1 |
Seeing the Materiality of Race, Class, and Gender in Orange County, Virginia ...
|
|
Woehlke, Stefan. - : Digital Repository at the University of Maryland, 2021
|
|
BASE
|
|
Show details
|
|
2 |
Seeing the Materiality of Race, Class, and Gender in Orange County, Virginia
|
|
|
|
BASE
|
|
Show details
|
|
3 |
Narrative Events: Slavery, Testimony, and Temporality in the Afro-Atlantic World
|
|
|
|
BASE
|
|
Show details
|
|
4 |
Black Vertigo: Attunement, Aphasia, Nausea, and Bodily Noise, 1970 to the Present ...
|
|
|
|
Abstract:
“Black Vertigo: Attunement, Aphasia, Nausea, and Bodily Noise, 1970 to the Present” argues that vertigo arises as a dominant aesthetic through line to feel, think, write, and sound blackness from the late-1960s onward. Across various genres, disciplines, and aesthetic commitments, the blackness of black being—the black idiom—is gathered by disorganization and sickly ambiguity registered between local and global scales. Vertigo is produced and experienced, resisted and harnessed. It is the masterwork of white supremacist violence and advanced technologies of surveillance that subject black lives to routine disruption and upheaval by the state. It is also a matter of migration, of new ecologies and overlapping histories incompatible with linearity; it is, therefore, also a matter of culture, the indeterminacy of the “black” in black aesthetics in a landscape where black aesthetics are liable to go viral. Vertigo is also a matter of methodology, responsible for forms of black expression nimbly attuned to ...
|
|
Keyword:
Aesthetics; African American studies; American literature
|
|
URL: https://knowledge.uchicago.edu/record/1981 https://dx.doi.org/10.6082/uchicago.1981
|
|
BASE
|
|
Hide details
|
|
5 |
Natural Reading: Race, Place, and Literary Practice in the United States from Thoreau to Ransom
|
|
|
|
In: Kunde, Sharon Louise. (2017). Natural Reading: Race, Place, and Literary Practice in the United States from Thoreau to Ransom. UC Irvine: English. Retrieved from: http://www.escholarship.org/uc/item/2p33g2xp (2017)
|
|
BASE
|
|
Show details
|
|
7 |
Destination Gorée: A Dialogic Analysis of the Dialectic of Un-Belonging and Belonging As Rehearsed and Performed Through Diasporic Tourism
|
|
|
|
In: Hamm, William Michael. (2015). Destination Gorée: A Dialogic Analysis of the Dialectic of Un-Belonging and Belonging As Rehearsed and Performed Through Diasporic Tourism. UCLA: Culture & Performance Studies 0378. Retrieved from: http://www.escholarship.org/uc/item/1251d4mn (2015)
|
|
BASE
|
|
Show details
|
|
8 |
Anxious Origins: Zora Neale Hurston and the Global South, 1927-1942
|
|
|
|
BASE
|
|
Show details
|
|
9 |
An Existential Reflection on Suffering in James Baldwin's Just Above My Head and Toni Morrison's The Bluest Eye
|
|
|
|
BASE
|
|
Show details
|
|
10 |
The Rhetorical Challenge of Whiteness within Blackboard for African American Bidialectal Students at Elizabeth City State University
|
|
|
|
BASE
|
|
Show details
|
|
11 |
The Black Interior: Work and Feeling in African American Experience
|
|
|
|
BASE
|
|
Show details
|
|
12 |
Black Boundary Lines: Race, Class and Gender among Black Undergraduate Students
|
|
|
|
In: Morales, Erica. (2012). Black Boundary Lines: Race, Class and Gender among Black Undergraduate Students. UCLA: Sociology 0867. Retrieved from: http://www.escholarship.org/uc/item/6jr3v45n (2012)
|
|
BASE
|
|
Show details
|
|
13 |
Up in the Sound: Form and Voice in Jazz and Post-War American Poetry
|
|
|
|
In: Lempert, Benjamin Richard. (2012). Up in the Sound: Form and Voice in Jazz and Post-War American Poetry. UC Berkeley: Rhetoric. Retrieved from: http://www.escholarship.org/uc/item/8fm2g1dr (2012)
|
|
BASE
|
|
Show details
|
|
14 |
Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945
|
|
|
|
In: Agbodike, Kanayo Jason. (2012). Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945. UC Berkeley: Comparative Literature. Retrieved from: http://www.escholarship.org/uc/item/16v2k9z2 (2012)
|
|
BASE
|
|
Show details
|
|
15 |
The Mimicking of Oral Traditions in African American Literature
|
|
|
|
BASE
|
|
Show details
|
|
16 |
You Ain't Messin' Wit My Dougie: Black Masculinities in Post-Millennial Hip-Hop Song and Dance
|
|
|
|
BASE
|
|
Show details
|
|
17 |
Not To Repeat History: Racialization and Combinatory Textuality in Contemporary Asian American and African American Experimental Writing
|
|
|
|
In: Chen, Christopher Sze-Ming. (2011). Not To Repeat History: Racialization and Combinatory Textuality in Contemporary Asian American and African American Experimental Writing. UC Berkeley: English. Retrieved from: http://www.escholarship.org/uc/item/49h6s9w3 (2011)
|
|
BASE
|
|
Show details
|
|
18 |
Bodily Trespass: An Ecology of the Fantastic in Twentieth-Century African American Literature
|
|
|
|
BASE
|
|
Show details
|
|
19 |
"Orgulloso de mi Caserío y de Quien Soy": Race, Place, and Space in Puerto Rican Reggaetón
|
|
|
|
In: Rivera, Petra Raquel. (2010). "Orgulloso de mi Caserío y de Quien Soy": Race, Place, and Space in Puerto Rican Reggaetón. UC Berkeley: African American Studies. Retrieved from: http://www.escholarship.org/uc/item/09d1f6q0 (2010)
|
|
BASE
|
|
Show details
|
|
|
|