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Hits 101 – 119 of 119
101
Seamus Heaney and the poetic(s) of violence.
McGuire, Thomas George
. - 2004
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102
Listening to Language
Cain, Mary Ann
In: English and Linguistics Faculty Publications (2003)
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103
Étude des capacités verbales chez les enfants de 5 à 12 ans victimes de négligence avec abus physique
Massé, Valérie
. - : Université du Québec à Trois-Rivières, 2003
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104
It's worse than the war: Telling everyday danger in postwar San Salvador.
Moodie, Ellen
. - 2002
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105
Liberation Tigers of Tamil Eelam and the cultural production of nationalism and violence: Representing the integrity of nation and the choice for armed struggle
Sangarasivam, Yamuna
In: Anthropology - Dissertations (2000)
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106
Making violence in classrooms visible through the stories of Flannery O'Connor.
Verderame, Carla Lee
. - 1998
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107
Gewalt und Aggression in schleswig-holsteinischen Schulen ... : Violence and aggression in schools in Schleswig-Holstein ...
Niebel, Gabriele
;
Hanewinkel, Reiner
;
Ferstl, Roman
. - : Beltz, 1993
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108
Gewalt und Aggression in schleswig-holsteinischen Schulen ; Violence and aggression in schools in Schleswig-Holstein
Niebel, Gabriele
;
Hanewinkel, Reiner
;
Ferstl, Roman
In: Zeitschrift für Pädagogik 39 (1993) 5, S. 775-798 (1993)
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109
Crossing the guillotine: Symbolic violence and religious fury in the age of the French Revolution.
Boeckel, Bruce Oliver
. - 1993
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110
My Gal Done Quit At Last. ; Me an' my gal had a terrible fuss, the other day just after dusk [first line] ; All coons are satisfied my gal done quit at last [first line of chorus]
Billy Jackson (composer lyricist)
. - : The S. Brainard's Sons Co., 20 E. 17th St., 1899
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111
Miss Brown's In Town. A Hot Coon Song. ; If coons inquiring why I'm so stylish, don't stop admiring [first line] ; Brush by, you bullies, dream that you're blind [first line of chorus]
Michael B. Garrett (composer lyricist)
. - : Sol Bloom, 1897
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112
Mister Johnson. Song and Chorus. ; T'other eb'ning eb'ryting was still, Oh! babe [first line] ; Oh, Mr. Johnson turn me loose, got no money but a good excuse [first line of chorus]
Ben R. Harney (composer lyricist)
. - 1896
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113
At Last! De New Bully. Big Hit in the "Widow Jones." ; Did you see de new Bully dat just come to town [first line] ; When I walk dat levee roun' roun' roun' roun' [first line of chorus]
Will C. Carleton (lyricist)
;
J. W. Cavanagh (composer)
. - : The Essex Music Publishing Co., 1896
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114
May Irwin's "Bully" Song. ; Have yo' heard about dat bully dat's just come to town [first line] ; When I walk dat levee round, round, round, round [first line of chorus]
Charles E. Trevathan (composer lyricist)
. - : White-Smith Music Publishing Co., 1896
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115
May Irwin's "Bully" Song. ; Have yo' heard about dat bully dat's just come to town [first line] ; When I walk dat levee round, round, round, round [first line of chorus]
Charles E. Trevathan (composer lyricist)
. - : White-Smith Music Publishing Co., 1896
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116
May Irwin's "Bully" Song. ; Have yo' heard about dat bully dat's just come to town [first line] ; When I walk dat levee round, round, round, round [first line of chorus]
Charles E. Trevathan (composer lyricist)
. - 1896
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117
International Pragmatics Association FEARFUL, FORCEFUL AGENTS OF THE LAW: IDEOLOGIES ABOUT LANGUAGE AND GENDER IN POLICE OFFICERS ’ NARRATIVES ABOUT THE USE OF PHYSICAL FORCE
Bonnie Mcelhinny
In: http://elanguage.net/journals/pragmatics/article/download/388/314/
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118
Composing Violence: Student Talk, University Discourse, and the Politics of Witnessing.
Dickinson, Hannah Andrews
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119
Gallows Erected in the Bedroom: A Critical Analysis of Violence in the Case of Capital Punishment
Biabanimilani, Omid
. - : Université d'Ottawa / University of Ottawa
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