| 1 |
Hands on Painting. A multimodal study of tactile visits in a contemporary art museum
|
|
|
|
In: LSPP6 – Multimodality and Beyond: Adressing complexity and emerging needs in LSP ; https://hal.archives-ouvertes.fr/hal-03249561 ; LSPP6 – Multimodality and Beyond: Adressing complexity and emerging needs in LSP, Simon Harrison (Chair); Christoph Hafner (Co-Chair); Becky Kwan; Jenifer Ho, Jun 2021, Hong Kong, China (2021)
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Touching paintings. A multimodal analysis of guided tactile explorations in a contemporary art museum
|
|
|
|
In: 17th International Pragmatics Conference - The Pragmatics of Inclusion (IPrA 2021) ; https://hal.archives-ouvertes.fr/hal-03277050 ; 17th International Pragmatics Conference - The Pragmatics of Inclusion (IPrA 2021), Christiane Hohenstein (Chair), Jun 2021, Winterthur, Switzerland (2021)
|
|
BASE
|
|
Show details
|
|
|
| 3 |
Seeing by touch: Creativity, multimodality and multisensoriality in a clay workshop
|
|
|
|
In: AILA 2021 - 19th World Congress of the International Association of Applied Linguistics ; https://hal.archives-ouvertes.fr/hal-03326147 ; AILA 2021 - 19th World Congress of the International Association of Applied Linguistics, Prof. Dr. Marjolijn H. Verspoor (Chair); Dr. Marije C. Michel (Co-chair), Aug 2021, Groningen, Netherlands (2021)
|
|
Abstract:
Focused multimodal presentation within the ReN Symposium "Creative Inquiry and Applied Linguistics: Researching communication with, into and through the arts" organized by Jessica Bradley and Emilee Moore ; International audience ; From an interactional perspective, I study a clay workshop led by a blind sculptor, with visually impaired and sighted people. Particular attention is paid to participants' tactile resources and trainer's embodied demonstrations. In this creative context, multimodal practices offer stimulating ideas on the way learners experience and (re)create artworks. ; Dans une perspective interactionnelle, j'étudie un atelier de sculpture animé par un artiste aveugle, avec des personnes malvoyantes et voyantes. Une attention particulière est accordée aux ressources tactiles des participants et aux démonstrations incarnées chez l'artiste. Dans ce contexte créatif, les pratiques multimodales offrent des idées stimulantes sur la manière dont les participants appréhendent et (re)créent de manière multi-sensorielle des œuvres d'art.
|
|
Keyword:
[SHS.EDU]Humanities and Social Sciences/Education; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS]Humanities and Social Sciences; Assessments; Évaluations; Instructions; Interactional linguistics; Italiano parlato; Italien parlé; Linguistica interazionale; Linguistique interactionnelle; Multimodalità; Multimodalité; Multimodality; Persone non vedenti; Personnes malvoyantes; Sequenze di istruzione; Spoken Italian; Tattilità; Touch; Toucher; Valutazione; Visually impaired people
|
|
URL: https://hal.archives-ouvertes.fr/hal-03326147
|
|
BASE
|
|
Hide details
|
|
|
|
|
