541 |
Del argot de la droga a la lengua coloquial ; From Drug Slang to Coloquial Language
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542 |
The potential of ethnographic drama in the representation, interpretation, and democratization of sociolinguistic research
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543 |
Chassing a daisy
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In: Palaver; Volume 11 n.s., Issue 1 (2022); 211-217 (2022)
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544 |
De la langue au harcèlement en passant par les systèmes discursifs de discrimination – la construction linguistique du genre
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In: Corela, Vol 36 (2022) (2022)
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545 |
Préstamos léxicos y calcos estructurales en el español actual: ¿vehículos de cambio lingüístico?
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In: Onomázein: Revista de lingüística, filología y traducción de la Pontificia Universidad Católica de Chile, ISSN 0718-5758, Nº. 55, 2022, pags. 24-31 (2022)
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546 |
What are they gabbin about?: A relational realist approach to small stories (re)told on Gab
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547 |
Framing Standard and Dialect in Black Women's Novels
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Abstract:
Framing Standard and Dialect in Black Women's Novels explores how Black women writers engage with their image in dominant Western discourse. Deliberately objectified, their discursive identities have been underwritten and overlooked. Using Sylvia Wynter's argument that the emergence of Black women writers presents a parallax view that reorients humanist discourse, my project argues that Black women novelists reorient Black women's images through heteroglossia. Mikhail Bakhtin reads the novel as an interaction between languages as socio-ideological bodies. Challenging a dominant hegemony, the novel dialogic underscores Black women's resistant writing; however, Bakhtin's fusion of language and body restricts the dynamic between the two, repeating the erasures of dominant discourse. Translanguage constructs Bakhtin's heteroglossic dialogic as a slippage between language and body that demonstrates diversity. Translanguaging proposes named languages as a posteriori group categorizations, while language use approaches language features without regard for these boundaries. In this reorientation of language, Bakhtin's heteroglossia becomes Edouard Glissant's creolization, a specifically racialized expression of movement and change. The translanguaging of Black women's novels plays with dominant discourses to rescript their images as complex and mutable. Reading four novels, I demonstrate how narrative historicizes, theorizes, diasporizes, and incorporates this strategy. Pauline E. Hopkins displays a daguerreotype that reflects the oppressive history of Black womanhood to project an expressive excess in Contending Forces (1900). Zora Neale Hurston performs her "Characteristics of Negro Expression" as a moving image in the discursive play between main character and community in Their Eyes Were Watching God (1937). With double exposure in Louisiana (1994), Erna Brodber uses Hurston as the inspiration for her fictional main character to ground her theories in the Black diaspora. Toni Morrison invests in Black women's discursive erasure as the material of reorientation, presenting a photonegative in Sula (1973). Raciolinguistics is explicitly anti-oppressive in its attention to power dynamics. The novelists' synaesthesic presentation of Black women's consciously embodied language use emphasizes the power of language on their material conditions but plays with the individual's power over language. These novels demonstrate the flexibility of the designations Black and woman, names that inform but do not fix expression, to destabilize hegemonies.
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Keyword:
African American literature; Black women; Caribbean literature; Creolization; Demonic ground; Desire; Dialect; Diaspora; Edouard Glissant; Heteroglossia; Mikhail Bakhtin; Novels; Raciolinguistics; Sociolinguistics; Standard; Sylvia Wynter; Synaesthesia; Translanguage
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URL: http://hdl.handle.net/10315/39097
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548 |
The Privilege of Voice as a Criterion for Sociolinguistic Inequalities
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In: Nouvelle Revue Synergies Canada; No. 15 (2022): La notion de « voix » en sociolinguistique et sciences sociales ; 2292-2261 (2022)
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549 |
Agentivité et citoyenneté linguistique de la francophonie en Ontario
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In: Nouvelle Revue Synergies Canada; No. 15 (2022): La notion de « voix » en sociolinguistique et sciences sociales ; 2292-2261 (2022)
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550 |
La voix des « indigènes », ou comment rendre audible des voix rendues muettes. Sociolinguistique dans les archives coloniales
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In: Nouvelle Revue Synergies Canada; No. 15 (2022): La notion de « voix » en sociolinguistique et sciences sociales ; 2292-2261 (2022)
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551 |
Arguing against Northern Cities Shift reversal: Counter-shifting in Michigan
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5246 ; 2473-8689 (2022)
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552 |
Tree bahk or 3.0 Bark: Linguistic identity and the sociophonetic variation of rhotics in Gullah Geechee
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5275 ; 2473-8689 (2022)
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553 |
“You don’t know nothin’ bout no Earth, Wind, and Fire”: Reexamining negative concord and definiteness in African American English
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5271 ; 2473-8689 (2022)
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554 |
Sociolinguistically-aware computational models of Mandarin-English codeswitching
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5247 ; 2473-8689 (2022)
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555 |
The effect of the verb on pronominal expression: A reanalysis
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5286 ; 2473-8689 (2022)
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556 |
Binary-constrained code-switching among non-binary French-English bilinguals
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5279 ; 2473-8689 (2022)
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557 |
Style shifts in Japanese video game commentary monologues
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5227 ; 2473-8689 (2022)
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