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1
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
In: CLCWeb: Comparative Literature and Culture (2020)
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2
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
In: CLCWeb: Comparative Literature and Culture (2020)
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3
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
In: CLCWeb: Comparative Literature and Culture (2020)
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4
Fourier, Marx, and Social Reproduction
In: CLCWeb: Comparative Literature and Culture (2020)
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5
Subjectivity, Institutions and Language in Contemporary Israeli Film
In: CLCWeb: Comparative Literature and Culture (2019)
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6
Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work
In: CLCWeb: Comparative Literature and Culture (2019)
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7
Israeli Literature and the Time of "post-post-Zionism"
In: CLCWeb: Comparative Literature and Culture (2019)
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8
Dayak Lundayeh: A Report from The Border
In: CLCWeb: Comparative Literature and Culture (2018)
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9
Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze
In: CLCWeb: Comparative Literature and Culture (2018)
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10
The End of the Nobel Era and the Reconstruction of the World Republic of Letters
In: CLCWeb: Comparative Literature and Culture (2018)
Abstract: In their article "The End of the Nobel Era and the Reconstruction of the World Republic of Letters" Guohua Zhu and Yonghua Tang critically examine mechanisms of cultural hegemony associated with the Nobel Prize in Literature from a neocolonial lens. Borrowing from Casanova's idea of the "World Republic of Letters" and its attentiveness to geopolitics, the essay proceeds to reconstruct the dialectical relations between the nation and the world. It does so, in the first place, by documenting and analyzing the process of negotiation and bargaining entailed in the construction of global cultural hegemony and thereby examine the functions and boundaries of hegemony. Further, it reveals how colonial apparatuses of understanding continue to limit the ways in which we imagine the world and sustain the power relations that ought to be questioned, challenged, and broken. Ultimately, the essay aims to provide a multi-dimensional and multi-layered vision of the World Republic of Letters that is genuinely multi-polar.
Keyword: American Studies; and Sexuality Studies; Arts and Humanities; Comparative Literature; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Literature-World; Multi-polarization; Neo-colonialism; Nobel Prize in Literature; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; Theatre and Performance Studies
URL: https://docs.lib.purdue.edu/clcweb/vol20/iss7/4
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3329&context=clcweb
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11
Toward an Empirically-generated Typology of Weblog Genres
In: CLCWeb: Comparative Literature and Culture (2016)
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12
Paratexts in Travel Blogs, Travel Books' Hypertextuality, and Medial Format Usage
In: CLCWeb: Comparative Literature and Culture (2016)
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13
Paradigms of Communication in Performance and Dance Studies
In: CLCWeb: Comparative Literature and Culture (2015)
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14
About English-language Scholarship on Humor in Ancient Chinese Literature
In: CLCWeb: Comparative Literature and Culture (2015)
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15
Translation as Relation and Glissant's Work
In: CLCWeb: Comparative Literature and Culture (2014)
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16
Pullinger's and Joseph's Inanimate Alice and Intercultural Engagement
In: CLCWeb: Comparative Literature and Culture (2014)
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17
Gender Identity Construction through Talk about Video Games
In: CLCWeb: Comparative Literature and Culture (2014)
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18
Translation and Self-Translation in Today's (Im)migration Literature
In: CLCWeb: Comparative Literature and Culture (2013)
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19
Video Games and Citizenship
In: CLCWeb: Comparative Literature and Culture (2013)
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20
Generative Translation in Spicer, Gelman, and Hawkey
In: CLCWeb: Comparative Literature and Culture (2013)
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