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1
Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner's The Sound and the Fury
In: CLCWeb: Comparative Literature and Culture (2021)
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2
A FAT IMPOSTER: THE EMBODIED INTERSECTION BETWEEN RACE, BODY TYPE AND FATNESS IN MARGARET CHO’S COMEDY
In: Theses and Dissertations--Linguistics (2021)
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3
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
In: CLCWeb: Comparative Literature and Culture (2020)
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4
Why I Write in Yiddish
In: CLCWeb: Comparative Literature and Culture (2020)
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5
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
In: CLCWeb: Comparative Literature and Culture (2020)
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6
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
In: CLCWeb: Comparative Literature and Culture (2020)
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7
Fourier, Marx, and Social Reproduction
In: CLCWeb: Comparative Literature and Culture (2020)
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8
Oral History Interview with Nabintou Doumbia on December 20, 2020
In: Dream Storytelling Interviews (2020)
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9
Strangers in the Village: James Baldwin, Teju Cole, and Glenn Ligon
In: Faculty Publications (2019)
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10
Subjectivity, Institutions and Language in Contemporary Israeli Film
In: CLCWeb: Comparative Literature and Culture (2019)
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11
Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work
In: CLCWeb: Comparative Literature and Culture (2019)
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12
Israeli Literature and the Time of "post-post-Zionism"
In: CLCWeb: Comparative Literature and Culture (2019)
Abstract: In this essay, I argue that contemporary Israeli literature possesses a more “advanced” historical imaginary than that of contemporary “post-post-Zionist” Israeli historiography, and I relate this gap to the neoliberalization of the Israeli economy. I begin by arguing that contemporary literature’s historical imaginary marks a departure from its 80s and 90s postmodern predecessors. I show that this departure is evident in contemporary Israeli literature’s explicit recognition of an inability to relate subjective experience to larger history. This recognition constitutes a dialectical overcoming of Israeli postmodernism’s playful dismantling of the national historical narrative. I then argue that Israeli “post-post-Zionist” historiography constitutes an entry into a postmodern phase, in contrast to literature’s departure from postmodernism. Thus, I argue that literature seems to be “ahead” of historiography, in terms of each field’s temporal imagination. I conclude this essay by suggesting that one can explain this gap by taking into account the effects of Israeli neoliberalization on each field. While state–supported and owned print industry and presses were privatized early in Israel, the privatization of higher education started later, and is still taking place. I thus suggest that the reason literature seems “ahead” of academic work is a result of the stronger and more immediate coupling of literary institutions with the capitalist market than the more mediated relation between the capitalist market and the academy.
Keyword: American Studies; and Sexuality Studies; Arts and Humanities; Comparative Literature; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; Theatre and Performance Studies
URL: https://docs.lib.purdue.edu/clcweb/vol21/iss2/10
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3577&context=clcweb
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13
Storytelling through Movement: An Analysis of the Connections between Dance & Literature
In: Undergraduate Honors Theses (2018)
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14
Dayak Lundayeh: A Report from The Border
In: CLCWeb: Comparative Literature and Culture (2018)
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15
Innovations in Self-Consciousness. Towards Oneness with the World
In: CLCWeb: Comparative Literature and Culture (2018)
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16
Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze
In: CLCWeb: Comparative Literature and Culture (2018)
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17
The End of the Nobel Era and the Reconstruction of the World Republic of Letters
In: CLCWeb: Comparative Literature and Culture (2018)
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18
The Futures of Comparative Literature Envisioned by Chinese Comparatists
In: CLCWeb: Comparative Literature and Culture (2017)
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19
Black Lives Matter: Why Black Feminism?
In: First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience (2016)
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20
Toward an Empirically-generated Typology of Weblog Genres
In: CLCWeb: Comparative Literature and Culture (2016)
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