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(S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French
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| 2 |
Nurturing bilingual children: the voice of Spanish-speaking families in the West of Scotland
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Defying and defining the darkness: Translating French memories of the Holocaust
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Defying and defining the darkness: Translating French memories of the Holocaust
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| 5 |
V for vivienda, V for viñeta: Housing policy and spaces for living in Spanish comics and graphic novels
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The political bilingual body: One's right to the other language
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| 7 |
Sense in translation: Geometrical translation as an embodied and sensory practice
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| 10 |
Making sense of Caroline Bergvall’s poetry: The space between 'les langues' and Lecercle’s Philosophy of Nonsense
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Abstract:
"Caroline Bergvall is a French-Norwegian writer and artist who works across artforms, media and languages. She is based in the cities of London and Geneva. Her piece of multilingual poetry titled ‘Wall piece [front-back]’ was shown at the John Hansard Gallery in 2010, as part of her Middling English exhibition. Caroline Bergvall has an acute awareness of the physicality of language and her works often involve spatial and/or audio installations. The piece, though it has been reproduced in the exhibition catalogue, was initially to be experienced spatially and to be read on the walls of the gallery. Linguist and Professor of English Jean Jacques Lecercle has written extensively about the physicality and practice of language. When most linguists see language as an empirical object of study, Lecercle calls for the study of language that speaks us as well as language that we speak, and gives parole its rightful place in linguistics. He writes of the ‘violence of language’ (Lecercle, 1990). He writes of ‘inhabiting’ language, in the phenomenological tradition. He also writes about Louis Wolfson, “who could not bear to hear or read his maternal tongue, English, and developed an intricate technique of instant translation according to sound”(Lecercle, 1990, p.63) which would spare him the pain of having to inhabit the English language. In this paper, I will show that the space in between, for the multilingual, is where he/she no longer inhabits one langue or the other, where words become simple marks on a page, sounds in your ear, devoid of motivation and meaning. Using Lecercle’s 'Philosophy of Nonsense' (1994), I will show that the bilingual space in between is the space of non-sense, and that poetry can show us the way to get there."
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Keyword:
P Philology. Linguistics; PC Romance languages
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URL: https://doi.org/10.4324/9780429294686-5
http://gala.gre.ac.uk/id/eprint/27615/
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| 11 |
Translators’ notes: On translating 'sens' and 'langue' in Maurice Merleau-Ponty’s Phénoménologie de la perception and Ferdinand de Saussure’s Cours de linguistique générale
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| 12 |
The expanding space of the train carriage: A phenomenological reading of Michel Butor’s La modification
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| 13 |
English in French Commercial Advertising: simultaneity, bivalency, and language boundaries
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Amos, Will. - : Wiley-Blackwell Publishing Ltd., 2020
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