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Hits 261 – 280 of 357

261
Figures of repetition in Sidney's "Astrophil and Stella" and in the scenic form of "Measure for measure"
In: Rhetorica. - Berkeley, Calif. : Univ. of California Press 9 (1991) 2, 131-146
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262
"The great might of figures" : some uses of formal rhetoric in "Henry VI"
In: Conference on the Literature of Region and Nation <3., 1990, Echternach>. Proceedings of the Third Conference on the Literature of Region and Nation ; 1. - Luxembourg (1991), 53-69
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263
Navigation in the Shakespeare Database
In: Computer und Sprache. - Innsbruck : Inst. für Anglistik (1991), 227-232
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264
Shakespeare und die Rhetorik
In: Rhetorik. - Berlin ; Boston, Mass. : De Gruyter 10 (1991), 57-70
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265
Lost humor in "The Comedy of Errors" and "Twelfth Night"
In: English studies. - Abingdon : Routledge, Taylor & Francis Group 71 (1990) 1, 6-15
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266
Applied historical linguistics : socio-historical linguistic evidence for the authorship of Renaissance (Sprachtheorie) plays
In: Philological Society <London>. Transactions of the Philological Society. - Oxford [u.a.] : Wiley-Blackwell 88 (1990) 2, 201-226
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267
The language of deception in "Macbeth" : a study in equivocation and hidden meaning
In: Prace je̜zykoznawcze. - Kraków : Nakładem Uniwersytetu Jagiellońskiego 103 (1990), 1-135
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268
Shakespeare magyar fordításban : (néhány megjegyzés történeti-szemantikai aspektusból).
In: Filológiai közlöny. - Budapest : Balassi Kiadó 36 (1990) 1-2, 1-19
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269
Shakespeare's late style as reflected in his versification
In: Acta philologica. - Warszawa : Uniw. (1990) 18, 79-91
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270
Shakespeares Sonnett 129 und seine deutschen Uebersetzer
In: Poetica. - Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group 22 (1990) 1-2, 195-215
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271
'To sing and speak in many sorts of music' : Musik und kommunikatives Handeln in Shakespeares "Twelfth Night"
In: Poetica. - Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group 22 (1990) 1-2, 21-45
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272
"None Can Be Called Deformed but the Unkind" : disruption of norms in "Twelfth Night"
In: On strangeness. - Tübingen : Narr (1990), 99-112
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273
The endings of "King Lear"
In: On strangeness. - Tübingen : Narr (1990), 85-98
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274
Rewriting Shakespeare : travesty and tradition
In: On strangeness. - Tübingen : Narr (1990), 113-132
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275
Functional differentiation in the emerging English standard language : the evolution of a morphological discourse and style marker
In: Historical linguistics 1987. - Amsterdam [u.a.] : Benjamins (1990), 489-498
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276
Finite complement clauses in Shakespeare's English (II)
In: Studia neophilologica. - New York, NY [u.a.] : Routledge, Taylor & Francis Group 62 (1990) 2, 129-149
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277
Finite complement clauses in Shakespeare's English (I)
In: Studia neophilologica. - New York, NY [u.a.] : Routledge, Taylor & Francis Group 62 (1990) 1, 3-21
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278
On the meaning of 'enciel'd' in "Measure for Measure"
In: English language notes. - Durham, NC : Duke University Press 27 (1990) 4, 22-27
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279
Politeness theory and Shakespeare's four major tragedies
In: Language in society. - London [u.a.] : Cambridge Univ. Press 18 (1989) 2, 159-212
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280
Cesario, Sebastian, Olivia, Viola, and Illyria in "Twelfth Night"
In: Names. - Abingdon, OX : Taylor & Francis 37 (1989) 3, 281-284
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