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1
The ObieAlto project: Looking for correlations between perceptual properties and constructional data
In: International Symposium on Musical Acoustics ; https://hal.sorbonne-universite.fr/hal-02362025 ; International Symposium on Musical Acoustics, Sep 2019, Detmold, Germany (2019)
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2
Perceptual evaluation of violins: A psycholinguistic analysis of preference verbal descriptions by experienced musicians
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.sorbonne-universite.fr/hal-01521220 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2017, 141 (4), pp.2746 - 2757. ⟨10.1121/1.4980143⟩ (2017)
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3
Diversité des ressources linguistiques et des discours dans différentes modalités sensorielles : de l’expression de l’expérience sensible à la construction de l’objectivité
In: Colloque international La Perception en Langue et en Discours ; https://hal.archives-ouvertes.fr/hal-02343065 ; Colloque international La Perception en Langue et en Discours, Apr 2016, Opole, Pologne (2016)
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4
Influence of the Electric Guitar's Fingerboard Wood on Guitarists' Perception
In: ISSN: 1610-1928 ; EISSN: 1861-9959 ; Acta Acustica united with Acustica ; https://hal.archives-ouvertes.fr/hal-01461735 ; Acta Acustica united with Acustica, Hirzel Verlag, 2015, 101 (2), pp.347-359. ⟨10.3813/AAA.918831⟩ (2015)
Abstract: International audience ; The sound of a solid body electric guitar comes from the loudspeaker transducing into sound the string velocity. Because of mechanical string-structure coupling, the string vibration, and therefore the sound, substantially depends on the lutherie parameters. This study focuses on the comparison between ebony-fingerboard and rosewood-fingerboard guitars: is a change in the fingerboard wood perceived by the guitar players? In order to test the hypothesis that it is actually perceived, a psychological investigation is carried out. Two experimental methods are used: a free sorting task with recorded stimuli from the guitars (listening test) and a free verbalisation task where the guitarists play the guitars. In the listening test, the guitarists perceive differences between guitars, but the resulting clusters do not show an ebony/rosewood dichotomy. A linguistic analysis of the verbalisations exhibits psychological descriptors that are relevant for the discrimination of the wood of the fingerboard: PRECISION (referring to how each note stands out from others), and to a lesser extent ATTACK (referring to the guitar's response to musician's gesture) and BALANCE (referring to the frequency content). This study is part of a broader project aiming at establishing an explicite relation between mechanics, perception, and lutherie. A physical interpretation of the psychologically-relevant descriptors is eventually proposed in order to use them as hypotheses in a further hypothetico-deductive approach starting from physics and using psychophysical methods.
Keyword: [PHYS.MECA.ACOU]Physics [physics]/Mechanics [physics]/Acoustics [physics.class-ph]
URL: https://doi.org/10.3813/AAA.918831
https://hal.archives-ouvertes.fr/hal-01461735
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5
Speaking about senses: naming and referring. The sonic experience ; Dire notre expérience du sonore : nomination et référenciation
In: ISSN: 0023-8368 ; EISSN: 1957-7982 ; Langue française ; https://halshs.archives-ouvertes.fr/halshs-01294493 ; Langue française, Armand Colin, 2015, Stabilité et instabilité dans la production du sens : la nomination en discours, 188 (4), pp.15-32. ⟨10.3917/lf.188.0015⟩ (2015)
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6
What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology
In: What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology ; https://hal.archives-ouvertes.fr/hal-00430397 ; What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology, Oct 2009, Paris, France (2009)
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7
Mettre un terme aux couleurs de base : déconstruction d’un paradigme dominant
In: Le sentir et le dire : concepts et méthodologies en linguistique et psychologie cognitive ; https://hal.archives-ouvertes.fr/hal-02343049 ; Danièle Dubois. Le sentir et le dire : concepts et méthodologies en linguistique et psychologie cognitive, L'Harmattan, pp.75-104, 2009 (2009)
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8
Co-construction du sens et de l'espace en discours : l’exemple des couleurs
In: La langue en contexte ; https://hal.archives-ouvertes.fr/hal-02343052 ; E. Havu; J. Härmä; M. Helkkula; M. Larjavaara; U. Tuomarla. La langue en contexte, Société Philologique, pp.363-375, 2009 (2009)
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9
Des adjectifs construits pour qualifier le monde
In: Le sentir et le dire : concepts et méthodologies en linguistique et psychologie cognitive ; https://hal.archives-ouvertes.fr/hal-02343050 ; Danièle Dubois. Le sentir et le dire : concepts et méthodologies en linguistique et psychologie cognitive, L'Harmattan, pp.279-308, 2009 (2009)
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