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21
A naïve Bayes classifier for Shakespeare's second-person pronoun
In: LLC. - Oxford : Oxford Univ. Press 27 (2011) 1, 17-23
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22
Translating Shakespeare's imagery for the Chinese audience: with reference to "Hamlet" and its versions in Chinese and in European languages
In: Babel. - Amsterdam : Benjamins 57 (2011) 2, 204-225
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23
A choice of emblemes and other devices
In: Semiotica. - Berlin ; Boston : De Gruyter Mouton 185 (2011) 1-4, 79-112
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24
Beatrix Busse: Vocative Constructions in the Language of Shakespeare [Rezension]
In: Journal of historical pragmatics. - Amsterdam : Benjamins 11 (2010) 1, 149-154
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25
Combining rhetoric and pragmatics to read "Othello"
In: English studies. - Abingdon : Routledge, Taylor & Francis Group 91 (2010) 4, 398-411
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26
Shakespearean sonnets versus Shakespearean canon
In: Journal of quantitative linguistics. - London : Routledge 17 (2010) 2, 81-93
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27
Old spellings, new methods: automated procedures for indeterminate linguistic data
In: LLC. - Oxford : Oxford Univ. Press 25 (2010) 1, 37-52
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28
Two tough nuts to crack: did Shakespeare write the 'Shakespeare' portions of "Sir Thomas More" and "Edward III"?, Part 2, Conclusion
In: LLC. - Oxford : Oxford Univ. Press 25 (2010) 2, 165-177
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29
Two tough nuts to crack: did Shakespeare write the 'Shakespeare' portions of "Sir Thomas More" and "Edward III"? , Part 1
In: LLC. - Oxford : Oxford Univ. Press 25 (2010) 1, 67-83
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30
Expertise reversal effects in using explanatory notes for readers of Shakespearean text
In: Instructional science. - Dordrecht ; Heidelberg [u.a.] : Springer Science + Business Media 38 (2010) 3, 217-236
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31
Uptown girls and suburb pleasures: gleichgerichtete metaphorische Projektionen bei Shakespeare und in der Pop- und Werbesprache der Gegenwart
In: Kodikas, Code - Ars semeiotica. - Tübingen : Narr 33 (2010) 1-2, 13-27
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32
Unveiling the dramatic secret of 'Ghost' in "Hamlet"
In: Journal of literary semantics. - Berlin [u.a.] : Mouton De Gruyter 39 (2010) 2, 103-117
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33
Iconicity typological and theological : J. G. Hamann and James Joyce
In: Signergy. - Amsterdam [u.a.] : Benjamins (2010), 269-278
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34
Emotion and the humors: scoring and classifying major characters from Shakespeare's comedies on the basis of their language
In: Psychological reports. - Los Angeles [u.a.] : SAGE 106 (2010) 3, 813-831
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35
Ideologies of English in Shakespeare's "Henry V"
In: Language and literature. - London : Sage 18 (2009) 1, 25-44
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36
Keyness : words, parts-of-speech and semantic categories in the character-talk of Shakespeare's "Romeo and Juliet"
In: International journal of corpus linguistics. - Amsterdam [u.a.] : Benjamins 14 (2009) 1, 29-59
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37
Othello in the Egyptian vernacular : negotiating the 'doxic' in drama translation and identity formation
In: The translator. - Abingdon : Routledge, Taylor& Francis Group 15 (2009) 1, 157-178
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38
Dietetics as a key to language and character in Shakespeare's comedy
In: English studies. - Abingdon : Routledge, Taylor & Francis Group 90 (2009) 1, 17-33
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39
Celtic influence in English? Yes and no
In: English language and linguistics. - Cambridge : Cambridge Univ. Press 13 (2009) 2, 309-334
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40
Untangling the derivatives: points for clarification in the findings of the Shakespeare Clinic
In: LLC. - Oxford : Oxford Univ. Press 24 (2009) 4, 403-416
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