuzo, Peru
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Historische und ethnographische Betrachtungen der Sprachenpolitik Namibias
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Maßnahmen zur Sprachförderung im Jahr vor dem Schuleintritt
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Effectiveness of phonological awareness and reading interventions on children with language impairment : a research review
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The effects of L1 orthographic features and phonological awareness on Chinese speakers learning to read in English
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Learners' Identity Negotiations and Beliefs about Pronunciation in Study Abroad Contexts
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128 |
Risco em dificuldades de aprendizagem específicas : um estudo quantitativo sobre a avaliação da consciência fonológica em crianças em idade pré-escolar da Região do Algarve
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Impaired reading comprehension in schizophrenia: Evidence for underlying phonological processing deficits
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A formative study of rhythm and pattern: semiotic potential of multimodal experiences for early years readers
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Teaching undergraduate academic writing in Sweden: Notes on a new book with developmental and sociolinguistic perspectives
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In: Ibérica, Vol 22, Pp 163-172 (2011) (2011)
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Computerized Phonological Awareness Training for Kindergarten Students with Speech-Language Impairments
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134 |
ABC World: Effects on Sight Word Acquisition and Attitudes: An Action Research Study
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135 |
The Impact of Lexicographical Work on Language Use: The Case of Shona Monolingual Dictionaries in Zimbabwe
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In: Lexikos, Vol 17 (2011) (2011)
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136 |
On Pasolini’s Edipo Re: an overview with a focus on two neglected details. Unconscious, will, chance and destiny - doi:10.4025/actascilangcult.v33i1.8281
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In: Acta Scientiarum. Language and Culture; v. 33, n. 1 (2011); 39-53 ; 1983-4683 ; 1983-4675 (2011)
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Abstract:
The present study aims at re-analyzing two specific aspects of Pasolini’s cinematic staging of Sophocles’ Oedipus Rex that seem to have received little attention. The first aspect concerns the subtle usage of body language, such as “covering the eyes, crying, gaze-interactions, starring someone or something in silence”. They are peculiar details that betray, so to speak, the presence both of typically Freudian concepts (such as, “the removing of disturbing truth to the unconscious, and the unconscious awareness of the truth”), and some typically Sophoclean ideas (such as, “resignation” to what is inescapable and acceptance of it). This analysis is thus conducted within the perspective of the complex interrelation between Sophocles’ text and the Freudian interpretation that Pasolini has applied to it. The second aspect, while analyzing Pasolini’s self-commentary on some portions of the film, pertains to an enigmatic statement of Pasolini himself which seems to have been mostly dismissed. Pasolini’s enigmatic statement touches on issues essential both to Sophocles’ tragedy and its modern reception; it indeed involves the everlasting discussion on the play about the dialectical tension among “will”, “chance” and “destiny” in Oedipus’ story and in human condition, as exemplified by the individual case of Pasolini. ; The present study aims at re-analyzing two specific aspects of Pasolini’s cinematic staging of Sophocles’ Oedipus Rex that seem to have received little attention. The first aspect concerns the subtle usage of body language, such as “covering the eyes, crying, gaze-interactions, starring someone or something in silence”. They are peculiar details that betray, so to speak, the presence both of typically Freudian concepts (such as, “the removing of disturbing truth to the unconscious, and the unconscious awareness of the truth”), and some typically Sophoclean ideas (such as, “resignation” to what is inescapable and acceptance of it). This analysis is thus conducted within the perspective of the complex interrelation between Sophocles’ text and the Freudian interpretation that Pasolini has applied to it. The second aspect, while analyzing Pasolini’s self-commentary on some portions of the film, pertains to an enigmatic statement of Pasolini himself which seems to have been mostly dismissed. Pasolini’s enigmatic statement touches on issues essential both to Sophocles’ tragedy and its modern reception; it indeed involves the everlasting discussion on the play about the dialectical tension among “will”, “chance” and “destiny” in Oedipus’ story and in human condition, as exemplified by the individual case of Pasolini.
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Keyword:
Classical Literatura; rejection and unconscious awareness; body language; enigmatic lines; questionable comma; destiny and chance; imposition and willingness
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URL: http://eduemojs.uem.br/ojs/index.php/ActaSciLangCult/article/view/8281 https://doi.org/10.4025/actascilangcult.v33i1.8281
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