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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 Hits 1 – 20 of 33 1 Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism Lu, Xinyu In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 2 Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics Wolf-Monzon, Tamar In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 3 Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art Mansoor, Jaleh In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 4 Fourier, Marx, and Social Reproduction Missé, Blanca In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 5 Subjectivity, Institutions and Language in Contemporary Israeli Film Ofengenden, Ari In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 6 Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work Hever, Hannan In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 7 Israeli Literature and the Time of "post-post-Zionism" Nir, Oded In: CLCWeb: Comparative Literature and Culture (2019) Abstract: In this essay, I argue that contemporary Israeli literature possesses a more “advanced” historical imaginary than that of contemporary “post-post-Zionist” Israeli historiography, and I relate this gap to the neoliberalization of the Israeli economy. I begin by arguing that contemporary literature’s historical imaginary marks a departure from its 80s and 90s postmodern predecessors. I show that this departure is evident in contemporary Israeli literature’s explicit recognition of an inability to relate subjective experience to larger history. This recognition constitutes a dialectical overcoming of Israeli postmodernism’s playful dismantling of the national historical narrative. I then argue that Israeli “post-post-Zionist” historiography constitutes an entry into a postmodern phase, in contrast to literature’s departure from postmodernism. Thus, I argue that literature seems to be “ahead” of historiography, in terms of each field’s temporal imagination. I conclude this essay by suggesting that one can explain this gap by taking into account the effects of Israeli neoliberalization on each field. While state–supported and owned print industry and presses were privatized early in Israel, the privatization of higher education started later, and is still taking place. I thus suggest that the reason literature seems “ahead” of academic work is a result of the stronger and more immediate coupling of literary institutions with the capitalist market than the more mediated relation between the capitalist market and the academy. Keyword: American Studies; and Sexuality Studies; Arts and Humanities; Comparative Literature; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; Theatre and Performance Studies URL: https://docs.lib.purdue.edu/clcweb/vol21/iss2/10 https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3577&context=clcweb BASE Hide details 8 Dayak Lundayeh: A Report from The Border Zainuri, Luqman Hakim In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 9 Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze Surin, Kenneth In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 10 The End of the Nobel Era and the Reconstruction of the World Republic of Letters Zhu, Guohua; Tang, Yonghua In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 11 Toward an Empirically-generated Typology of Weblog Genres Maryl, Maciej; Niewiadomski, Krzysztof; Kidawa, Maciej In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 12 Paratexts in Travel Blogs, Travel Books' Hypertextuality, and Medial Format Usage Calzati, Stefano In: CLCWeb: Comparative Literature and Culture (2016) BASE Show details 13 Paradigms of Communication in Performance and Dance Studies Popa Blanariu, Nicoleta In: CLCWeb: Comparative Literature and Culture (2015) BASE Show details 14 About English-language Scholarship on Humor in Ancient Chinese Literature Zhuang, Peina; Cheng, Lei In: CLCWeb: Comparative Literature and Culture (2015) BASE Show details 15 Translation as Relation and Glissant's Work Bermann, Sandra In: CLCWeb: Comparative Literature and Culture (2014) BASE Show details 16 Pullinger's and Joseph's Inanimate Alice and Intercultural Engagement Abril, Ana In: CLCWeb: Comparative Literature and Culture (2014) BASE Show details 17 Gender Identity Construction through Talk about Video Games Cole, Sara M. In: CLCWeb: Comparative Literature and Culture (2014) BASE Show details 18 Translation and Self-Translation in Today's (Im)migration Literature Gjurčinova, Anastasija In: CLCWeb: Comparative Literature and Culture (2013) BASE Show details 19 Video Games and Citizenship Bourgonjon, Jeroen; Soetaert, Ronald In: CLCWeb: Comparative Literature and Culture (2013) BASE Show details 20 Generative Translation in Spicer, Gelman, and Hawkey Bradford, Lisa Rose In: CLCWeb: Comparative Literature and Culture (2013) BASE Show details Page: 1 2

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