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1
Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner's The Sound and the Fury
In: CLCWeb: Comparative Literature and Culture (2021)
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2
A FAT IMPOSTER: THE EMBODIED INTERSECTION BETWEEN RACE, BODY TYPE AND FATNESS IN MARGARET CHO’S COMEDY
In: Theses and Dissertations--Linguistics (2021)
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3
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
In: CLCWeb: Comparative Literature and Culture (2020)
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4
Why I Write in Yiddish
In: CLCWeb: Comparative Literature and Culture (2020)
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5
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
In: CLCWeb: Comparative Literature and Culture (2020)
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6
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
In: CLCWeb: Comparative Literature and Culture (2020)
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7
Fourier, Marx, and Social Reproduction
In: CLCWeb: Comparative Literature and Culture (2020)
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8
Oral History Interview with Nabintou Doumbia on December 20, 2020
In: Dream Storytelling Interviews (2020)
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9
Strangers in the Village: James Baldwin, Teju Cole, and Glenn Ligon
In: Faculty Publications (2019)
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10
Subjectivity, Institutions and Language in Contemporary Israeli Film
In: CLCWeb: Comparative Literature and Culture (2019)
Abstract: In his article "Subjectivity, Institutions and Language in Contemporary Israeli Film" Ari Ofengenden analyzes the transnational characteristics of contemporary Israeli films (from 2000 until today). He claims that a new regime of globally networked production and distribution of Israeli film has articulated a specific kind of subjectivity presented in these films. In this article, he will concentrate on two characteristics of this subjectivity: the relations of protagonist with social institutions and use of language. Relations with social institutions starts with the highly prevalent representations of a sensitive and individualist protagonist who suffers under collective and coercive institutions like the army, religious courts, or the kibbutz. The fact that this individual does not really belong to his or her place is signaled by their multilingual use of language. Using western-European languages simultaneously present a certain kind of semi-European subjectivity. Global production, however, has meant the decline of subjectivities that would like to transform rather than strengthen existing institutions, as well as demise of the playful, expanding Hebrew of the 1970's.
Keyword: American Studies; and Sexuality Studies; Arts and Humanities; Comparative Literature; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; Theatre and Performance Studies
URL: https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3574&context=clcweb
https://docs.lib.purdue.edu/clcweb/vol21/iss2/7
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11
Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work
In: CLCWeb: Comparative Literature and Culture (2019)
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12
Israeli Literature and the Time of "post-post-Zionism"
In: CLCWeb: Comparative Literature and Culture (2019)
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13
Storytelling through Movement: An Analysis of the Connections between Dance & Literature
In: Undergraduate Honors Theses (2018)
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14
Dayak Lundayeh: A Report from The Border
In: CLCWeb: Comparative Literature and Culture (2018)
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15
Innovations in Self-Consciousness. Towards Oneness with the World
In: CLCWeb: Comparative Literature and Culture (2018)
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16
Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze
In: CLCWeb: Comparative Literature and Culture (2018)
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17
The End of the Nobel Era and the Reconstruction of the World Republic of Letters
In: CLCWeb: Comparative Literature and Culture (2018)
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18
The Futures of Comparative Literature Envisioned by Chinese Comparatists
In: CLCWeb: Comparative Literature and Culture (2017)
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19
Black Lives Matter: Why Black Feminism?
In: First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience (2016)
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20
Toward an Empirically-generated Typology of Weblog Genres
In: CLCWeb: Comparative Literature and Culture (2016)
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