| 182 |
The Contextual Meaning of Japanese Setsuzokushi
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 2, Pp 113-121 (2021) (2021)
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| 183 |
The Concept and Use of Aisatsu
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 35-46 (2021) (2021)
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| 184 |
Fungsi Kata Bantu To dalam Cerita Pendek Itazuragitsune Karya Kubo Takashi
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 1, Pp 79-99 (2021) (2021)
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| 185 |
Strategi Pembelajaran Mata Kuliah Pemahaman Wacana Bahasa Jepang (Dokkai) dengan Metode Komprehensif Terintegrasi
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 1, Pp 1-12 (2021) (2021)
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| 186 |
The Philosophy of Wabi-Sabi on Chashitsu Tai-an Myokian Shrine: A John Fiske's Semiotic Analysis
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 2, Pp 157-165 (2021) (2021)
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| 187 |
Style-shifting in Usage Instructions of Food, Beverage, and Pharmaceutical Products in Japanese Language
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 2, Pp 100-112 (2021) (2021)
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| 188 |
Dukungan Masyarakat dalam Melawan Label Negatif pada Tokoh Kuronumo Sawako dalam Film Kimi Ni Todoke Karya Naoto Kumazawa
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 1, Pp 27-47 (2021) (2021)
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| 189 |
Mandarin Language Students Illocutionary Acts in Japanese Language Learning at the University of Sumatera Utara
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In: Journal Polingua: Scientific Journal of Linguistics, Literature and Education, Vol 10, Iss 1, Pp 6-11 (2021) (2021)
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| 190 |
Kajian Hipersemiotika pada Iklan Majalah Non-no Edisi September 2007
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 1, Pp 48-58 (2021) (2021)
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| 191 |
Symbols and Meanings of Kanji with Bushu Onnahen As Representation of Women
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 47-56 (2021) (2021)
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| 192 |
Implementation of Omotenashi in Japanese Ryokan
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 2, Pp 122-132 (2021) (2021)
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| 193 |
Studi Stilistika Gaya Bahasa dalam Cerita Pendek Rashomon Karya Akutagawa Ryunosuke
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 1, Pp 68-78 (2021) (2021)
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| 194 |
On the causative and passive morphology in Japanese and Korean
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In: Open Linguistics, Vol 7, Iss 1, Pp 87-110 (2021) (2021)
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| 195 |
Use of Hedges ~to Omoimasu to Soften Speech and Its Implications for Japanese Politeness Teaching
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 67-79 (2021) (2021)
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| 196 |
Verba Beri-Terima dalam Bahasa Jepang
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 1, Pp 59-67 (2021) (2021)
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| 197 |
Animal Elements on Japanese Kotowaza and the Implementation of Japanese Socio-Cultural Values: A Cognitive Linguistics Point of View
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 2, Pp 141-156 (2021) (2021)
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| 198 |
Marginalization of Women in Higuchi Ichiyou's Nigorie Short Story: A Feminism Studies
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 3, Iss 2, Pp 133-140 (2021) (2021)
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| 199 |
Comparative Analysis of Cultural Elements in the Fairy Tales of “Timun Mas” and “Momotaro”
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 57-66 (2021) (2021)
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| 200 |
The Hidden Meaning in Hamasaki Ayumi's Secret Song Lyrics based on Riffaterre’s Semiotics Analysis
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 16-34 (2021) (2021)
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Abstract:
There is always a hidden meaning in literary works, concise works like poetry. It is always there even though it is not visible in the expression of its words. This is one of the main factors that characterize poetry, a string of impressive, dense, and implied meaning. This study attempts to describe the meaning contained in the lyrics of the song Secret by Hamasaki Ayumi by using the semiotic theory of Riffaterre's poetry. In this study, song lyrics are treated like poetry because of the similarity in form and nature. The results of data analysis found that the main message to be conveyed by the author is freedom. The author feels confined and bound by his status as a famous artist. He feels that he does not have his world because his world belongs to the public.
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Keyword:
hamasaki ayumi; Japanese language and literature; PL501-889; riffaterre; secret; semiotics of poetry
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URL: https://doaj.org/article/67a84a7c3a8d4236ad05f21cc6a01d8b
https://doi.org/10.33633/jr.v4i1.5435
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