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Benjamin and Deleuze: approaches to a critical history in film images ...
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Benjamin and Deleuze: Approaches to a Critical History in Film Images ...
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Total Capital -- Total Cinema
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In: Film, Media & Theatre Theses (2020)
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The (un)becoming-Scot: Irvine Welsh, Gilles Deleuze and the minor literature of Scotland after Scotland ...
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A antiliteratura da coisa: vidência e sensação em Clarice Lispector
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In: Revista Letras; v. 98 (2018): As muitas coisas de Clarice Lispector ; 2236-0999 ; 0100-0888 ; 10.5380/rel.v98i0 (2019)
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Conflict inhabitation: an emerging deleuzoguattarian inspired conflict studies reterritorialized assemblage
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1981: One or Several Aesthetics?
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In: Electronic Thesis and Dissertation Repository (2018)
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Abstract:
Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over stable, identifiable forms. Deleuze’s key references in The Logic of Sensation to playwright Antonin Artaud arouse the suspicion that Artaud’s schizophrenic experience of language, wherein words are reduced to phonetic ramblings, illuminates how Deleuze interprets this chaos of sensation in Bacon’s art. My work therefore calls back to The Logic of Sense (1969) and the first section of his book on Masochism (1967) to explore the waves of consistency between Deleuze’s understanding of language and the body, which is also to say between literature and painting. Yet while The Logic of Sensation may read like an exhaustive theory of art, Deleuze subtly indicates in this text that his system has its limits. Along with the molecular, material depths of sensation, Deleuze alludes to a cosmological, immaterial function of art. He observes this to exist almost exclusively in music and its force of floating time. Rather than turning solely to Plateau 11: Of the Refrain, I also adopt his earlier writings on Proust to explore a Deleuzian musicology. This Proust-music aesthetic schema (which I coin the musical pole) contrasts sharply with that of Bacon-Artaud (the painterly pole). Through an examination of the painterly and musical poles and to what extent the two can be synthesized, my work examines the enthralling disjunction in Deleuze’s aesthetics.
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Keyword:
aesthetics; Antonin Artaud; Comparative Literature; Contemporary Art; depths; Fine Arts; Francis Bacon; Gilles Deleuze; heights; hysteria; immateriality; Marcel Proust; modernism; molecular; music; Musicology; Olivier Messiaen; painting; Pierre Boulez; refrain; schizophrenia; sensation; spirit; territory; Theory and Criticism; time
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URL: https://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=7808&context=etd
https://ir.lib.uwo.ca/etd/5723
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Silence and Fog. On Gesture, Time, and Historicity in the Films of Aleksandr Sokurov ... : Stille und Nebel. Geste, Zeit und Historizität in den Filmen von Aleksandr Sokurov ...
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Pintor Iranzo, Ivan. - : Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2017
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Sociedad y deseo a la luz de la relación entre ontología y política en la obra de Gilles Deleuze
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In: TDX (Tesis Doctorals en Xarxa) (2017)
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Sociedad y deseo a la luz de la relación entre ontología y política en la obra de Gilles Deleuze
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Clayton Crockett (2013) Deleuze beyond Badiou: Ontology, Multiplicity, and Event
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In: English Faculty Publications (2017)
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Gilles Deleuze and early cinema: The modernity of the emancipated time
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Toward a Deleuzean theory of translation: a translation of and commentary on A fuego eterno condenados
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Teoria do romance e literatura menor: confluências teóricas para pensar a literatura brasileira
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In: Revista Letras; v. 94, n. 1 (2016): Ficção e história — múltiplas ressonâncias: dossiê em homenagem a Marilene Weinhardt ; 2236-0999 ; 0100-0888 ; 10.5380/rel.v94i1 (2016)
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Wastelands, Revolutions, Failures
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In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
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