| 1 |
Arabising Italian? Transnational literature as multilingual transaction
|
|
|
|
BASE
|
|
Show details
|
|
|
| 2 |
(S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French
|
|
|
|
BASE
|
|
Show details
|
|
|
| 4 |
The expanding space of the train carriage: A phenomenological reading of Michel Butor’s La modification
|
|
|
|
BASE
|
|
Show details
|
|
|
| 6 |
The sounds of beasts and birds: noise and nonhuman communication in medieval French and English texts written in Anglo-Norman England
|
|
|
|
BASE
|
|
Show details
|
|
|
| 7 |
Self-translation in 20th-century Italian and Polish literature: the cases of Luigi Pirandello, Maria Kuncewiczowa and Janusz Głowacki
|
|
|
|
BASE
|
|
Show details
|
|
|
| 8 |
The origin and role of sospiro in the poetry of Guido Cavalcanti
|
|
|
|
BASE
|
|
Show details
|
|
|
| 9 |
Syntax and style in Alberto Arbasino's early works (1957-1963)
|
|
|
|
BASE
|
|
Show details
|
|
|
| 10 |
La funzione del dialetto nella creazione di identità nazionali. il caso della Lombardia e della Padania nella stampa leghista (1984-2009)
|
|
|
|
BASE
|
|
Show details
|
|
|
| 11 |
Translation, adaptation, propaganda: Alfonso X of Castile and "Historia Regum Britanniae"
|
|
|
|
BASE
|
|
Show details
|
|
|
| 14 |
L’italiano neostandard: un’analisi linguistica attraverso la stampa sportiva
|
|
|
|
BASE
|
|
Show details
|
|
|
| 15 |
'Les cent nouvelles nouvelles': A linguistic study of MS Glasgow Hunter 252
|
|
|
|
BASE
|
|
Show details
|
|
|
| 16 |
Writing Cultural and Gender Difference: Sylviane Telchid's 'Throvia de la Dominique'
|
|
|
|
BASE
|
|
Show details
|
|
|
| 17 |
El Conde de Sex (The Earl of Essex) by Antonio Coello y Ochoa - translated and edited with an introduction
|
|
|
|
Abstract:
This dissertation is concerned with El Conde de Sex by the Spanish dramatist Antonio Coello y Ochoa, An edited text of the play, based on the first edition of 1638, is given alternately with an English prose translation. This is the first time the play has been translated. Explanatory notes on textual, historical, theatrical, and other matters are given in the Commentary. El Conde de Sex is of unusual interest in Anglo-Spanish literary relationships since it portrays Queen Elizabeth I and the Earl of Essex as central figures in a romantic drama. Considering that the play was written within fifty years of the Armada, they are treated with remarkable sympathy. The Introduction attempts a sketch of Coello's life and literary career. Not much is known about him, but Spanish sources have been investigated and early manuscripts of the play have been consulted. An examination of El Conde de Sex in the context of the drama of its time suggests that Coello was concerned primarily to create a theatrically convincing romantic drama rather than to give an accurate picture of life in the English court. No primary sources have been discovered.
|
|
Keyword:
P Philology. Linguistics; PC Romance languages; PQ Romance literatures
|
|
URL: http://etheses.bham.ac.uk//id/eprint/8067/2.hassmallThumbnailVersion/Graham_1968_MA.pdf
http://etheses.bham.ac.uk//id/eprint/8067/2/Graham_1968_MA.pdf
http://etheses.bham.ac.uk//id/eprint/8067/
|
|
BASE
|
|
Hide details
|
|
|
|
|
