| 1 |
Phonological convergence and divergence in simultaneous bilinguals, language learners, and monolinguals
|
|
|
|
In: 18ème Congrès du Réseau Français de Phonologie (RFP2021) ; https://hal.archives-ouvertes.fr/hal-03504807 ; 18ème Congrès du Réseau Français de Phonologie (RFP2021), Université de Clermont-Ferrand, Jul 2021, Digital, France ; https://www.dropbox.com/s/rs7uiiqeojzdr89/Abstracts%20RFP.pdf?dl=0 (2021)
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Le human beatbox entre musique et parole : quelques indices acoustiques et physiologiques
|
|
|
|
In: ISSN: 1634-5495 ; EISSN: 1950-568X ; Volume ! La revue des musiques populaires ; https://hal.archives-ouvertes.fr/hal-02895592 ; Volume ! La revue des musiques populaires, Editions Mélanie Seteun 2020, pp.125-143. ⟨10.4000/volume.8121⟩ (2020)
|
|
BASE
|
|
Show details
|
|
|
| 3 |
Production of the French High Vowels /i y u/ by English-Speaking Learners and French Native Speakers in a Reading Task in Tandem Language Learning
|
|
|
|
In: Newsounds 2019 : The 9th International Symposium on the Acquisition of Second Language Speech ; https://hal.archives-ouvertes.fr/hal-02337180 ; Newsounds 2019 : The 9th International Symposium on the Acquisition of Second Language Speech, Aug 2019, Tokyo, Japan (2019)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
Laryngeal and acoustic behavior for Mongolian Long Song and Human Beatbox productions
|
|
|
|
In: Symposium en l’honneur du Docteur Johan Sundberg, Docteur Honoris Causa 2016 ; https://hal.archives-ouvertes.fr/hal-01486233 ; Symposium en l’honneur du Docteur Johan Sundberg, Docteur Honoris Causa 2016, Dominique Morsomme, Oct 2016, Liège, Belgium ; http://www.aself.be/wp-content/uploads/symposium.pdf (2016)
|
|
BASE
|
|
Show details
|
|
|
| 5 |
Vocal Registers Transitions Phenomena in trills used in Mongolian Long Song productions
|
|
|
|
In: 9th Pan European Voice Conference ; https://halshs.archives-ouvertes.fr/halshs-00674662 ; 9th Pan European Voice Conference, Aug 2011, Marseille, France. pp.22-23 (2011)
|
|
BASE
|
|
Show details
|
|
|
| 6 |
Analyses vidéofibroscopiques et acoustiques des ornements du Chant Long Mongol; comparaison avec la laryngectomie partielle
|
|
|
|
In: Séminaires de Recherche en Phonétique et Phonologie ; https://halshs.archives-ouvertes.fr/halshs-00609137 ; Séminaires de Recherche en Phonétique et Phonologie, Mar 2011, Paris, France (2011)
|
|
BASE
|
|
Show details
|
|
|
| 7 |
Voix chantées du monde
|
|
|
|
In: Journée Mondiale de la voix ; https://halshs.archives-ouvertes.fr/halshs-00609182 ; Journée Mondiale de la voix, Apr 2010, Paris, France (2010)
|
|
BASE
|
|
Show details
|
|
|
| 8 |
Aspects, phonétiques, acoustiques, fonctionnels et culturels du cri dans la parole et le chant
|
|
|
|
In: Colloque "Voix contemporaines" ; https://halshs.archives-ouvertes.fr/halshs-00609139 ; Colloque "Voix contemporaines", May 2010, Paris, France (2010)
|
|
BASE
|
|
Show details
|
|
|
| 9 |
Analogy between laryngeal gesture and acoustics in mongolian long song and partial laryngectomy
|
|
|
|
In: ICPLA 2010: the 13th Meeting of the International Clinical Linguistics and Phonetics Association ; Congress of the International Clinical Phonetics and Linguistics Association (ICPLA) ; https://hal.archives-ouvertes.fr/hal-00525095 ; Congress of the International Clinical Phonetics and Linguistics Association (ICPLA), Jun 2010, Oslo, Norway. pp.110-111 (2010)
|
|
Abstract:
International audience ; Objective. This paper presents the results of a multiparametrical analysis of "Mongolian Long song", named Urtyn duu in Mongolian. This is a long and slow versified melody with multiple ornamentations, which are unknown in the western occidental singing. The laryngeal behaviour observed during certain ornamentations can be compared to compensatory gesture produced by patients after partial laryngectomy. The aim of this study was to (1) analyse different laryngeal gestures and their acoustic correlate in Mongolian Long Song and to (2) understand compensatory behaviour used by patients without vocal folds (substitution voice) at the supraglottic level with aryepiglottic folds. We try to know if the laryngeal movement observed during Long Song relates to a physiological production or extreme movements in the field of degree of freedom of the larynx. Method. The study includes: (1) a physiological analysis (videofiberoptic laryngeal data of the 61 ornamentations of a song produced by a famous Mongolian singer, Narantuya, and video recordings of the singer); (2) an acoustical analysis (fundamental frequency and intensity curves of the ornamentations), (3) analysis of videofiberoptic recordings of 3 patients after supra cricoid partial laryngectomy. Results. The fiberoptic analysis, inspired by Edmondson et al. one (2006), showed two main laryngeal behaviour in producing ornamentations, with a leitmotiv: (1) "lyrical" vibratos mobilizing the entire laryngeal block; (2) "Mongolian" trills with essentially supraglottic movements, the arytenoids being mobilized independently of the rest of the laryngeal block. Furthermore, there is a basic movement of closure of the vocal folds and the participation of interarytenoid muscles and ary-epiglottic folds creating an antéroposterior vibration. This mechanism corresponds to the so called “pressed phonation”. These movements are observed in patients after supra cricoid partial laryngectomy to create a vibrating neoglottis (Crevier- Buchman, 1999). The acoustical results in Mongolian singing are high pitch and modulated melody while the patients have low pitch and monotonous speech. These movements contrasted with the absence of cervico-scapular movement of the singer producing a long song during a concert. The acoustic analysis (Dromey et al., 2003) showed: (1) for the "lyrical" vibrato: the fundamental frequency and the intensity were in-phase, with a moderate amplitude (1 to 3 semitones for the fundamental frequency, 4 to 6 dB for the intensity; 5 to 6 modulations/s); (2) for the "Mongolian" trill: the fundamental frequency and the intensity were in opposite phase, with an important amplitude (3.5 to 4.5 semitones for the fundamental frequency, 6 to 10 dB for the intensity; and 6 to 7 modulations/s) and acoustical indications of changes of laryngeal vibratory mechanisms (Castellengo et al., 2007).
|
|
Keyword:
[SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; acoustics; clinical phonetics; laryngeal gesture; mongolian long song; partial laryngectomy
|
|
URL: https://hal.archives-ouvertes.fr/hal-00525095
https://hal.archives-ouvertes.fr/hal-00525095/document
https://hal.archives-ouvertes.fr/hal-00525095/file/Pillot_Loiseau_et_al_Oslo.pdf
|
|
BASE
|
|
Hide details
|
|
|
| 10 |
Voix parlée et chantée: aspects scientifiques et rééducatifs
|
|
|
|
In: Journée "Médecine des Arts" ; https://halshs.archives-ouvertes.fr/halshs-00609202 ; Journée "Médecine des Arts", Nov 2009, Cannes, France (2009)
|
|
BASE
|
|
Show details
|
|
|
| 11 |
Pourquoi le singing-formant ? Données scientifiques et hypothèses musicologiques relatives à son apparition
|
|
|
|
In: ISSN: 1240-3784 ; Médecine des arts ; https://halshs.archives-ouvertes.fr/halshs-00609079 ; Médecine des arts, Ayssènes : Médecine des arts, 1998, 26, pp.2-7 (1998)
|
|
BASE
|
|
Show details
|
|
|
| 12 |
Les voix du monde, une anthologie des expressions vocales
|
|
|
|
In: Cahiers de Musiques Traditionnelles, Genève ; https://halshs.archives-ouvertes.fr/halshs-00609086 ; Cahiers de Musiques Traditionnelles, Genève, 1997, 10, pp.333-338 (1997)
|
|
BASE
|
|
Show details
|
|
|
|
|
