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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 Hits 1 – 20 of 46 1 Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner's The Sound and the Fury Moore, Aaron L. In: CLCWeb: Comparative Literature and Culture (2021) BASE Show details 2 Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism Lu, Xinyu In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 3 Why I Write in Yiddish Alkalay-Gut, Karen In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 4 Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics Wolf-Monzon, Tamar In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 5 Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art Mansoor, Jaleh In: CLCWeb: Comparative Literature and Culture (2020) Abstract: The artist may be one of the last subject-positions within capitalism to determine their own labour under the sign of “creativity,” and to be held at an oblique angle to value productive labour; they are dialectically “free” to be creative (Adorno, Vishmidt, Stakemeir, Beech). But since 1973 if not 1915, artists mark this creative capacity as a process whereby reification has migrated from that of the object to that of the subject, to the artist-subject, now heightened in a post-industrial era of “feminized” and immaterial labour where service eclipses production. Artists in the “post medium condition” elaborate practices that track parallel to the service economy and yet continue to be mythologized as agents capable of delivering exceptional experience, an experience institutionally deemed to be specialized and singular. Artist Santiago Sierra mobilizes and elaborates delegated performance art with avowed and explicit reflexive cruelty to raise the contradiction inherent in the expectation of exceptional content delivered by free and creative agents to query the question of collective agency in instances where persons are expelled by the labour market in relation to state status. 33 Persons Paid to Have their Hair Dyed Blonde from 2001 dramatizes not only the global class war inherent in racialized stateless surplus populations in the context of collapsing social contracts set by the Keynesian state and operative from the 1930s to but the degree to which these populations come to be seen as less-than-human, as less than bearers of labor-power, but as disposable. Keyword: American Studies; and Sexuality Studies; Arts and Humanities; Comparative Literature; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; Theatre and Performance Studies URL: https://docs.lib.purdue.edu/clcweb/vol22/iss2/9 https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3844&context=clcweb BASE Hide details 6 Subjectivity, Institutions and Language in Contemporary Israeli Film Ofengenden, Ari In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 7 Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work Hever, Hannan In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 8 Israeli Literature and the Time of "post-post-Zionism" Nir, Oded In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 9 Dayak Lundayeh: A Report from The Border Zainuri, Luqman Hakim In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 10 Innovations in Self-Consciousness. Towards Oneness with the World Myong, Soon-ok; Chun, Byong-soon In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 11 Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze Surin, Kenneth In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 12 The End of the Nobel Era and the Reconstruction of the World Republic of Letters Zhu, Guohua; Tang, Yonghua In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 13 The Futures of Comparative Literature Envisioned by Chinese Comparatists Meng, Sheng In: CLCWeb: Comparative Literature and Culture (2017) BASE Show details 14 Toward an Empirically-generated Typology of Weblog Genres Maryl, Maciej; Niewiadomski, Krzysztof; Kidawa, Maciej In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 15 Literary Creolization in Layachi's A Life Full of Holes van Gageldonk, Maarten In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 16 Young People's Literature of Algerian Immigration in France Schneider, Anne In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 17 Introduction to New Work on Immigration and Identity in Contemporary France, Québec, and Ireland Cooke, Dervila In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 18 Paratexts in Travel Blogs, Travel Books' Hypertextuality, and Medial Format Usage Calzati, Stefano In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 19 Thematic Bibliography to New Work on Immigration and Identity in Contemporary France, Québec, and Ireland Cooke, Dervila In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 20 The Cultural Translation of Ginsberg's Howl in Turkey Mortenson, Erik In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details Page: 1 2 3

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