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1
In and out: production mechanisms in Human Beatboxing
In: ISSN: 1939-800X ; Proceedings of meetings on acoustics ; https://hal.archives-ouvertes.fr/hal-03612377 ; Proceedings of meetings on acoustics, AIP/Scitation, 2022, 181st Meeting of the Acoustical Society of America, 45 (1), pp.060005. ⟨10.1121/2.0001543⟩ (2022)
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2
Video-fiberscopic laryngophryngeal examination in beatboxing
In: 13th Congress of the European Laryngological Society ; https://hal.archives-ouvertes.fr/hal-03504696 ; 13th Congress of the European Laryngological Society, May 2021, Digital, France (2021)
Abstract: International audience ; As a stand-alone musical style, Beatboxing is of particular interest to speech scientists because it uses speech sounds or speech-like sounds to create music that often has no linguistic content The Human Beatbox, particular utilization of the vocal tract, with the voice at the limits of singing is a new branch of Hip-Hop, 1970. It is a vocal and physical imitation of musical instruments such as trumpet, muted trumpet, electric guitar, electric saturated guitar or Kick, Snare, Hihat or electronic sounds like scratching. It is a new vocal technique involving only physiological elements to transform vocal timbre in musical sounds. Laryngeal behaviour: The aim of this presentation is to give some information about its complex laryngeal articulation and phonation types, with no laryngeal pathology. We provide here a basis for understanding on the laryngeal behavior and resonators, and on aerodynamic adaptations for the production of beatboxed sounds. These multiple and unexpected combinations of laryngeal postures that can be explained by the Laryngeal Articulator Model (Esling et al. 2019): pharyngeal muscle used to significantly narrow the vocal tract to generate high pitches, and arytenoids also appeared to have had vibratory function in sound generation. These performers overall had remarkable independent control of various laryngopharyngeal subsites to Human Beatbox.The vocal tract adopts specific behaviour for each instrument imitated. The ‘tubular’ or enlarged configuration of the larynx, associated with the closed or almost closed oral cavity, can be reconciled with the behaviour described by Titze (2001) in the framework of impedance (harmonic strengthening with no vocal effort) or twang (‘healthy voice configuration’). Beatboxers are therefore using optimal conditions. Behaviour of compression of the pharynx and larynx are similar to those described by some authors as ‘laryngeal adjustments’, such as ‘glottal stop’, or the ‘aryepiglottal stop’, These compressions have been described as pathological laryngeal behaviour in dysphonia and are reminiscent of Type III (transversal compression of the false vocal folds) and IV (anteroposterior compression of the epilarynx) behaviour described by Koufman et al. (1996). However, we found no dysphonia among beatboxers. The successful achievement of sound suggests pharyngeal and laryngeal muscle structure operating at full capacity.Acoustics: ‘Bass sounds’ mark the rhythm and the instruments and electronic sounds bring the musicality.Aeorynamics: Human Beatbox sounds involve both inhalation and exhalation during their production, and both non-pulmonary and pulmonary airflow. The use of a non-pulmonic airflow allows some dissociation between sound production and ventilation, with both egressive and ingressive airstreams The humming sounds were produced via a lingual ingressive (velaric) or egressive airstream This allows the beatboxer to perform multiple actions at the same time, such as breathing or producing a melodic line through the nose without being silent. The tongue and larynx may be used in concert to produce a more effective pushing action. Most sounds produced by spoken language and singing are exhaled sounds. However, beatboxing incorporates inhaled sounds which likely serves at least two main purposes—the first of which allows for the performer to complete respiratory cycles without interrupting the continuity of a sequence of beats, and the second which produces sounds not executable by exhalation.Conclusion: Educational and therapeutic perspectives: beatboxing techniques (HBB) may be protective of the true vocal folds by using the entire vocal tract for sound production.Its aerodynamic is useful to infer articulatory details (i.e. occlusion) and map it to the acoustic output (i.e. velopharyngeal aperture)With pharyngeal voice techniques, HBB help improve glottic closure, which is relevant for partial laryngectomy, vocal fold immobility…With its different patterns of articulatory coordination such as mandibular opening and articulator agility, synchronization, it can be useful for dysarthria, dyspraxis, stuttering (toning the patient's laryngo-pharyngo-oro-facial region)With its breathing management, rhythm control, and body gesture that accompanies speech, it can be useful for Parkinson’s syndrom…
Keyword: [SHS.LANGUE]Humanities and Social Sciences/Linguistics
URL: https://hal.archives-ouvertes.fr/hal-03504696
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3
Human beatboxing: Physiological aspects of drum imitation
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03594033 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (4), pp.A189-A189. ⟨10.1121/10.0008080⟩ (2021)
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4
Articulatory control and beatboxing rate: A preliminary study
In: 12th International Seminar on Speech Production ; https://halshs.archives-ouvertes.fr/halshs-03380031 ; 12th International Seminar on Speech Production, Dec 2020, Providence, United States (2020)
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5
Human Beatboxing: A preliminar study on temporal reduction
In: 12th International Seminar on Speech Production ; https://hal.archives-ouvertes.fr/hal-03281118 ; 12th International Seminar on Speech Production, 2020, Providence, United States (2020)
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Human Beatboxing : A preliminary study on temporal reduction ; Human Beatbox : Etude préliminaire sur la réduction temporelle
In: 12th International Seminar on Speech Production ; https://hal.archives-ouvertes.fr/hal-03151059 ; 12th International Seminar on Speech Production, Dec 2020, Virtual, United States (2020)
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7
Human Beatboxing: A preliminary study on temporal reduction ; Human Beatboxing : Etude préliminaire sur la réduction temporelle
In: Proceedings of the 12th International Seminar on Speech Production (ISSP 2020) 14 - 17 December 2020 ; 12th International Seminar on Speech Production ; https://hal.archives-ouvertes.fr/hal-03290634 ; 12th International Seminar on Speech Production, Dec 2020, Providence ( on line), United States (2020)
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8
Rythme et contrôle articulatoire : étude préliminaire du Human Beatbox
In: Actes de la 6e conférence conjointe Journées d'Études sur la Parole (JEP, 33e édition), Traitement Automatique des Langues Naturelles (TALN, 27e édition), Rencontre des Étudiants Chercheurs en Informatique pour le Traitement Automatique des Langues (RÉCITAL, 22e édition). Volume 1 : Journées d'Études sur la Parole ; 6e conférence conjointe Journées d'Études sur la Parole (JEP, 33e édition), Traitement Automatique des Langues Naturelles (TALN, 27e édition), Rencontre des Étudiants Chercheurs en Informatique pour le Traitement Automatique des Langues (RÉCITAL, 22e édition). Volume 1 : Journées d'Études sur la Parole ; https://hal.archives-ouvertes.fr/hal-02798527 ; 6e conférence conjointe Journées d'Études sur la Parole (JEP, 33e édition), Traitement Automatique des Langues Naturelles (TALN, 27e édition), Rencontre des Étudiants Chercheurs en Informatique pour le Traitement Automatique des Langues (RÉCITAL, 22e édition). Volume 1 : Journées d'Études sur la Parole, 2020, Nancy, France. pp.136-144 (2020)
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9
Human beatboxing : A multi-instrumental pilot
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-02502486 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2019, 146 (4), pp.3082-3082. ⟨10.1121/1.5137702⟩ (2019)
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10
Acoustico-Physiological coordination in the Human Beatbox: A pilot study on the beatboxed Classic Kick Drum
In: 19th International Congress of Phonetic Sciences ; https://hal.archives-ouvertes.fr/hal-02284132 ; 19th International Congress of Phonetic Sciences, Aug 2019, Melbourne, Australia (2019)
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11
Allophonic variation of /t ̪͡ ɾ/ cluster production in Santiago de Chile. ; Étude acoustique du cluster /tɾ/ et de ses allophones à Santiago du Chili
In: Actes des 32e journées d'études sur la Parole ; 32e journées d'études sur la Parole (JEP) ; https://hal.archives-ouvertes.fr/hal-02284140 ; 32e journées d'études sur la Parole (JEP), Jun 2018, Aix-en-Provence, France (2018)
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12
Oral and nasal vowels effects on subglottal pressure
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-02393672 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2017, 142 (4), pp.2582-2582. ⟨10.1121/1.5014450⟩ (2017)
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