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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...14 Hits 1 – 20 of 277 1 Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner's The Sound and the Fury Moore, Aaron L. In: CLCWeb: Comparative Literature and Culture (2021) BASE Show details 2 A FAT IMPOSTER: THE EMBODIED INTERSECTION BETWEEN RACE, BODY TYPE AND FATNESS IN MARGARET CHO’S COMEDY Cox, Julia In: Theses and Dissertations--Linguistics (2021) BASE Show details 3 Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism Lu, Xinyu In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 4 Why I Write in Yiddish Alkalay-Gut, Karen In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 5 Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics Wolf-Monzon, Tamar In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 6 Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art Mansoor, Jaleh In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 7 Fourier, Marx, and Social Reproduction Missé, Blanca In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 8 Strangers in the Village: James Baldwin, Teju Cole, and Glenn Ligon Gehlawat, Monika In: Faculty Publications (2019) Abstract: This essay uses Edward Said’s theory of affiliation to consider the relationship between James Baldwin and contemporary artists Teju Cole and Glenn Ligon, both of whom explicitly engage with their predecessor’s writing in their own work. Specifically, Baldwin’s essay “Stranger in the Village” (1953) serves a through-line for this discussion, as it is invoked in Cole’s essay “Black Body” and Ligon’s visual series, also titled Stranger in the Village. In juxtaposing these three artists, I argue that they express the dialectical energy of affiliation by articulating ongoing concerns of race relations in America while distinguishing themselves from Baldwin in terms of periodization, medium-specificity, and their broader relationship to Western art practice. In their adoption of Baldwin, Cole and Ligon also imagine a way beyond his historical anxieties and writing-based practice, even as they continue to reinscribe their own work with his arguments about the African-American experience. This essay is an intermedial study that reads fiction, nonfiction, language-based conceptual art and mixed media, as well as contemporary politics and social media in order consider the nuances of the African-American experience from the postwar period to our contemporary moment. Concerns about visuality/visibility in the public sphere, narrative voice, and self-representation, as well as access to cultural artifacts and aesthetic engagement, all emerge in my discussion of this constellation of artists. As a result, this essay identifies an emblematic, though not exclusive, strand of African-American intellectual thinking that has never before been brought together. It also demonstrates the ongoing relevance of Baldwin’s thinking for the contemporary political scene in this country. Keyword: affiliation; American Literature; American Studies; Arts and Humanities; glenn ligon; intermediality; james baldwin; race relations; stranger in the village; teju cole URL: https://aquila.usm.edu/cgi/viewcontent.cgi?article=18014&context=fac_pubs https://aquila.usm.edu/fac_pubs/16703 BASE Hide details 9 Subjectivity, Institutions and Language in Contemporary Israeli Film Ofengenden, Ari In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 10 Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work Hever, Hannan In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 11 Israeli Literature and the Time of "post-post-Zionism" Nir, Oded In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 12 Dayak Lundayeh: A Report from The Border Zainuri, Luqman Hakim In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 13 Innovations in Self-Consciousness. Towards Oneness with the World Myong, Soon-ok; Chun, Byong-soon In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 14 Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze Surin, Kenneth In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 15 The End of the Nobel Era and the Reconstruction of the World Republic of Letters Zhu, Guohua; Tang, Yonghua In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 16 The Futures of Comparative Literature Envisioned by Chinese Comparatists Meng, Sheng In: CLCWeb: Comparative Literature and Culture (2017) BASE Show details 17 Black Lives Matter: Why Black Feminism? Bridewell, AnaLexicis T. In: First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience (2016) BASE Show details 18 Toward an Empirically-generated Typology of Weblog Genres Maryl, Maciej; Niewiadomski, Krzysztof; Kidawa, Maciej In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 19 Literary Creolization in Layachi's A Life Full of Holes van Gageldonk, Maarten In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 20 Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers Heal, Benjamin J. In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details Page: 1 2 3 4 5...14

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