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Edo in the Manga World: Appare Jipangu! and Early Modern Japanese Literature
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In: Senior Projects Spring 2019 (2019)
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| 2 |
Curated Spaces for Global Citizenship: Popularization of the English Language in Seoul
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In: Senior Projects Spring 2019 (2019)
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The effectiveness of a wiki-enhanced TBLT approach implemented at the syllabus level in the teaching of Chinese as a foreign language
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In: World Languages and Cultures Publications (2019)
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Schémas Narratifs et Convergents dans les Romans Africains et Afro Caribéens
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 5 |
Explorers and Missionaries: the making the Marquesas one word at a time
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 6 |
Narcos: Designing an Upperlevel Critical Thinking Course on the Mitigation of Drug Trafficking in Mexico and Colombia
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 7 |
La Presencia de una Ausencia: un Acercamiento Crítico a Niebla de Unamuno
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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Postverdad, contrapoder y feminismo en La edad del frío. Conversaciones con Antígona
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 9 |
Alonso Quijano y Beatriz. El universalismo eterno de Unamuno en la obra de Rafael Sánchez-Mazas
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 10 |
Albert Camus: quand le divin prend ses distance par rapport a l'art
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 11 |
النقد الثقافي آلياته وخصائصه - إدوارد سعيد أنموذجا
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 12 |
واقع اللغة العربية عند أبناء المهاجرين في الولايات المتحدة
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 13 |
Creación, recuperación y apropiación del cuerpo y de la voz femenina en distintas obras literarias.
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 14 |
Transglocal Fictions: Archetypal Detours in Maryse Condé's Hérémakhonon, en attendant le bonheur (1988)
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 15 |
The Morisco Episodes of Don Quijote (II 54, 63-65) and Contemporary Political Discourse on Immigration: A Comparative Analysis
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 16 |
Arabic as a Heritage Language: Parental views about Maintain and Enhancing their Children’s Arabic Language
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 17 |
(Un)Lawful Memories: Autobiographical Garden Spaces in Sylvaine Dampierre’s Un Enclos
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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Abstract:
This paper examines French filmmaker Sylvaine Dampierre’s documentary Un Enclos (1999) as a powerful case-study of how gardens, the law, and notions of freedom intersect. It draws from the theories of discipline and docile bodies that Foucault develops in Discipline and Punish in order to demonstrate how the prison garden space in the film acts as a source of self-knowledge and reflection, and thereby manifests the processes of subject (re)formation Foucault elucidates. Moreover, it interprets these “moments of (self) learning” within the theoretical framework of life-writing. In so doing, it bears upon key debates about life-writing as an expression of individual identity that, paradoxically, emerges from social, cultural, and juridical constraints that serve to delimit subjectivity. Un Enclos offers compelling images of women, gardens, and prison spaces to underscore the concept of freedom from physical and metaphysical perspectives. The film unfolds as a series of brief interviews of prisoners in Le Centre Pénitentiaire de Rennes, a women’s prison in the French city of Rennes. The documentary presents the women’s interviews as extemporaneous reflections and observations about their life in prison, their prison sentences, and freedom through the lens of the prison’s garden space. It shuttles between sequences focusing on the women working in the garden, their brief interviews with Dampierre, and still shots of the prison and its garden that serve to encapsulate the tensions between enclosure and freedom, introspection and the world beyond the self. Moreover, Dampierre gives pride of place to the practice of first-person self-narrative by crafting the film’s themes of imprisonment and liberty around strategies of life-writing. In this way, she invites viewers to assess how telling one’s story can, on the one hand, help reconfigure definitions of freedom and autonomy, and, on the other hand, perhaps act as yet another mechanism of generating compliance.
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Keyword:
and Sexuality Studies; Arts and Humanities; Classics; Comparative Literature; East Asian Languages and Societies; Education; European Languages and Societies; Feminist; freedom; French and Francophone Language and Literature; gardens; Gender; German Language and Literature; Language Interpretation and Translation; Latin American Languages and Societies; Latin American Literature; life-writing; Medieval Studies; Modern Languages; Modern Literature; Online and Distance Education; Spanish Linguistics; Spanish Literature; subject formation; Teacher Education and Professional Development; Women's Studies
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URL: https://digitalcommons.georgiasouthern.edu/seccll/2019/2019/27
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| 18 |
Realismo y exasperación: un estudio de los personajes femeninos en La pata de la sota y La Nona de Roberto Cossa
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 19 |
Experimentalism in the Postcolonial Moroccan Novel: Fusing the Spheres of Aesthetics and Politics
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 20 |
A Pilgrim’s Progress for the Digital, Post-Human(ist) Age?: Social and Religious Allegory in Russell Banks’s Lost Memory of Skin
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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