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О методологических трудностях эмпирического исследования представлений современных россиян о психоанализе
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Psychoanalytical approach of language: Interlinguistic association paths, translation and transference ; Clínica psicanalítica da língua: vias associativas interlinguísticas, tradução e transferência
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In: ISSN: 0103-166X ; Estudos de Psicologia -Campinas- ; https://hal.archives-ouvertes.fr/halshs-01115861 ; Estudos de Psicologia -Campinas-, Pus Campinas, 2014, 32 (1), pp.97-107. ⟨10.1590/0103-166X2015000100009⟩ (2014)
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Mystic journey and quest for the father in Caryl Phillips' Crossing the River ; Traversée mystique et recherche du père dans Crossing the River de Caryl Phillips
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In: Congrès SAES 2014 "Crossings" ; https://hal.archives-ouvertes.fr/hal-01664315 ; Congrès SAES 2014 "Crossings", Université de Caen, May 2014, Caen, France. ⟨10.13140/RG.2.2.32720.40963⟩ ; http://saes2014.unicaen.fr/ (2014)
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"Sie war; sie wurde; sie wurde nichts." Weiblichkeit, Trauma und Suizid in Texten von Arthur Schnitzler, Ingeborg Bachmann und Peter Handke
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Le Cours de linguistique générale 100 ans après : Présentation
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Arrivé, Michel. - : Association canadienne de sémiotique / Canadian Semiotic Association, 2014. : Érudit, 2014
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Antagonism, co-optation, fragmentation: unravelling the triple bind of green political struggle
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Persuasão antes que convencimento: apontamentos sobre Wittgenstein e a psicanálise
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Given name and the constitution of the subject ; NOME PRÓPRIO E CONSTITUIÇÃO DO SUJEITO
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In: Letras; n. 48: (Jun. 2014) – Sujeito, língua e memória; 131-141 ; 2176-1485 ; 1519-3985 (2014)
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Os sentimentos maternos diante da hospitalização da criança pequena: em busca de um colo
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Silenciar e calar: manifestações do inconsciente no Esquecimento de Signorelli ; To Silence and to Quiet: manifestations of the unconscious in the Forgetting of Signorelli.
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Žižek’s Dialectics, Critique of Ideology and Emancipatory Politics in Michael Haneke’s film Caché (2005)
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Abstract:
Michael Haneke’s film Caché (Hidden) (2005) explores the psychological and social effects of the intrusion of the immigrant Other into privileged Western capitalist society. Caché allegorises the intrusion of the immigrant Other through a series of intrusive and threatening non-diegetic surveillance tapes delivered to a wealthy Parisian family’s home, the subject of the surveillance. Haneke’s film undertakes a significant critique of the increasing right-wing anti-immigrant sentiment driving neo-liberal politics and ideology in the capitalist West. Here, Caché confronts the viewer with their complicity in the disavowal and subjugation of the immigrant Other within their own social edifice. The significance of Caché is the film’s potential to facilitate the viewers’ confrontation with the disavowed and repressed truth of the social edifice. This confrontation enables the viewer to assume an emancipatory subjectivity which extends beyond Caché’s cinematic frame into the viewers’ own social edifice. I argue that Haneke’s film has the potential to radically alter the way viewers relate to the diegetic reality and, through the figuration of cinema, to their own social edifice. Ultimately, Caché brings to the fore the disavowed truth of both capitalist society and of privileged subjectivities, demanding a new politics based on the excluded immigrant Other.
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Keyword:
critical theory; cultural theory; film; FoR 1608 (Sociology); FoR 2005 (Literary Studies); Michael Haneke; philosophy; psychoanalysis
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URL: http://zizekstudies.org/index.php/ijzs/article/view/482
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Linguagem e sexualidade em A polaquinha, de Dalton Trevisan: um olhar da psicanálise
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Marchi, Amabile Leite. - : Universidade Tecnológica Federal do Paraná, 2014. : Curitiba, 2014. : Departamento Acadêmico de Comunicação e Expressão; Departamento Acadêmico de Línguas Estrangeiras Modernas, 2014
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