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Representation of Northern English and Scots in seventeenth century drama
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2 |
An Excellent New Play-House Song; Called, the Bonny Gray-Ey’d Morn ; Or, Jockie Rouz’d with Love
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6 |
The Northern Ditty ; Or, The Scotch-Man Out-witted by the Country Damsel
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7 |
The West-Country Jigg ; Or, A Trenchmore Galliard
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Anónimo. - : P. Brooskby (Great Britain), 1690
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8 |
The New Scotch-Jigg ; Or, the Bonny Cravat
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Anónimo. - : W. Thackeray, T. Passenger, W. Whitwood (London, Great Britain), 1690
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9 |
The Maiden-Warrier ; Or, The Damsels Resolution to Fight in Field, by the Side of Jockey her Entire Love
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10 |
Teague and Sawney ; Or, The Unfortunate Success of a Dear-Joys Devotion to St. Patrick’s Cross. Being Transform’d into the Deel’s Whirlegig
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Anónimo. - : C.G. (Great Britain), 1688
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13 |
Chastities Conquest ; Or, No Trusting before Marriage. A New Song.
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Anónimo. - : P. Brooskby (Reino Unido), 1685
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14 |
The Scotch Hay-Makers ; Or, Crafty Jockey’s Courtship to Coy Jenny of Edenborough
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Anónimo. - : C. Bares (London, Great Britain), 1685
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15 |
The Green-Sickness Grief ; Or A Maidens Moan, Complaining because her Sweet-heart was Gone
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Anónimo. - : E.C. (Londres, Reino Unido), 1685
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16 |
The Western Rebel ; Or, The True Protestant Standard Set up
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Anónimo. - : Nicholas Woolfe (London, Great Britain), 1685
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19 |
An Excellent New Song ; Or, The Tory’s Loyal Delight
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Anónimo. - : J. Dean (London, Great Britain), 1683
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