| 1 |
Intuición fenomenológica en la constitución del universo literario de la novela Adán Buenosayres de Leopoldo Marechal
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 2 |
Study Abroad: Problems and Opportunities
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 3 |
The Liberation of Women in Boccaccio’s Decameron
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 4 |
Decolonizing French: Afrophonics in Ken Bugul’s Aller et retour (2013)
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 5 |
Prison, Theatre, and Italy’s Boogiemen
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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Abstract:
This paper situates the discourse of ethnic diversity as it developed in postwar Italy to a broader transnational perspective. More specifically, it examines Antonio Campobasso’s 1980 novel A Black Man from Apulia, a testimony to the treatment of biracial war children of postwar Italy that in 1946 became a Republic. Set in Southern Italy, the novel narrates the author’s journey in correctional institutions due to his African-American, and Italian mixed race ancestry. Drawing upon the dual meaning of the word “nero,” that translates in Italian not only as “black man,” but also as “boogieman,” the study argues that the title itself calls for the novel to examine racial discrimination in postwar Italy. The black man from Apulia appears as an allegorical figure embodying looming concerns of the newborn Italian Republic: the birth of biracial identities and women’s desires for societal public emancipation. On a larger scale, the project proposes a comparative framework to examine several interesting points of intersection between the Prison Arts Movement in the United States and the Behind-The-Bars Theater Projects in Italy. A Black Man From Apulia is in fact a story of resilience made possible by the author’s passion for theater.
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Keyword:
African American and Italian mixed race offspring; and Sexuality Studies; boogieman; Classics; Comparative Literature; East Asian Languages and Societies; Education; European Languages and Societies; Feminist; French and Francophone Language and Literature; Gender; German Language and Literature; Language Interpretation and Translation; Latin American Languages and Societies; Latin American Literature; Medieval Studies; Modern Languages; Modern Literature; Online and Distance Education; Postwar Italy; Spanish Linguistics; Spanish Literature; Teacher Education and Professional Development; war children; Women's Studies
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URL: https://digitalcommons.georgiasouthern.edu/seccll/2018/2018/8
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| 6 |
Music in the Work of Félix Francisco Casanova
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 7 |
The South is Different: The Other Modernity in the Travel Narratives of Carmen de Burgos and Emilia Pardo Bazán
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 8 |
Plenary Session Keynote Speaker BAD GRAMMAR: Language Research and Teaching in the Age of Fake News.
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 9 |
Le bagne et La Nouvelle
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 10 |
Fellini's Pinocchio: La dolce vita
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 11 |
El dolor corporal y de expresión en "Rompiendo el silencio" de Martha Montoya
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 12 |
Systematic Defensive Memory and Psychological Trauma in David Carreras’ Hipnos (2004)
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 13 |
Homosociabilidad y performatividad en el lenguaje de "69, Amor" (2005) de Cristina Sánchez-Andrade
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 14 |
Fantasme olympique et camps de concentration dans W ou le souvenir d'enfance de Georges Perec
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 15 |
La presencia de la mujer en Mal de amores
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 16 |
"Racismo en República Dominicana y Venezuela: Análisis de las películas Feo de día y lindo de noche y Pelo malo
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 17 |
De la famine aux podiums: perspectives sur la représentation des cuisines d’Afrique Sub-Sahariennes en transition
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 18 |
Self-consciousness, Defense Mechanisms, and Negation of Personal and Physical Privacy in "La noche de los feos" by Mario Benedetti
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 19 |
Flannery O'Connor's Pantheo-Christian World
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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| 20 |
Narrative Inquiry Research on Ethnic Minority Teachers’ Work Experience in Northwest China
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2018)
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