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21
Un stylo en or. Des paysannes intouchables chantent Ambedkar, leur libérateur.
Bel, Bernard. - : HAL CCSD, 2005
In: https://hal.archives-ouvertes.fr/hal-00005792 ; pp.258, 2005 (2005)
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22
La subjectivité dans la parole et le chant
In: Actes, Symposium International sur les Sciences du Langage Musical ; Symposium International sur les Sciences du Langage Musical ; https://hal.archives-ouvertes.fr/hal-00256392 ; Symposium International sur les Sciences du Langage Musical, Oct 2004, Saint-Rémy-de-Provence, France. pp.1-12 (2004)
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23
Preaspiration in Sienese Italian & Its Interaction with Stress in /VC:/ Sequences
Stevens, Mary; Hajek, John; Bel, Bernard. - : Ludwig-Maximilians-Universität München, 2004
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24
Acoustic correlates of linguistic rhythm: Perspectives
Ramus, Franck. - 2002
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25
Un projet d’Atlas Multimédia Prosodique de l’Espace Roman
In: Speech Prosody 2002 ; https://hal.archives-ouvertes.fr/hal-01241621 ; Speech Prosody 2002, Daniel Hirst, Apr 2002, Aix-en Provence, France. pp.227-230 (2002)
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26
Rationalizing Musical Time: Syntactic and Symbolic-Numeric Approaches
In: The Ratio Book ; https://hal.archives-ouvertes.fr/hal-00134179 ; BARLOW, Clarence. The Ratio Book, Feedback Papers, pp.86-101, 2001 (2001)
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27
Subjectivité et émotion dans la prosodie de parole et du chant : espace, coordonnées et paramètres
In: Actes, Colloque international Emotions, Interactions & Développement ; Colloque international Emotions, Interactions & Développement ; https://hal.archives-ouvertes.fr/hal-00256391 ; Colloque international Emotions, Interactions & Développement, Jun 2001, Grenoble, France. pp.141-147 (2001)
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28
Le caractère spontané dans la parole et le chant improvisés : de la structure intonative au mélisme
In: ISSN: 1373-1955 ; Revue PAROLE ; https://hal.archives-ouvertes.fr/hal-00256388 ; Revue PAROLE, Université de Mons-Hainaut, 2000, pp.251-302 (2000)
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29
Prosodic Patterns in the Performance of Grindmill Songs
In: International Seminar on Linguistic and Inter-Disciplinary Approaches as Critical Resources to Development ; https://hal.archives-ouvertes.fr/hal-00256387 ; International Seminar on Linguistic and Inter-Disciplinary Approaches as Critical Resources to Development, Jul 2000, Mysore, India (2000)
Abstract: The proceedings of this conference have not been published ; Experimental studies of reading and spontaneous speech analysis have brought into light the role of tonal patterns (an aspect of speech prosody) in conveying rhetoric aspects of verbal communication hitherto overlooked by classical linguistic analysis. Speakers tend to rely on tonal patterns -- basically excursions of the fundamental pitch "F0" -- to make their message "known", "believed", and to instil a subjective dimension into it.It makes sense to hypothesize that similar strategies might be worked out by singers when the focus of their performance is a subjective reinterpretation of textual and symbolic contents of the lyrics. To check this hypothesis, we are in the process of conducting a detailed analysis of Maharashtrian grindmill songs recorded with individual performers. In the absence of a system of codification for tunes and lyrics, these performers feel free to explore melodic (tonal/temporal) structures emphasizing the meaning of words, or conveying additional meanings that the core lyrics did not articulate. The latter is part of an individuation process that would otherwise be difficult to trace in group performance.
Keyword: [SCCO.LING]Cognitive science/Linguistics; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; communication; melodic structure; music; oral tradition; popular culture; prosody; singing; speech; tonal pattern
URL: https://hal.archives-ouvertes.fr/hal-00256387/document
https://hal.archives-ouvertes.fr/hal-00256387/file/1117.pdf
https://hal.archives-ouvertes.fr/hal-00256387
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30
Bol Processor Grammars
In: Understanding Music with AI ; https://hal.archives-ouvertes.fr/hal-00256386 ; Mira Balaban. Understanding Music with AI, AAAI Press, pp.366-400, 1992 (1992)
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31
Modelling improvisatory and compositional processes
In: Languages of Design, Formalisms for Word, Image and Sound ; https://hal.archives-ouvertes.fr/hal-00256385 ; Languages of Design, Formalisms for Word, Image and Sound, 1992, 1 (1), pp.11-26 (1992)
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32
Modelling music with grammars: formal language representation in the Bol Processor
In: Computer Representations and Models in Music ; https://halshs.archives-ouvertes.fr/halshs-00004506 ; Computer Representations and Models in Music, Academic Press, pp.207-238, 1992 (1992)
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33
Knowledge acquisition and representation in music ; Acquisition et représentation de connaissances en musique
Bel, Bernard. - : HAL CCSD, 1990
In: https://tel.archives-ouvertes.fr/tel-00009692 ; Génie logiciel [cs.SE]. Université de droit, d'économie et des sciences - Aix-Marseille III, 1990. Français (1990)
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34
Inférence de langages réguliers
In: Actes, Journées Françaises de l'Apprentissage ; Journées Françaises de l'Apprentissage ; https://hal.archives-ouvertes.fr/hal-00275789 ; Journées Françaises de l'Apprentissage, 1990, Lannion, France. pp.5-27 (1990)
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35
The identification and modelling of a percussion 'language', and the emergence of musical concepts in a machine-learning experimental set-up
In: ISSN: 0010-4817 ; EISSN: 1572-8412 ; Computers and the Humanities ; https://halshs.archives-ouvertes.fr/halshs-00004505 ; Computers and the Humanities, Springer Verlag, 1989, 23 (3), pp.119-214 (1989)
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36
Kichkila Kathak storytellers and dancers
In: 13 cm reel tape, 2 tracks, 9.5 cm/s recorded on UHER 4200 (1978)
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