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Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book. London: The British Film Institute, Bloomsbury, 2020, 624 pp
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62 |
The development of a short-form foreign language enjoyment scale
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Learner emotions, autonomy and trait emotional intelligence in ‘in-person’ versus emergency remote English foreign language teaching in Europe
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Does the Complementarity Principle apply to inner speech? A mixed-methods study on multilingual Chinese university students in the UK
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66 |
Un beau viveur et un délicat vivant: Le baron de Besenval, courtisan et collectionneur, à travers son iconographie
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Voyeuristic gaze, narratological construction, and the gender problem in Murakami Haruki’s After Dark
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How Saudi migrants’ metapragmatic judgments of Arabic L1 nonverbal greetings change after prolonged exposure to English
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71 |
A crosslinguistic study of the perception of emotional intonation. Influence of the pitch modulations
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72 |
The influence of student perception of teacher emotional intelligence and happiness on foreign language learning
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74 |
How classroom environment and general grit predict foreign language classroom anxiety of Chinese EFL students
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75 |
Queering Hong Kong’s 1997 Handover in Japanese Boys’ Love Comics
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76 |
Foreign language learning boredom: conceptualization and measurement
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77 |
Teacher enthusiasm and students’ social-behavioral learning engagement: the mediating role of student enjoyment and boredom in Chinese EFL classes
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78 |
Using corpus linguistics to investigate agency and benign neglect in organisational language policy and planning: the United Nations as a case study
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79 |
Cine documental japonés: de los orígenes a la Guerra del Pacífico (1897-1945)
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80 |
Language choice in psychotherapy of multilingual clients: multilingual therapists’ perspective
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