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Lighting as facilitator of the theatrical transaction
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In: Dwyer, S, (2016). Lighting as facilitator of the theatrical transaction. Text : Journal of Writing and Writing Courses, Vol. 34, No. 1, p. 1-17 (2016)
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| 2 |
Guide me without touching my hand : reflections on the dramaturgical development of the devised-theatre show ‘One by one'
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| 3 |
Guide me without touching my hand : reflections on the dramaturgical development of the devised-theatre show ‘One by one'
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| 4 |
Dramatic shape-shifter and innovative teacher the creative life and legacy of Dorothy Heathcote /
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In: Davis, S 2013, 'Dramatic shape-shifter and innovative teacher - the creative life and legacy of Dorothy Heathcote', NJ: Drama Australia Journal, vol. 37, no. 1, pp. 25-40. (2013)
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| 5 |
LAB: Research Theatre Company (part two) - Creating a dialogue with the audience
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| 6 |
LAB: Research Theatre Company (part two) - Creating a dialogue with the audience
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| 7 |
Re-Imagining Citizenry: National Identities in Canadian and Australian Multicultural Drama
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Tricia Hopton. - : The University of Queensland, School of English, Media Studies and Art History, 2011
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| 9 |
Not in our own voices: Accent and identity in contemporary Australian Shakespeare Performance
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| 10 |
Turning up the volume : a study of the Wan Smolbag Theatre Company
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In: Taylor,R 2007, 'Turning up the volume: a study of the Wan Smolbag Theatre Company', 3L Journal of Language Teaching, Linguistics and Literature, vol. 13, pp.9-28, http://myais.fsktm.um.edu.my/9471/(viewed 12/3/2010) (2007)
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Abstract:
Research with a highly successful development theatre company'Wan Smolbag', based in Vanuatu in the South Pacific, was conducted to establish why they have remained effective and successful for almost two decades. Wan Smolbag appear to be engaging in a number of different literacies simultaneously. Theatre performance as one kind of literacy is not part of the traditional ethnic culture. Likewise the development literacies that are associated with the process of modernisation are new to the people of Vanuatu. Semi-structured interviews and focus group discussions were recorded and transcribed. We used a thematic analysis to highlight and bring out common themes. The results suggest that one of the reasons that the company has remained effective, is because of their attention to the 'art' in their performance rather than merely the 'message'. Implications for the implementation of Theatre for Development are discussed.
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Keyword:
190404 Drama; 939906 Pacific Peoples Education; Drama in education; Pacific Islanders; Pure basic research; Theater; Theater in community development; Theatre and Performance Studies; Theatre for development -- Theatre literacy -- Wan Smolbag -- Vanuatu theatre; Wan Smolbag Theatre
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URL: http://myais.fsktm.um.edu.my/9471/
http://hdl.cqu.edu.au/10018/41587
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| 11 |
Performing in Palau the politics of intercultural theater /
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In: Gaskell, I & Thomas, L 2005, 'Performing in Palau: the politics of intercultural theater', SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies, no. 54/55, pp. 14-43. (2005)
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| 12 |
A play : the Meke
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In: Gaskell, I & Thomas, L 2005, 'A play : the Meke' [commissioned by the Fiji Arts Council for the Fiji delegation to the 9th Festival of Pacific Arts in Palau, 2004], creative work (2005)
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| 13 |
Ban the Bard
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In: Gaskell,I 2004, 'Ban the Bard', SPAN: journal of the South Pacific Association for Commonwealth Literature and Language Studies, no. 53, April, pp. 32-41. (2004)
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