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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 8 of 8 1 Nonverbal Auditory Cues Allow Relationship Quality to be Inferred During Conversations Dunbar, R. I. M.; Robledo, Juan-Pablo; Tamarit, Ignacio... In: J Nonverbal Behav (2021) BASE Show details 2 Pitch-interval analysis of 'periodic' and 'aperiodic' Question+Answer pairs Robledo Del Canto, Juan,; Hawkins, Sarah; Cross, Ian... In: Speech Prosody 2016 ; https://hal.univ-lorraine.fr/hal-02997874 ; Speech Prosody 2016, May 2016, Boston, United States. pp.1071 - 1075, ⟨10.21437/speechprosody.2016-220⟩ (2016) BASE Show details 3 Pitch-interval analysis of ‘periodic’ and ‘aperiodic’ Question+Answer pairs Robledo, Juan Pablo; Hawkins, Sarah; Cross, Ian. - 2016 BASE Show details 4 The Oxford handbook of music psychology Hallam, Susan; Cross, Ian; Thaut, Michael. - Oxford : Oxford University Press, 2014-2016 MPI für Psycholinguistik Show details 5 The Oxford handbook of music psychology Hallam, Susan; Cross, Ian; Thaut, Michael. - Oxford : Oxford University Press, 2014- MPI für Psycholinguistik Show details 6 Artificial Grammar Learning of Melody Is Constrained by Melodic Inconsistency: Narmour's Principles Affect Melodic Learning Rohrmeier, Martin Alois; Cross, Ian In: PLoS (2012) BASE Show details 7 The Oxford handbook of music psychology Hallam, Susan; Cross, Ian; Thaut, Michael H.. - Oxford : Oxford University Press, c2009 MPI für Psycholinguistik Show details 8 Universals in music processing Stevens, Catherine J.; Byron, Timothy P.; Hallam, Susan; Cross, Ian; Thaut, Michael. - : U.K, Oxford University Press, 2009 Abstract: In this chapter we outline areas of musical processing that may be universal to humans. Music here refers to temporally structured human activities, social and individual, in the production and perception of sound organized in patterns that convey non-linguistic meaning. Music processing refers to the neural contribution in perception, cognition and production of music. Keyword: 1701 - Psychology; cognition; music; perception; psychology URL: http://handle.uws.edu.au:8081/1959.7/488729 BASE Hide details

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