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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5 6 Hits 61 – 80 of 110 61 Personality Dewaele, Jean-Marc. - : Routledge, 2021 BASE Show details 62 Multilinguals’ languages of the heart and soul Dewaele, Jean-Marc. - : John Murray Learning/Hodder and Stoughton, 2021 BASE Show details 63 The predictors of exam performance of Kazakh university students and secondary school pupils learning Turkish: an exploratory investigation Dewaele, Jean-Marc. - : Peeters Online Journals, 2021 BASE Show details 64 Politics in/of transmediality in Murakami Haruki’s bakery attack stories Hansen, G.M.; Tsang, Michael. - : Taylor and Francis, 2020 BASE Show details 65 Katō Norihiro: introduction and tribute Hansen, G.M.; Tsang, Michael. - : Taylor and Francis, 2020 BASE Show details 66 40 years with Murakami Haruki Hansen, G.M.; Tsang, Michael. - : Taylor and Francis, 2020 BASE Show details 67 Developments in Japanese documentary film Centeno Martin, Marcos Pablo; Raine, M.. - : Multidisciplinary Digital Publishing Institute, 2020 Abstract: Book synopsis: "Developments in Japanese Documentary Film" seeks to challenge the predominance of fiction film in the literature on Japanese Cinema. This Special Issue proposes new approaches to history and theory from non-fiction genres and adjacent formats that contribute to identifying, analysing and categorising distinctive schools, artistic and intellectual movements, and trends in the history of Japanese documentary film. Japanese film culture is one of the oldest and most prolific in the world. Today, few people are surprised by the scope of its fiction-film industry, which has won major prizes at global film festivals since the 1950s and more recently has played an important role in the global flow of genre cinema. However, the production of documentary films in Japan has not received the attention it deserves: some critics have overemphasized the stylisation originating in the country’s theatrical tradition (Richie 1990) without acknowledging the significance of documentary cinema, from prewar proletarian films and wartime propaganda to Sixties radicalism and the Yamagata International Documentary Film Festival that has been so influential, especially in Asia. Japan has left one of the most important legacies in terms of non-fiction films in the world, with 130,000 works since the end of World War II (Maruyama 2010). This constitutes a huge cultural heritage that invites further work to catalogue and draw out significant themes and developments. "Developments in Japanese Documentary Film" seeks to challenge the predominance of fiction film in the literature on Japanese Cinema. This Special Issue proposes new approaches to history and theory from non-fiction genres and adjacent formats that contribute to identifying, analysing and categorising distinctive schools, artistic and intellectual movements, and trends in the history of Japanese documentary film. We invite 4000–6000 word (excluding bibliography) scholarly articles on the theme by 5 January 2019. Potential areas for exploration include: documentary schools and trends, documentary art and intellectual movements, documentary avant-garde, documentary film as a wartime (counter) propaganda tool, boundaries between fiction and non-fiction films, history of "semi-documentary", conflicts between subjectivity and objectivity, theoretical discussions on documentary, realism and representation in non-fiction formats, film representation of history, such as the representation of disaster, documentary and activism, documentary and other arts/media, and authorship in documentary cinema. Keyword: Cultures & Applied Linguistics (from 2021); Languages URL: https://eprints.bbk.ac.uk/id/eprint/31544/ https://www.mdpi.com/journal/arts/special_issues/developments_japanese_documentary_mode BASE Hide details 68 Gender and national image: representations of figure skating in Japanese Anime Tsang, Michael. - 2020 BASE Show details 69 The problem of tatemashi in Murakami Haruki’s work: comparing The Wind-Up Bird Chronicle and 1Q84 Katō, N.; Tsang, Michael. - : Japan Forum, 2020 BASE Show details 70 Beyond the spoon-feeding classroom: a Jesuit Priest’s use of outings as holistic education Tsang, Michael; Fung, D.. - : Association for Asian Studies, 2019 BASE Show details 71 Might the translated not travel? The case of Chang Hsi-kuo and his The City Trilogy Tsang, Michael. - 2019 BASE Show details 72 A minor literature(?) at interregnum: whither Hong Kong’s English writing? Tsang, Michael. - 2019 BASE Show details 73 Teaching Manga as a phenomenon of global commodity production and consumption Tsang, Michael. - : Editura Pro Universitaria, 2019 BASE Show details 74 Marketing the panpan in Japanese popular culture : youth, sexuality, and power González-López, Irene. - : Josai University Educational Corporation, 2018 BASE Show details 75 Hong Kong handover to China Tsang, Michael. - : ABC-CLIO, 2018 BASE Show details 76 Politics of Transmediality in Murakami Haruki Tsang, Michael. - 2018 BASE Show details 77 Politics of Transmediality in Murakami Haruki’s Bakery Attack Stories Tsang, Michael. - 2018 BASE Show details 78 The first female gaze at postwar Japanese women : Tanaka Kinuyo film director Gonzalez-Lopez, Irene; Mayu, A.. - : Edinburgh University Press, 2018 BASE Show details 79 Politics of Transmediality in Murakami Haruki Tsang, Michael. - 2018 BASE Show details 80 The world at the East’s fingertips: world literature in East Asia Tsang, Michael. - 2018 BASE Show details Page: 1 2 3 4 5 6

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