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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 15 of 15 1 Interactions in Romance languages: multimodal studies ; Les interactions en langues romanes : études multimodales ; Le interazioni in lingue romanze: studi multimodali Ursi, Biagio; Piccoli, Vanessa. - : HAL CCSD, 2020. : Neuchâtel : Institut de linguistique de l'Université, 2020 In: ISSN: 1023-2044 ; Bulletin suisse de Linguistique appliquée ; https://hal.archives-ouvertes.fr/hal-02987600 ; Bulletin suisse de Linguistique appliquée, pp.1-181, 2020 (2020) BASE Show details 2 Zwischen Kognition und Emotion: Bildung, Funktionen und Bewertung französischer und deutscher Schokoladennamen ... Rückert, Anna Lena. - : Heidelberg University Library, 2020 BASE Show details 3 Reflexes of Finiteness in Romance ... Groothuis, Kim Anouk. - : Apollo - University of Cambridge Repository, 2020 BASE Show details 4 (S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French Delmas, Melina. - 2020 BASE Show details 5 Nurturing bilingual children: the voice of Spanish-speaking families in the West of Scotland de Britos, Angela. - 2020 BASE Show details 6 Masculinism in Twentieth-Century Literature: Dissidence and Dissemblance in André Gide’s The Immoralist, Vladimir Nabokov’s Lolita, and Philip Roth’s Sabbath’s Theater Smith, Amanda Emanuel. - 2020 Abstract: Although masculinist literature may appear to be about masculinity as such or often explicit articulations of male carnality or even crudeness, it is actually about the use of masculinity, or gender performance, and prurience as rebellion; it is a means to undercut a sexually sublimating, artistically stifling system of values whose primary aim is to erect unseen, virtually undetectable, impediments to freedom. Masculinism is about man shackled by invisible but palpable chains, trying not only to break free, but to be free. At first glance, there is little revelatory in this abbreviated definition; in fact, the very attention given the implied man in masculinism seems overtly patriarchal, dated. But, man first needed to be centered in order to be decentered; masculinism knows this. If the prominence of man seems archaic, it is of course because it is. This is why this definition of masculinism belongs if not in then to the twentieth century: it is indicative of a timespan that experienced the continued eminence of man with his connotations of strength, virility, and savvy; but, it is also indicative of an era that felt first the rise of woman in particular, then otherness in general. The precariousness of ‘man’s moment’ accounts for the palpable angst of masculinist literature; there is a feeling of being ousted, an impulse to retreat. This dissertation ruminates the implications of three masculinist texts, The Immoralist, Lolita and Sabbath’s Theater, and the reverberations of each of these protagonist’s actions. It does so under the impression that art is never for art’s sake alone. It does so knowing there is something to be learned from these characters, not because they are human, real, but because they are not. They are shown as the manifestations, the distillations, of man’s hopes and fears, but, most importantly, his surrender. For they are the last stand against the post-gendered, pan-sexual society that they have unwittingly helped to create. And they, the masculinist (anti-)heroes of masculinist literature, are raising the white flag, as they, with all their (post)modern angst and alienation, submit to and usher in a new literary era centered on cultural pluralism. Keyword: 100; 100 Philosophy; 300; 300 Social sciences; 370; 370 Education; 420; 420 English; 440; 440 Romance languages French; 800; 800 Literature and rhetoric; 810; 810 American literature in English; 820; 820 English and Old English literatures; 840; 840 Literatures of Romance languages URL: https://archiv.ub.uni-heidelberg.de/volltextserver/28738/ https://nbn-resolving.org/urn:nbn:de:bsz:16-heidok-287387 https://doi.org/10.11588/heidok.00028738 BASE Hide details 7 Zwischen Kognition und Emotion: Bildung, Funktionen und Bewertung französischer und deutscher Schokoladennamen Rückert, Anna Lena. - 2020 BASE Show details 8 Defying and defining the darkness: Translating French memories of the Holocaust Munyard, Stephanie Faye. - 2020 BASE Show details 9 Defying and defining the darkness: Translating French memories of the Holocaust Munyard, Stephanie Faye. - 2020 BASE Show details 10 Reflexes of Finiteness in Romance Groothuis, Kim Anouk. - : University of Cambridge, 2020. : Modern and Medieval Languages and Linguistics, 2020. : Christ's, 2020 BASE Show details 11 Sense in Translation: Essays on the Bilingual Body Rabourdin, Caroline. - : Routledge, 2020 BASE Show details 12 Viva voce . Comunicazione scritta e comunicazione orale nell’Occidente latino dal IV al IX secolo Banniard, Michel. - : EUT Edizioni Università di Trieste, 2020 BASE Show details 13 Ecouter le chant d'Orphée – La figure d'Orphée dans la création poétique moderne et contemporaine de langue allemande, française et suédoise Dekens, Julie. - 2020 In: Dekens, Julie. Ecouter le chant d'Orphée – La figure d'Orphée dans la création poétique moderne et contemporaine de langue allemande, française et suédoise. 2020, University of Zurich, Faculty of Arts. (2020) BASE Show details 14 De la Clef d’amour à l’Ovide De arte amandi : Genèse et fortune d’un recueil au XVIe siècle Maillet, Fanny; Montorsi, Francesco. - : Editions des archives contemporaines, 2020 In: Maillet, Fanny; Montorsi, Francesco (2020). De la Clef d’amour à l’Ovide De arte amandi : Genèse et fortune d’un recueil au XVIe siècle. Paris: Editions des archives contemporaines. (2020) BASE Show details 15 Mia Couto and the antinomies of world literature de Medeiros, Paulo. - : Peter Lang, 2020 BASE Show details

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