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Hits 1 – 19 of 19

1	The anatomy of folly in Shakespeare's "Henriad"
	Bell, Robert H.
	In: Humor. - Berlin ; Boston : de Gruyter Mouton 14 (2001) 2, 181-201
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2	Syntax and 'ethos' in English style
	King, Robert L.
	In: Language and style. - Flushing, NY : Queens College Press 24 (1991) 4, 503-516
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3	Go figure : troping the unspeakable
	In: Style. - University Park, PA : Pennsylvania State University Press 34 (2000) 3, 350-529
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4	Ungrammatical notes 15 : behind and beyond Shakespeare's wordplay
	Brame, Michael
	In: Linguistic analysis. - Vashon Island, Wash. : Linguistic Analysis 29 (1999) 3-4, 349-368
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5	'This precious stone set in the silver sea...' : literal and figurative references to jewelry in the plays of William Shakespeare
	Owens, Nancy J.; Harris, Alan C.
	In: Semiotica. - Berlin ; Boston : De Gruyter Mouton 123 (1999) 1-2, 77-95
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6	The dialogue in Shakespeare's "The comedy of errors" as an exponent of extralinguistic vs. linguistic errors, or : the duality of reality
	Kryk-Kastovsky, Barbara
	In: On language theory and practice ; 1. Language theory and language use. - Katowice : Wyd. Uniw. Śla̜skiego (1999), 127-138
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7	'And all things change them to the contrary' : Romeo and Juliet and the metaphysics of language
	Lucking, David
	In: English studies. - Abingdon : Routledge, Taylor & Francis Group 78 (1997) 1, 8-18
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8	The creation and use of compound words in Jacobean tragedy
	Koskenniemi, Inna
	In: Neuphilologische Mitteilungen. - Helsinki : Neuphilologischer Verein 92 (1991) 1, 63-73
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9	Lost humor in "The Comedy of Errors" and "Twelfth Night"
	West, Gilian
	In: English studies. - Abingdon : Routledge, Taylor & Francis Group 71 (1990) 1, 6-15
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10	Texts and pretexts in the English Renaissance
	In: Style. - University Park, PA : Pennsylvania State University Press 23 (1989) 3, 333-500
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11	The use of imaginative literature for communication theory construction : some precautions
	VanOosting, James
	In: The quarterly journal of speech. - Abingdon : Routledge 71 (1985) 2, 218-226
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12	The iconic role of aspect in Shakespeare's Sonnet 129
	Brinton, Laurel J.
	In: Poetics today. - Durham, NC : Duke Univ. Press 6 (1985) 3, 447-459
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13	The duke's attitude toward Angelo in I.l of "Measure for measure" : linguistic context and character
	Aquino, Deborah T. Curren
	In: Language and literature. - San Antonio, Tex. : Univ. 10 (1985), 1-24
	19 Literaturangaben
	Keyword: Anredeform; Frühneuenglisch; Shakespeare, William; Stil/Ästhetik
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14	Soliloquy as self-disclosure
	Hugenberg, Lawrence W.; Schaefermeyer, Mark J.
	In: The quarterly journal of speech. - Abingdon : Routledge 69 (1983) 2, 180-187
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15	Wortspiel und Eigennamengebrauch in Shakespeares dramatischem Werk : Zusammenfassung
	Müller, Peter
	In: International Congress of Onomastic Sciences <13, 1978, Krakau>. Proceedings of the Thirteenth International Congress of Onomastic Sciences ; 2. - Warszawa [u.a.] : Nakładem Uniw. Jagiellońskiego (1982), 199-200
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16	The words of Mercury and the songs of Apollo : the status of the linguistic sign in "Love's Labour's Lost" and other Shakespearean comedies
	Elam, Keir
	In: Istituto Universitario Orientale <Neapel>. Annali. Anglistica. - Napoli : Ist. 25 (1982) 1, 35-79
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17	Lust in action : an abstraction
	Benzon, William L
	In: Language and style. - Flushing, NY : Queens College Press 14 (1981) 4, 251-270
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18	Implicature, convention, and "The Taming of the Shrew"
	Cooper, Marilyn M.
	In: Poetics. - Amsterdam : Elsevier 10 (1981) 1, 1-14
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19	Nomen Omen : Lear's three daughters
	Jacobson, Howard
	In: Revue belge de philologie et d'histoire. - Bruxelles : Société pour le Progrès des Etudes Philologiques et Historiques 63 (1980) 3, 595-603
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