121 |
Towards Multispecies Solidarity: Individual Stories of Learning to Consume Ethically
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In: Animal Studies Journal (2019)
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122 |
Space on Par: A short performance for one performer
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In: Animal Studies Journal (2019)
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123 |
Life and Death with Horses: Gillian Mears’ Novel Foal’s Bread
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In: Animal Studies Journal (2019)
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124 |
[Review] David Brooks, The Grass Library. Brandl and Scheslinger, 2019. 223pp
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In: Animal Studies Journal (2019)
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125 |
[Review] James Hevia, Animal Labor and Colonial Warfare. Chicago University Press, 2018. 328pp
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In: Animal Studies Journal (2019)
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126 |
[Review] Lesley A. Sharp, Animal Ethos: The Morality of Human-Animal Encounters in Experimental Lab Science. University of California Press, 2018. 312pp
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In: Animal Studies Journal (2019)
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127 |
Remembering the Huia: Extinction and Nostalgia in a Bird World
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In: Animal Studies Journal (2019)
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128 |
‘Animals Are Their Best Advocates’: Interspecies Relations, Embodied Actions, and Entangled Activism
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In: Animal Studies Journal (2019)
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129 |
‘Let’s Find Out! What Do I Make?’ [Review] Kathryn Gillespie, The Cow with Ear Tag #1389. University of Chicago Press, 2018. 272pp
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In: Animal Studies Journal (2019)
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130 |
On the Advantages and Disadvantages of Alliance Politics for Animal Liberation: A Response to Paola Cavalieri
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In: Animal Studies Journal (2019)
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131 |
Introduction: New Directions in Animal Advocacy
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In: Animal Studies Journal (2019)
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132 |
Animal Abuse and Advocating for the Carceral: Critiquing Animal Abuse Registries
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In: Animal Studies Journal (2019)
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133 |
[Review] Michael Lundblad, editor, Animalities: Literary and Cultural Studies Beyond the Human. Edinburgh University Press, 2017. 249pp
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In: Animal Studies Journal (2019)
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134 |
‘Crimes of passion’ or ‘horrific murders’? A corpus-based Critical Discourse Analysis of reporting on domestic and non-domestic violence in The Sydney Morning Herald and The Daily Telegraph.
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135 |
Communicating Climate Change: A Social Semiotic Perspective on Activist Documentaries
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Wang, Tingjia. - : The University of Sydney, 2019. : Department of Linguistics, 2019. : Faculty of Arts and Social Sciences, School of Literature, Art and Media, 2019
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Abstract:
This thesis discusses the documentary representation of climate change issues in relation to effective climate change communication. Data analysed in this thesis are three sets of recurrent excerpts – nine excerpts, approximately seven minutes in total – emerging from six documentaries in the corpus of 25 documentaries. Each set of the recurrent excerpts represents the impact of, the cause of, and the adaptation on climate change respectively. In each set of recurring excerpts, we consider three research questions: (a) how are linguistic semiosis and related audio-visual semiosis (e.g. image, gaze, editing, sound effect and music) synergised in climate change documentaries?; (b) how are the field, tenor and mode configured at the stratum of documentary register by the recurrent multimodal orchestration at the stratum of multimodal discourse semantics?; (c) how are audiences aligned with or dis-aligned from the “ecosophy” (ecological philosophy) of climate change documentaries in service of the communicative purpose for social change?. Key findings show that each of the field, tenor and mode variables in a documentary register (i.e. a documentary context) is realised by sub-fields, sub-tenors and sub-modes respectively. Each sub-field or sub-tenor or sub-mode is realised by a certain type of multimodal orchestration at the stratum of multimodal discourse semantics. Contributions of this thesis are two-fold. For multimodal discourse analysis, the Multimodal Orchestration framework/model developed in this thesis is a response to the conundrum relates to “mapping the metafunctional orchestration of semiotic flow within and across semiotic resources in… film texts” (O’Halloran, 2008, p. 445). Our discussion of the inter-stratal realisation between the patterned orchestration of semiotic flow and the documentary register is a response to the critique that “Re-description is not analysis… Unless the realisational relationship between levels of abstraction is made explicit, little contribution to explaining interpretation and meaningmaking is achieved” (Bateman & Schmidt, 2012, p. 130). For the field of effective climate change communication, findings in this thesis recognise the meta-semiotic awareness of climate change communication in relation to the meaning-making choices in different modalities. Moreover, our discussion in relation to the effectiveness of climate change communication is underpinned by detailed, systematic description of the discursive patterns at a fine-grained level. This inter-stratal research path is applicable to the analysis of climate change communication through media channels other than documentaries (e.g. fictional film, poster, public speech).
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Keyword:
climate change documentary; effective communication; environmental media and communication; Multimodal Discourse Analysis; Multimodal Orchestration; Systemic Functional Linguistics
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URL: https://hdl.handle.net/2123/21645
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136 |
Exploring the association between problem drinking and language use on Facebook in young adults
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138 |
Differential Responses to Constraints on Naming Agency among Indigenous Peoples and Immigrants in Canada
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In: Anthropology Publications (2019)
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139 |
The language of suffering: Media discourse and public attitudes towards the MH17 air tragedy in Malaysia and the UK
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140 |
MEDIA DISCOURSE AND INTERNATIONAL POLITICS: FOCUS ON THE REPRESENTATION OF IRAN'S NUCLEAR PROGRAM IN THE MEDIA
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F. Shadloo. - : Università degli Studi di Milano, 2019
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