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Chinese as a Cultural Capital: The Case Study of Chinese Heritage Language Learners
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 21, Iss 1, Pp 1-9 (2019) (2019)
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The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House”
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 21, Iss 1, Pp 42-50 (2019) (2019)
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Susan Glaspell’s “Trifles” in the Light of Ecofeminism
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 21, Iss 1, Pp 10-16 (2019) (2019)
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The Politics of Religion in Sisworo Gautama Putra’s and Joko Anwar’s Pengabdi Setan
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 21, Iss 1, Pp 24-32 (2019) (2019)
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On the Acquisition of English Voiceless Stop VOT by Indonesian-English Bilinguals: Evidence of Input Frequency
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 2, Pp 45-52 (2019) (2019)
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The Nature of Revolution on Animal Farm
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 21, Iss 1, Pp 17-23 (2019) (2019)
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Tiger mother and her cubs on a stage:
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 21, Iss 1, Pp 33-41 (2019) (2019)
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Women and Pleasure in Guillaume Apollinaire’s Calligram Collection Poèmes à Lou
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 2, Pp 60-67 (2019) (2019)
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The Homeland of Stereotypes
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 2, Pp 53-59 (2019) (2019)
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Rethinking Developmentally Appropriate Concept in Indonesian Picture Bible Story Book
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 2, Pp 68-75 (2019) (2019)
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King Lear: A Negatively Capable Outsider
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 2, Pp 76-82 (2019) (2019)
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Settings Transposition of the Scientific Elements in Hiroshi Teshigahara’s Adaptation of Kobo Abe’s the Face of Another
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 19, Iss 2, Pp 63-70 (2018) (2018)
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Post-Traumatic People in Paul Auster's The Book of Illusions from Cathy Caruth's and Michelle Balaev's Perspectives
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 1, Pp 8-17 (2018) (2018)
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Packaging Consumption: Stylistic Devices and Persuasive Functions of American and Indonesian Advertising Slogans
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 1, Pp 36-44 (2018) (2018)
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Post-traumatic people in Paul Auster's The Book of Illusions from Cathy Caruth's and Michelle Balaev's perspectives
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 1, Pp 9-17 (2018) (2018)
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"More than kin and less than kind": Hamlet and his (linguistic) problems
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 1, Pp 1-8 (2018) (2018)
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Transcultural Hamlet Representations of Ophelia and Gertrud in 21st-century Iran
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 19, Iss 2, Pp 55-62 (2018) (2018)
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Abstract:
Multitudes of intermedial Shakespearean adaptations have captured Iranian theatrical stage, cinema or radio as the Bard’s texts are frequently modernized, transfigured and indigenized especially since 1975. Hamlet works well in the mechanisms of temporality, spatiality, power, control and sexuality, socio-political discourses, economic upheaval, female self and gender struggles even in the twentieth and twenty-first centuries. Hence, Iranian directors such as Varuzh Karim-Masihi and Arash Dadgar as well as the British director Gregory Doran have re-interpreted this text based on new ideological grounds in which the characters are at times similar or different. In this article, the transformation and characterization of major characters, especially female ones such as Gertrud/Mah-Tal’at and Ophelia/Mahtab, are analyzed based on Hutcheon’s Adaptation Theory and Foucault's surveillance to see how they are represented in an Asian society whose Islamic ideology necessitates a unique transcultural, transhistorical rendition. The comparative study of these works reveals that since Shakespeare’s era, women's social representations have gone under great changes although the governments' surveillance has largely increased.
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Keyword:
English language; English literature; foucault; hutcheon; panoptic structure; PE1-3729; PR1-9680; surveillance; transculturality
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URL: https://doi.org/10.9744/kata.19.2.55-62 https://doaj.org/article/a8e2de5ac4df430ab7075010f88fac09
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Mediocrity Madness: the Destructive Effects of Antonio Salieri’s Narcissistic Personality Disorder in Amadeus
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 19, Iss 2, Pp 71-76 (2018) (2018)
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Destruction of Bekisar Merah: Antoine Berman’s Deforming Tendencies in The Red Bekisar
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 19, Iss 2, Pp 41-47 (2018) (2018)
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The Illusory World of a Peculiar Man: A Psychoanalytical Study of Nicholai Gogol’s “Diary of a Madman”
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 1, Pp 27-35 (2018) (2018)
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