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Human Beatbox: from extreme use of voice and speech to its use in speech therapy ; Le Human Beatbox : d’une utilisation extrême de la voix et de la parole à son utilité en orthophonie
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In: ISSN: 0034-222X ; Rééducation orthophonique ; https://hal.archives-ouvertes.fr/hal-03377693 ; Rééducation orthophonique, Ortho édition, 2021, Rééducation orthophonique n°286 - Les phonations : sur la voie des voix, 286 ; https://www.orthoedition.com/revues/n-les-phonations-sur-la-voie-des-voix-4341.html (2021)
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Perception auditive et ressenti d’auditeurs de divers profils pour les voyelles corses du Cantu in Paghjella
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In: PerceptiO, la perception et le vivant (Symposium idEx 2021) ; https://hal.archives-ouvertes.fr/hal-03504722 ; PerceptiO, la perception et le vivant (Symposium idEx 2021), Université de Strasbourg, Nov 2021, Strasbourg, France (2021)
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Traduction et standardisation du texte « La bise et le soleil » en arabe libanais : étude comparative du même outil présenté en quatre langues
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In: Séminaire de l’Association Francophone de la Communication Parlée: phonétique Clinique ; https://hal.archives-ouvertes.fr/hal-03505435 ; Séminaire de l’Association Francophone de la Communication Parlée: phonétique Clinique, May 2021, A distance, France. 2021 ; http://www.afcp-parole.org/seminaire-afcp-phonetique-clinique-27-mai-2021/ (2021)
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Video-fiberscopic laryngophryngeal examination in beatboxing
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In: 13th Congress of the European Laryngological Society ; https://hal.archives-ouvertes.fr/hal-03504696 ; 13th Congress of the European Laryngological Society, May 2021, Digital, France (2021)
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Abstract:
International audience ; As a stand-alone musical style, Beatboxing is of particular interest to speech scientists because it uses speech sounds or speech-like sounds to create music that often has no linguistic content The Human Beatbox, particular utilization of the vocal tract, with the voice at the limits of singing is a new branch of Hip-Hop, 1970. It is a vocal and physical imitation of musical instruments such as trumpet, muted trumpet, electric guitar, electric saturated guitar or Kick, Snare, Hihat or electronic sounds like scratching. It is a new vocal technique involving only physiological elements to transform vocal timbre in musical sounds. Laryngeal behaviour: The aim of this presentation is to give some information about its complex laryngeal articulation and phonation types, with no laryngeal pathology. We provide here a basis for understanding on the laryngeal behavior and resonators, and on aerodynamic adaptations for the production of beatboxed sounds. These multiple and unexpected combinations of laryngeal postures that can be explained by the Laryngeal Articulator Model (Esling et al. 2019): pharyngeal muscle used to significantly narrow the vocal tract to generate high pitches, and arytenoids also appeared to have had vibratory function in sound generation. These performers overall had remarkable independent control of various laryngopharyngeal subsites to Human Beatbox.The vocal tract adopts specific behaviour for each instrument imitated. The ‘tubular’ or enlarged configuration of the larynx, associated with the closed or almost closed oral cavity, can be reconciled with the behaviour described by Titze (2001) in the framework of impedance (harmonic strengthening with no vocal effort) or twang (‘healthy voice configuration’). Beatboxers are therefore using optimal conditions. Behaviour of compression of the pharynx and larynx are similar to those described by some authors as ‘laryngeal adjustments’, such as ‘glottal stop’, or the ‘aryepiglottal stop’, These compressions have been described as pathological laryngeal behaviour in dysphonia and are reminiscent of Type III (transversal compression of the false vocal folds) and IV (anteroposterior compression of the epilarynx) behaviour described by Koufman et al. (1996). However, we found no dysphonia among beatboxers. The successful achievement of sound suggests pharyngeal and laryngeal muscle structure operating at full capacity.Acoustics: ‘Bass sounds’ mark the rhythm and the instruments and electronic sounds bring the musicality.Aeorynamics: Human Beatbox sounds involve both inhalation and exhalation during their production, and both non-pulmonary and pulmonary airflow. The use of a non-pulmonic airflow allows some dissociation between sound production and ventilation, with both egressive and ingressive airstreams The humming sounds were produced via a lingual ingressive (velaric) or egressive airstream This allows the beatboxer to perform multiple actions at the same time, such as breathing or producing a melodic line through the nose without being silent. The tongue and larynx may be used in concert to produce a more effective pushing action. Most sounds produced by spoken language and singing are exhaled sounds. However, beatboxing incorporates inhaled sounds which likely serves at least two main purposes—the first of which allows for the performer to complete respiratory cycles without interrupting the continuity of a sequence of beats, and the second which produces sounds not executable by exhalation.Conclusion: Educational and therapeutic perspectives: beatboxing techniques (HBB) may be protective of the true vocal folds by using the entire vocal tract for sound production.Its aerodynamic is useful to infer articulatory details (i.e. occlusion) and map it to the acoustic output (i.e. velopharyngeal aperture)With pharyngeal voice techniques, HBB help improve glottic closure, which is relevant for partial laryngectomy, vocal fold immobility…With its different patterns of articulatory coordination such as mandibular opening and articulator agility, synchronization, it can be useful for dysarthria, dyspraxis, stuttering (toning the patient's laryngo-pharyngo-oro-facial region)With its breathing management, rhythm control, and body gesture that accompanies speech, it can be useful for Parkinson’s syndrom…
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Keyword:
[SHS.LANGUE]Humanities and Social Sciences/Linguistics
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URL: https://hal.archives-ouvertes.fr/hal-03504696
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Le Human Beatbox: d’une utilisation extrême de la voix et de la parole à son utilité en orthophonie
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In: 28ème congrès scientifique de la FNO - "Sur la voie des Voix” ; https://hal.archives-ouvertes.fr/hal-03505267 ; 28ème congrès scientifique de la FNO - "Sur la voie des Voix”, Fédération Nationale des Orthophonistes (FNO), Jun 2021, Lille, France (2021)
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Le human beatbox entre musique et parole : quelques indices acoustiques et physiologiques
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In: ISSN: 1634-5495 ; EISSN: 1950-568X ; Volume ! La revue des musiques populaires ; https://hal.archives-ouvertes.fr/hal-02895592 ; Volume ! La revue des musiques populaires, Editions Mélanie Seteun 2020, pp.125-143. ⟨10.4000/volume.8121⟩ (2020)
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Influence des consonnes françaises sur la qualité vocale de /a/ chez des sujets dysphoniques et sains
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In: 8èmes Journées de Phonétique Clinique ; https://hal.archives-ouvertes.fr/hal-02195468 ; 8èmes Journées de Phonétique Clinique, Véronique DELVAUX, Kathy HUET, Myriam PICCALUGA, Bernard HARMEGNES, May 2019, Mons, Belgique (2019)
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On the effect of aging on voice characteristics
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In: https://hal.archives-ouvertes.fr/hal-02195565 ; 2017 (2017)
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Labial movements, articulation and vocal quality during spoken an sung vowels in Cantu in Paghjella
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In: Pan European Voice Conference (PEVOC) ; https://hal.archives-ouvertes.fr/hal-01735398 ; Pan European Voice Conference (PEVOC), Aug 2017, Gand, Belgium (2017)
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Intelligibilité de la parole après le traitement d’un cancer de l’oropharynx : étude descriptive chez sept patients en pré-traitement et en post-traitement précoce
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In: 7èmes Journées de phonétique clinique (JPC7) ; https://hal.archives-ouvertes.fr/hal-01566225 ; 7èmes Journées de phonétique clinique (JPC7), Laboratoire de Phonétique et Phonologie, hôpital Européen G. Pompidou, Jun 2017, Paris, France ; http://jpc7.ilpga.fr/ (2017)
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The TYPALOC Corpus: A Collection of Various Dysarthric Speech Recordings in Read and Spontaneous Styles
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In: Language Resources and Evaluation Conference (LREC) ; https://halshs.archives-ouvertes.fr/halshs-01401377 ; Language Resources and Evaluation Conference (LREC), May 2016, Portoroz, Slovenia. p 4658-4665 (2016)
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Le Human Beatbox: de l’art vocal à la prouesse articulatoire
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In: Ateliers Sciences et Voix ; https://hal.archives-ouvertes.fr/hal-01486224 ; Ateliers Sciences et Voix, Apr 2016, Grenoble, France ; http://atelier-sciences-voix.fr/index.php?page=avs4-4-human-beatbox (2016)
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Production of spoken and sung vowels in Cantu in Paghjella ; Production des voyelles parlées et chantées dans le Cantu in Paghjella
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In: Journées d'Etude sur la Parole 2016 ; https://halshs.archives-ouvertes.fr/halshs-01404849 ; Journées d'Etude sur la Parole 2016, Jul 2016, Paris, France. pp.545-553 (2016)
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Instrumental phonetics for foreign language acquisition and singing
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In: Symposium LabEx Empiral Foundations of Linguistics (EFL) ; https://hal.archives-ouvertes.fr/hal-02194955 ; Symposium LabEx Empiral Foundations of Linguistics (EFL), Université Paris 7 Diderot, LabEx EFL, Jun 2015, Paris, France (2015)
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3Gestion des sons non pulmonaires et de l’inspiration dans le Human Beatbox
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In: 71ème Congres de la Société Française de Phoniatrie et des Pathologies de la Communication ; https://halshs.archives-ouvertes.fr/halshs-01405712 ; 71ème Congres de la Société Française de Phoniatrie et des Pathologies de la Communication, Oct 2015, Paris, France (2015)
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Acoustic Data Analysis from Multi-Sensor Capture in Rare Singing ; Acoustic Data Analysis from Multi-Sensor Capture in Rare Singing: Cantu in Paghjella Case Study
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In: ISSN: 2047-4970 ; EISSN: 2047-4989 ; International Journal of Heritage in the Digital Era ; https://halshs.archives-ouvertes.fr/halshs-01251181 ; International Journal of Heritage in the Digital Era, SAGE Journals, 2015, 4 (1), pp.121-132 ⟨10.1260/2047-4970.4.1.121⟩ (2015)
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A Multi-Sensor Helmet to Capture Rare Singing, an Intangible Cultural Heritage Study
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In: 10th International Seminar on Speech Production (ISSP) ; https://hal.archives-ouvertes.fr/hal-01188296 ; 10th International Seminar on Speech Production (ISSP), May 2014, Cologne, Germany. pp.5-8 ; www.issp2014.uni-koeln.de (2014)
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3D Tongue motion visualization based on ultrasound image sequences
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In: Interspeech 2014 ; https://halshs.archives-ouvertes.fr/halshs-01404834 ; Interspeech 2014, Sep 2014, Singapour, Singapore (2014)
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Echelle visuelle tridimensionnelle OCM pour évaluer le comportement du conduit vocal : exemple du Human Beatbox
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In: Société Internationale Francophone ORL (SIFORL) ; https://halshs.archives-ouvertes.fr/halshs-01405666 ; Société Internationale Francophone ORL (SIFORL), Jun 2014, Montréal, Canada (2014)
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Acoustic Data Analysis from Multi-Sensor Capture in Rare Singing: Cantu in Paghjella Case Study
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In: in Proc. 1st Workshop on ICT for the Preservation and Transmission of Intangible Cultural Heritage, International Euro-Mediterranean Conference on Cultural Heritage (Euromed2014) ; https://halshs.archives-ouvertes.fr/halshs-01130325 ; in Proc. 1st Workshop on ICT for the Preservation and Transmission of Intangible Cultural Heritage, International Euro-Mediterranean Conference on Cultural Heritage (Euromed2014), Nov 2014, Lemessos, Cyprus (2014)
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