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Avatars and Rituals: Immersive Religious Practices in the Digital Space
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Palabras extrañas a sí mismas: una aproximación desde la hermenéutica intercultural al bilingüismo de Julia Kristeva
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Espino, T. (Tomás). - : Servicio de Publicaciones de la Universidad de Navarra, 2019
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Les théories du texte contemporaines à l’aune des anagrammes
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In: Texte et discours en confrontation dans l'espace européen ; https://hal.archives-ouvertes.fr/hal-02015081 ; Driss A., Achard-Bayle G., Reboul-Touré S. & Temmar M. Texte et discours en confrontation dans l'espace européen, Peter Lang, p. 447-462., 2018, 978-3-0343-2660-5 ; https://www.peterlang.com/view/title/61869?format=EPDF (2018)
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Tota mulier ex utero: An Empathetic Reading of Contemporary French Abortion Narratives ...
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Dreaming of disaster: ; displacements of public memory and Hurricane Katrina
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Intense Singularities: Dieter Roth's and Henning Christiansen's Processual Aesthetics
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The Soul in Paraphrase: Language and Identity in James Joyce and Kate O'Brien
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In: Honors Theses (2017)
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Abstract:
This essay on Irish literature juxtaposes James Joyce's A Portrait of the Artist as a Young Man with Kate O'Brien's The Land of Spices. O'Brien wrote her novel twenty-five years after A Portrait was published, in part as a response to the masculine narrative Joyce depicts in his Bildungsroman. The Land of Spices responds to A Portrait's male-dominated character list by providing a cast of mostly female characters. Anna Murphy's greatest influence and most influential authority figure is a woman, and that woman's efforts to help Anna towards her artistic goal contradict the callousness which Stephen Dedalus is shown by his authoritative fathers. Both coming-of-age novels can be considered Künstlerromans, as they explore their protagonists' journeys towards linguistic and artistic freedom. Julia Kristeva's semiotic theory functions as a lens through which these two contemporary novels can be analyzed and compared, and it is through a discussion of the paternal symbolic and maternal semiotic that such artistic journeys can be contextualized. Kristeva posits that subjects-in-process develop semiotic rhythms while they are in their mother's womb, and thus are born into the semiotic realm of non-communicable language. As they grow, however, they must learn to navigate the paternal symbolic, foregoing their grasp of the semiotic as they begin to abide by the law of the father. The two protagonists of this paper, Stephen Dedalus and Anna Murphy, both desire freedom from the confines of their everyday lives. According to Kristeva's theory, subjects-in-process always retain a trace of their unique, semiotic rhythms, even after an entry into the symbolic language is complete. Though the paternal symbolic tries to suppress those maternal rhythms by imposing conformity on its subjects, they continue to manifest themselves as gestures. The symbolic is the language of absence and desire, and it is always seeking to communicate that object of desire, or a sign of which there is no communicable referent. There can never be a true understanding through the symbolic language, because were a sign truly understood, there would be no need to use language to convey its truth. Silence, then, indicates a semiotic understanding of a sign, and Stephen and Anna both strive towards this artistic goal by attempting to break from the confines of the symbolic as they consciously rebel against the imposing law of the father.
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Keyword:
A Portrait of the Artist as a Young Man; James Joyce; Julia Kristeva; Kate O'brien; semiotic theory; The Land of Spices
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URL: https://digitalcommons.bucknell.edu/honors_theses/388
https://digitalcommons.bucknell.edu/cgi/viewcontent.cgi?article=1387&context=honors_theses
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Readerly Dialogues: Reception, Intertextuality, and the Other in Contemporary French Women’s Writing
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Reviving the vanishing subject: the subject as abject in postmodern memoir
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The tip of two tongues: the dialectics of the voice in art
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Schmidt, Simone Bianca. - : Monash University. Faculty of Art, Design and Architecture. Department of Fine Art, 2016
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A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino
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Wastelands, Revolutions, Failures
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In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
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Historical Violence and Modernist Form in Zoe Wicomb's David's Story
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In: Theses and Dissertations (2015)
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| 14 |
Otherness ‘without ostracism or levelling’: towards fresh orientations to teacher foreigners in early childhood education
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Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt
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Petit, Laurence. - : Département d'études françaises, Université de Toronto, 2014. : Érudit, 2014
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Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis
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Moving through the Unsayable: Applying Julia Kristeva's Semiotic and Abject to Choreographic Analysis ...
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Histoire d'un dialogue impossible : J. Kristeva, J. Lotman et la sémiotique
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In: Langage et société, n 142, 4, 2012-12-01, pp.121-140 (2012)
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Psychoanalytical Tensions of Problematic Mother-Daughter Relationship in Jamaica Kincaid’s My Brother
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In: Studies in Literature and Language; Vol 5, No 2 (2012): Studies in Literature and Language; 70-77 ; 1923-1563 ; 1923-1555 (2012)
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