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1
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
In: CLCWeb: Comparative Literature and Culture (2020)
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2
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
In: CLCWeb: Comparative Literature and Culture (2020)
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3
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
In: CLCWeb: Comparative Literature and Culture (2020)
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4
Fourier, Marx, and Social Reproduction
In: CLCWeb: Comparative Literature and Culture (2020)
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5
Subjectivity, Institutions and Language in Contemporary Israeli Film
In: CLCWeb: Comparative Literature and Culture (2019)
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6
Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work
In: CLCWeb: Comparative Literature and Culture (2019)
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7
Israeli Literature and the Time of "post-post-Zionism"
In: CLCWeb: Comparative Literature and Culture (2019)
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8
Dayak Lundayeh: A Report from The Border
In: CLCWeb: Comparative Literature and Culture (2018)
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9
Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze
In: CLCWeb: Comparative Literature and Culture (2018)
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10
The End of the Nobel Era and the Reconstruction of the World Republic of Letters
In: CLCWeb: Comparative Literature and Culture (2018)
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11
Toward an Empirically-generated Typology of Weblog Genres
In: CLCWeb: Comparative Literature and Culture (2016)
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12
Paratexts in Travel Blogs, Travel Books' Hypertextuality, and Medial Format Usage
In: CLCWeb: Comparative Literature and Culture (2016)
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13
Paradigms of Communication in Performance and Dance Studies
In: CLCWeb: Comparative Literature and Culture (2015)
Abstract: In her article "Paradigms of Communication in Performance and Dance Studies" Nicoleta Popa Blanariu approaches from an interdisciplinary perspective the measure in which performing arts (theater, music, ballet, Indian classical dance, folk dance, etc.), as well as ritual performance constitute a corpus that may be analysed by means of theoretical and conceptual tools in communication studies and semiotics. Popa Blanariu analyses the relation between signification and communication in performing arts, between different codes and artistic expressions through which these are realized, between verbal and the other artistic "languages," and takes into consideration how "linguistic" functions manifest themselves within "languages" specific to various forms of art.
Keyword: (theatrical) performance; American Studies; and Sexuality Studies; Arts and Humanities; communication paradigms; Comparative Literature; dance; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Invisible College; Jakobson; language functions; Levi-Strauss; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; rhythm; rite; Shannon; Social and Behavioral Sciences; space; telegraphic/ orchestral model of communication; Television; Theatre and Performance Studies
URL: https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2331&context=clcweb
https://docs.lib.purdue.edu/clcweb/vol17/iss2/1
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14
About English-language Scholarship on Humor in Ancient Chinese Literature
In: CLCWeb: Comparative Literature and Culture (2015)
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15
Translation as Relation and Glissant's Work
In: CLCWeb: Comparative Literature and Culture (2014)
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16
Pullinger's and Joseph's Inanimate Alice and Intercultural Engagement
In: CLCWeb: Comparative Literature and Culture (2014)
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17
Gender Identity Construction through Talk about Video Games
In: CLCWeb: Comparative Literature and Culture (2014)
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18
Translation and Self-Translation in Today's (Im)migration Literature
In: CLCWeb: Comparative Literature and Culture (2013)
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19
Video Games and Citizenship
In: CLCWeb: Comparative Literature and Culture (2013)
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20
Generative Translation in Spicer, Gelman, and Hawkey
In: CLCWeb: Comparative Literature and Culture (2013)
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