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What the /fᴧk/? An acoustic pragmatic-analysis of meaning in The Wire
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3 |
The Visualisation of Cognitive Structures in Forensic Statements
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The effects of deaf and hard-of-hearing subtitles on the characterisation process: a cognitive stylistic study of The Wire
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7 |
Thinking about the news : thought presentation in early modern English news writing
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8 |
Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen’s Richard III
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11 |
Context, cognition, discourse, history: Peter Verdonk’s stylistics of poetry
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15 |
Prototypical characteristics of blockbuster movie dialogue: a corpus stylistic analysis
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16 |
Annotating a corpus of Early Modern English writing for categories of discourse presentation
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19 |
Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen’s Richard III
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20 |
Emotion and empathy in Martin Scorsese’s Goodfellas: a case study of the “funny guy” scene
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