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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 Hits 1 – 20 of 55 1 Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan Akandiinda, Shiphrah Mutungi In: Antioch University Full-Text Dissertations & Theses (2022) BASE Show details 2 Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism Lu, Xinyu In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 3 Why I Write in Yiddish Alkalay-Gut, Karen In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 4 Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics Wolf-Monzon, Tamar In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 5 Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art Mansoor, Jaleh In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 6 Moon Over Buffalo Playbill College, Providence In: Playbill and Promotion (2019) BASE Show details 7 The Performance of Racialized Bodies and Brecht’s Operatic Anthropology Amidon, Kevin S In: World Languages and Cultures Publications (2019) BASE Show details 8 The lighting programmer as creative collaborator Zezulka, Kelli In: Behind the Scenes: Journal of Theatre Production Practice (2019) BASE Show details 9 Pura Belpré’s Puppetry at the NYPL Children’s Rooms: 1921-1982 Sánchez González, Lisa In: Living Objects: African American Puppetry Essays (2019) BASE Show details 10 Subjectivity, Institutions and Language in Contemporary Israeli Film Ofengenden, Ari In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 11 Irony, Revenge, and the Naqba in Yehuda Amichai’s Early Work Hever, Hannan In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 12 Israeli Literature and the Time of "post-post-Zionism" Nir, Oded In: CLCWeb: Comparative Literature and Culture (2019) BASE Show details 13 Bat Boy Playbill Providence College In: Playbill and Promotion (2018) BASE Show details 14 TELLING ROOM: Color in Action Poag, Ryan; Gonsior, Meaghan In: Thinking Matters Symposium Archive (2018) BASE Show details 15 Dayak Lundayeh: A Report from The Border Zainuri, Luqman Hakim In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 16 Innovations in Self-Consciousness. Towards Oneness with the World Myong, Soon-ok; Chun, Byong-soon In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 17 Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze Surin, Kenneth In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 18 The End of the Nobel Era and the Reconstruction of the World Republic of Letters Zhu, Guohua; Tang, Yonghua In: CLCWeb: Comparative Literature and Culture (2018) BASE Show details 19 The Futures of Comparative Literature Envisioned by Chinese Comparatists Meng, Sheng In: CLCWeb: Comparative Literature and Culture (2017) BASE Show details 20 Yiddish Diction in Singing Schuster-Wachsberger, Carrie Suzanne In: UNLV Theses, Dissertations, Professional Papers, and Capstones (2016) Abstract: The standard for classical singers in the United States to be trained in the singing diction of the German, Italian, and English languages. This sung diction varies from the spoken diction for those languages and is therefore important for singers to study in classes dedicated to singing language pronunciation. Literature is also available for the instruction in the singing diction of numerous other languages including Latin, Spanish, Czech, Russian, and Hebrew. While there is a vast scope of languages represented by vocal diction guides, there is no available singing diction guide for Yiddish songs, despite the spectrum of classical vocal genres where there is Yiddish repertoire, including art songs, cantatas, operas, operettas, and stage plays. The goal of this document is to create a manual on how to pronounce Yiddish in singing by examining the rules of spoken Yiddish diction, by comparing and contrasting how other languages differ between their spoken and sung rules, and by listening to old and new recordings of Yiddish repertoire in an effort to make this repertoire more accessible to performers. Keyword: and Cultures; Classical; Diction; Language Description and Documentation; Linguistics; Music; Other Languages; Pronunciation; Singing; Societies; Theatre and Performance Studies; Yiddish URL: https://digitalscholarship.unlv.edu/cgi/viewcontent.cgi?article=3734&context=thesesdissertations https://digitalscholarship.unlv.edu/thesesdissertations/2733 BASE Hide details Page: 1 2 3

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