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Hits 61 – 80 of 526

61
Minako Nakayasu: The Pragmatics of Modals in Shakespeare [Rezension]
In: Journal of historical pragmatics. - Amsterdam : Benjamins 12 (2011) 1-2, 306-308
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62
From good manners to facework : politeness variations and constants in France, from the classic age to today
In: Journal of historical pragmatics. - Amsterdam : Benjamins 12 (2011) 1-2, 133-155
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63
Early-modern 'speech' marks
In: Visible language. - Cincinnati, Ohio : University of Cincinnati 45 (2011) 1-2, 93-120
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64
"Macbeth" revisited: a cognitive analysis
In: Metaphor and symbol. - Philadelphia : Routledge, Taylor & Francis Group 26 (2011) 1, 1-22
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65
A naïve Bayes classifier for Shakespeare's second-person pronoun
In: LLC. - Oxford : Oxford Univ. Press 27 (2011) 1, 17-23
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66
The impact of extended voice use on the acoustic characteristics of phonation after training and performance of actors from the La MaMa Experimental Theater Club
In: Journal of voice. - Amsterdam [u.a.] : Elsevier 25 (2011) 3, e123-e137
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67
Gabriella Mazzon: Interactive Dialogue Sequences in Middle English Drama. Amsterdam: John Benjamins, 2009, IX + 228 pages [Rezension]
In: Pragmatics & cognition. - Amsterdam [u.a.] : Benjamins 19 (2011) 1, 181-185
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68
"Look at the shark": evaluation of student- and actress-produced standardised sentences of infant- and foreigner-directed speech
In: Speech communication. - Amsterdam [u.a.] : Elsevier 53 (2011) 1, 12-22
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69
Towards an internal cohesion of the technical lexicon: structures in Latin theatrical lexicon
In: Indogermanische Forschungen. - Berlin : de Gruyter 116 (2011), 300-323
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70
"Hat alles seine Zeit": Sprichwörter in Otto Ludwigs Dramen
In: Proverbium. - Burlington, Vt. : Univ. 28 (2011), 193-218
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71
Comedy and politics : Machiavelli's magical contemporary drama
In: Journal of language and politics. - Amsterdam [u.a.] : Benjamins 10 (2011) 2, 270-286
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72
Germanic myths and gender constructions in German and Dutch theatre texts 1660 - 1780
In: Neophilologus. - Dordrecht [u.a.] : Springer 95 (2011) 2, 249-265
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73
An embodied view of misunderstanding in "Macbeth"
In: Poetics today. - Durham, NC : Duke Univ. Press 32 (2011) 3, 489-520
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74
Raum-Zeiten im Umbruch : Erzählen und Zeigen im Sevilla der Frühen Neuzeit
Lay Brander, Miriam. - Bielefeld : transcript, 2011
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UB Frankfurt Linguistik
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75
Drama grammar: towards a performative postmethod pedagogy
In: Language learning journal. - Abingdon, Oxfordshire : Routledge 39 (2011) 3, 299-312
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76
The pragmatics of humour across discourse domains
Dynel, Marta (Hrsg.). - Amsterdam [u.a.] : Benjamins, 2011
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77
Studies in political humour : in between political critique and public entertainment
Dynel, Marta; Popa, Diana Elena (Hrsg.); Georgalidou, Marianthi. - Amsterdam [u.a.] : Benjamins, 2011
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78
Con la bocca di un'altra persona : retorica e drammaturgia nel teatro del Rinascimento
Fanelli, Carlo. - Roma : Bulzoni, 2011
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UB Frankfurt Linguistik
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79
Genres de récits : narrativité et généricité des textes
Adam, Jean-Michel. - Louvain-la-Neuve : Academia [u.a.], 2011
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80
Multimodality and the study of popular drama
In: Language and literature. - London : Sage 19 (2010) 4, 378-395
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