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1
Arabising Italian? Transnational literature as multilingual transaction
Burns, Jennifer. - : Taylor & Francis, 2021
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2
(S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French
Delmas, Melina. - 2020
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3
Sense in Translation: Essays on the Bilingual Body
Rabourdin, Caroline. - : Routledge, 2020
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4
The expanding space of the train carriage: A phenomenological reading of Michel Butor’s La modification
Rabourdin, Caroline. - : Routledge, 2020
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5
Mia Couto and the antinomies of world literature
de Medeiros, Paulo. - : Peter Lang, 2020
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6
The sounds of beasts and birds: noise and nonhuman communication in medieval French and English texts written in Anglo-Norman England
Lewis, Liam Gil. - 2019
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7
Self-translation in 20th-century Italian and Polish literature: the cases of Luigi Pirandello, Maria Kuncewiczowa and Janusz Głowacki
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8
The origin and role of sospiro in the poetry of Guido Cavalcanti
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9
Syntax and style in Alberto Arbasino's early works (1957-1963)
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10
La funzione del dialetto nella creazione di identità nazionali. il caso della Lombardia e della Padania nella stampa leghista (1984-2009)
Tani, Maurizio. - 2016
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11
Translation, adaptation, propaganda: Alfonso X of Castile and "Historia Regum Britanniae"
Sanz-Mingo, Carlos. - : Danubius University, 2016
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12
L’altra llengua de Marta Rojals
Cornella-Detrell, Jordi. - : Núvol, 2014
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13
El plurilingüisme en la literatura catalana
Cornella, Jordi. - 2014
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14
L’italiano neostandard: un’analisi linguistica attraverso la stampa sportiva
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15
'Les cent nouvelles nouvelles': A linguistic study of MS Glasgow Hunter 252
Roger, Geoffrey. - 2011
Abstract: MS Glasgow Hunter 252 is the sole surviving manuscript copy of the 'Cent Nouvelles Nouvelles'. The present PhD thesis, funded by a Glasgow University Scholarship and supervised by James Simpson and Peter Davies, explores the language of this collection of bawdy tales, attributed to the court of Philippe III de Bourgogne (1396-1467). Most existing studies on the language of the 'Cent Nouvelles Nouvelles' have offered a literary (e.g. stylistic, narratological) perspective, and very few have considered the document within the wider context of French historical linguistics. The present thesis aims to fill this gap by: •Presenting elements of linguistic interest within the document (dialectalisms, archaisms, rare features, cultural references, etc.), through a comprehensive survey of phonology, morphology, syntax and vocabulary. •Expanding and reassessing existing theories on orthographic standardisation and dialectal input in written and, more speculatively, spoken Middle French. •Providing scriptological evidence towards the localisation of other textual resources within the online 'Dictionnaire du moyen français (1330-1500)'. •Investigating the authenticity of the mise-en-scène of the 'Cent Nouvelles Nouvelles'; reflecting on linguistic practices and note-taking at the Court of Burgundy. •Exploring spoken language as rendered by direct speech passages, with special consideration of linguistic variation and stereotyping. •Publishing textual databases for future analysis (tables of main spelling variants, alphabetical list of words, etc.).
Keyword: P Philology. Linguistics; PC Romance languages; PQ Romance literatures
URL: http://theses.gla.ac.uk/2872/
https://eleanor.lib.gla.ac.uk/record=b2881919
http://theses.gla.ac.uk/2872/1/2011Rogerphd.pdf
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16
Writing Cultural and Gender Difference: Sylviane Telchid's 'Throvia de la Dominique'
Ferly, Odile. - : Cardiff University Press, 2004
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17
El Conde de Sex (The Earl of Essex) by Antonio Coello y Ochoa - translated and edited with an introduction
Graham, J.B.. - 1968
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