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The predictors of exam performance of Kazakh university students and secondary school pupils learning Turkish: an exploratory investigation
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64 |
Politics in/of transmediality in Murakami Haruki’s bakery attack stories
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68 |
Gender and national image: representations of figure skating in Japanese Anime
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69 |
The problem of tatemashi in Murakami Haruki’s work: comparing The Wind-Up Bird Chronicle and 1Q84
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70 |
Beyond the spoon-feeding classroom: a Jesuit Priest’s use of outings as holistic education
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71 |
Might the translated not travel? The case of Chang Hsi-kuo and his The City Trilogy
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72 |
A minor literature(?) at interregnum: whither Hong Kong’s English writing?
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73 |
Teaching Manga as a phenomenon of global commodity production and consumption
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74 |
Marketing the panpan in Japanese popular culture : youth, sexuality, and power
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Abstract:
This article examines the figure of the panpan, or streetwalker, as a compelling example of a young working female population, concomitant to the radical transformation of sexual mores, familial relations, and consumption in Japan during the Allied Occupation. It compares the heterogeneous lived experiences of panpan with their representations in cinema, as well as in literature, pulp publications known as kasutori, and women's journals to explore how this problematic social figure was transformed into a marketable icon of popular culture. I agrue that the trope of panpan became an ambivalent signifier of youth, nation, and female sexuality that appealed to different audiences and was used by different groups to advance their own political agendas. The potential eroticism and political criticism of so-called "panpan films" lay primarily in the audiences' ability to decode metaphors, absences, and intertextual references.
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Keyword:
Cultures & Applied Linguistics (from 2021); Languages
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URL: https://eprints.bbk.ac.uk/id/eprint/46120/ https://doi.org/10.1353/jwj.2018.0009 https://eprints.bbk.ac.uk/id/eprint/46120/1/Marketing_the_panpan_2019.pdf
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77 |
Politics of Transmediality in Murakami Haruki’s Bakery Attack Stories
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78 |
The first female gaze at postwar Japanese women : Tanaka Kinuyo film director
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80 |
The world at the East’s fingertips: world literature in East Asia
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