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Digital scholarship in the humanities : DSH : journal of the Alliance of Digital Humanities Organizations [<Journal>]
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Oxford : Oxford University Press
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IDS Mannheim
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« Uno piccolo dono ». A software tool for comparing the first edition of Machiavelli’s The Prince to its 16th century French translations
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In: The radical Machiavelli : politics, philosophy and language ; https://halshs.archives-ouvertes.fr/halshs-01191862 ; Del Lucchese, Filippo; Frosini, Fabio; Morfino, Vittorio. The radical Machiavelli : politics, philosophy and language, Brill, pp.39-55, 2015 (2015)
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Social creativity and meaning generation in a constructionist environment
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In: CERME 9 - Ninth Congress of the European Society for Research in Mathematics Education ; https://hal.archives-ouvertes.fr/hal-01289256 ; CERME 9 - Ninth Congress of the European Society for Research in Mathematics Education, Charles University in Prague, Faculty of Education; ERME, Feb 2015, Prague, Czech Republic. pp.2340-2346 (2015)
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Decoding the Islamic State: Islamic State Hostage Videos and State Formation
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In: Senior Projects Spring 2015 (2015)
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"E-maginaires" éducatifs : Nécessaires utopies ou inutiles innovations ?
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In: ISSN: 2258-7942 ; EISSN: 2259-1001 ; Interfaces numériques ; https://halshs.archives-ouvertes.fr/halshs-01466911 ; Interfaces numériques, Editions design numérique, 2015, Imaginaire(s) et numérique, 4 (2), pp.168 ; http://editions-design-numerique.fr/vol4-22015/ (2015)
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Российско-французский семинар «Текстометрия и корпусы русских текстов»
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ГАГАРИНА Д.А.. - : Федеральное государственное бюджетное образовательное учреждение высшего профессионального образования "Пермский государственный национальный исследовательский университет", 2015
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ИСТОРИЯ ЗЕМСКОГО САМОУПРАВЛЕНИЯ: ОПЫТ КОМПЬЮТЕРИЗИРОВАННОГО ИСТОРИОГРАФИЧЕСКОГО ИССЛЕДОВАНИЯ
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ПЬЯНКОВ А.С.. - : Федеральное государственное бюджетное образовательное учреждение высшего профессионального образования «Пермский государственный национальный исследовательский университет», 2015
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Gestural control of voice synthesis. The Cantor Digitalis and Digitartic instruments ; Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic
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In: ISSN: 0765-0019 ; EISSN: 1958-5608 ; Traitement du Signal ; https://hal.archives-ouvertes.fr/hal-01679397 ; Traitement du Signal, Lavoisier, 2015, 32 (4), pp.417-442. ⟨10.3166/ts.32.417-442⟩ ; http://ts.revuesonline.com/ (2015)
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Métodos digitais e a memória acessada por APIs: desenvolvimento de ferramenta para extração de dados de portais jornalísticos a partir da WayBack Machine
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In: ISSN: 2447-4266 ; Revista Observatório ; https://hal.archives-ouvertes.fr/hal-01544271 ; Revista Observatório, Universidade Federal do Tocantins, 2015, v. 1 n. 2 (2015): Vol. 1 N. 2 (2015) Tema Livre / Free Theme / Tema Libre Maio-Agosto 2015, 1 (2), p. 207-228. ⟨10.20873/uft.2447-4266.2015v1n2p23⟩ ; https://sistemas.uft.edu.br/periodicos/index.php/observatorio/article/view/3481 (2015)
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Observatology :Towards a science of observational adequacy in linguistics ; Observatologie : Vers une science de l'adéquation observationnelle en linguistique
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In: https://hal.archives-ouvertes.fr/tel-01889762 ; Linguistique. Université Paris Ouest Nanterre la défense, 2015 (2015)
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Digital curation and event-driven methods at the service of endangered languages
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In: Endangered Languages and New Technologies. Conference on Language Endangerment: Methodologies and New Challenges ; https://hal.archives-ouvertes.fr/hal-01480818 ; M.C. Jones. Endangered Languages and New Technologies. Conference on Language Endangerment: Methodologies and New Challenges, Cambridge University Press, pp.113-126, 2015 (2015)
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Archives, Models, and Methods for Critical Approaches to Identities: Representing Race and Ethnicity in the Digital Humanities
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In: Kim, David J.(2015). Archives, Models, and Methods for Critical Approaches to Identities: Representing Race and Ethnicity in the Digital Humanities. UCLA: Information Studies 045A. Retrieved from: http://www.escholarship.org/uc/item/9gj619sd (2015)
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Abstract:
This dissertation addresses the cultural politics of representation in digital archives of various histories of racial and ethnic minorities in the U.S. It critiques the discourse of realism in both digital and archival representations of knowledge about minoritarian identities through case studies that explore the possibilities and the limitations of digital tools and platforms for the minoritarian critique of the archive as the all-encompassing site of knowledge. The first case study presents a digital 3D model of an East Los Angeles public housing complex famous for its numerous murals painted during the Chicana/o movement of the 1970s. Informed by the theorizations of identity formations as spatial practices, the 3D model functions as an immersive digital archive that documents the dialectics of the barrio as represented by the murals. The second case study reimagines the archive of Edward S. Curtis's The North American Indian (1907-1930), an influential yet controversial ethnographical work on the Native Americans in the early twentieth century. It critiques the essentialism of this extensive work of photographic documentation by exploring the multi-modality and non-linearity of Scalar, a content management system developed by digital humanists, and through experimental network visualizations that expose the racial logic and the socio-cultural context of The North American Indian. The following chapter analyzes the discussions around race and ethnicity in the Library of Congress Flickr Commons project as an example of the current Archives 2.0 movement. It challenges the notion that user participation in social media platforms of archival institutions signifies progress towards democracy, and argues that Archives 2.0 is rather more useful as evidence of the mutually constitutive nature of the familiar binary of history/memory. The closing discussion unpacks the rhetorical dimensions of the data and the map of Digital Harlem: Everyday Life 1915-1930. It discusses the epistemological consequences of the project's reliance on mostly legal records to create an extensive database meant to portray the "everyday life" of the Harlem Renaissance. Throughout these sections, by moving away from the multiculturalist celebration of diversity, this dissertation seeks beyond the minority's inclusion into the archive, in order to imagine new modes of representing difference in the current moment of the "digital archive fever."
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Keyword:
Archival Science; Digital Archive; Digital Humanities; Ethnic studies; Information science; Literature; Race and Ethnicity
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URL: http://n2t.net/ark:/13030/m551662x http://www.escholarship.org/uc/item/9gj619sd
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Elements for an epistemology of instrumentation and collaboration in Twitter data research
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In: 1stInternational Conference on Twitter for Research ; https://halshs.archives-ouvertes.fr/halshs-01153895 ; 1stInternational Conference on Twitter for Research, Apr 2015, Lyon, France. 2015 ; conftwitter2015.org (2015)
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Genre 2.0. Le Web, un champ structuré en domination. Vers une économie politique des pratiques langagières en ligne
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In: EISSN: 2431-6563 ; Genre en séries : cinéma, télévision, médias ; https://hal.univ-cotedazur.fr/hal-03206387 ; Genre en séries : cinéma, télévision, médias, Presses universitaires de Bordeaux, 2015 (2015)
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Genre 2.0. Le Web, un champ structuré en domination. Vers une économie politique des pratiques langagières en ligne
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In: EISSN: 2431-6563 ; Genre en séries : cinéma, télévision, médias ; https://hal.univ-cotedazur.fr/hal-03204561 ; Genre en séries : cinéma, télévision, médias, Presses universitaires de Bordeaux, 2015 (2015)
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Le tournant sémiotique dans les archives audiovisuelles. ; Le tournant sémiotique dans les archives audiovisuelles. : Vision globale et éléments conceptuels de mise en oeuvre.
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In: ISSN: 1622-1494 ; Les Cahiers du numérique ; https://hal.archives-ouvertes.fr/hal-01292376 ; Les Cahiers du numérique, Lavoisier, 2015, 11 (4) (2015)
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