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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5 6 Hits 101 – 119 of 119 101 Seamus Heaney and the poetic(s) of violence. McGuire, Thomas George. - 2004 BASE Show details 102 Listening to Language Cain, Mary Ann In: English and Linguistics Faculty Publications (2003) BASE Show details 103 Étude des capacités verbales chez les enfants de 5 à 12 ans victimes de négligence avec abus physique Massé, Valérie. - : Université du Québec à Trois-Rivières, 2003 BASE Show details 104 It's worse than the war: Telling everyday danger in postwar San Salvador. Moodie, Ellen. - 2002 BASE Show details 105 Liberation Tigers of Tamil Eelam and the cultural production of nationalism and violence: Representing the integrity of nation and the choice for armed struggle Sangarasivam, Yamuna In: Anthropology - Dissertations (2000) BASE Show details 106 Making violence in classrooms visible through the stories of Flannery O'Connor. Verderame, Carla Lee. - 1998 BASE Show details 107 Gewalt und Aggression in schleswig-holsteinischen Schulen ... : Violence and aggression in schools in Schleswig-Holstein ... Niebel, Gabriele; Hanewinkel, Reiner; Ferstl, Roman. - : Beltz, 1993 BASE Show details 108 Gewalt und Aggression in schleswig-holsteinischen Schulen ; Violence and aggression in schools in Schleswig-Holstein Niebel, Gabriele; Hanewinkel, Reiner; Ferstl, Roman In: Zeitschrift für Pädagogik 39 (1993) 5, S. 775-798 (1993) BASE Show details 109 Crossing the guillotine: Symbolic violence and religious fury in the age of the French Revolution. Boeckel, Bruce Oliver. - 1993 Abstract: Using the French Revolution's moral crusade and political inquisition as the centerpoint of its analysis, this study examines the importation of religious ideas and passions into secular affairs, beginning with the moralistes of the Enlightenment and ending with the early Romantics. Transforming politics into a sacred cause, France's New Regime aimed to establish an Edenic Republic of Virtue, but created, instead, a hellish reign of Terror and sacrificial violence. My readings of violence in literary and historical texts draw on current theories of myth and on recent, revisionist historiography on the period. Figures covered include Pascal, Voltaire, Rousseau, Mirabeau, Danton, Robespierre, Wordsworth, Kleist, and Chateaubriand. Part I examines how the philosophes rejected the virulence of dogmatic religious belief, yet attempted, nonetheless, to formulate Enlightened counterparts to the basic elements of Christian teaching, including a new myth of the origin of evil, a new doctrine of human nature, and a new eschatology. Unfortunately, the Enlightened campaign often was driven less by its utopian vision than by resentment toward its rival and object of hatred. Part II outlines how revolutionist political oratory transformed the Enlightenment's eschatology into an immediate imperative and its symbolic violence into a bloody policy to cripple the French Catholic Church, a policy pursued with the very fanaticism and religious fury that rationalist moralism had hoped to evade. Part III brings this traumatic cultural context to bear on three specific literary works: Wordsworth's Prelude, Kleist's Michael Kohlhaas, and Chateaubriand's Martyrs. These works use religious imagery to represent both the Revolution's lost sacred promise and its diabolical betrayal. They are among the earliest attempts to come to terms with modernity's post-theistic forms of the sacred, with the old maladies of virulent belief and sacrificial violence in their new and characteristically modern shapes. Appalled and shaken by the Revolution's descent into Terror, many Romantics still embraced its ideals. The ambivalent religious symbolism of their literary works marks the tension of their stance. It also marks the difficulty of their task--the task of morally coming to terms with the Revolution, transcending its failure, and crossing the guillotine. ; Ph.D. ; Comparative literature ; European history ; Language, Literature and Linguistics ; Philosophy ; Philosophy, Religion and Theology ; Religious history ; Social Sciences ; University of Michigan, Horace H. Rackham School of Graduate Studies ; http://deepblue.lib.umich.edu/bitstream/2027.42/129173/2/9409634.pdf Keyword: Age; Crossing; Enlightenment; French; Fury; Guillotine; Religious; Revolution; Romanticism; Symbolic; Violence URL: https://hdl.handle.net/2027.42/129173 http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:9409634 BASE Hide details 110 My Gal Done Quit At Last. ; Me an' my gal had a terrible fuss, the other day just after dusk [first line] ; All coons are satisfied my gal done quit at last [first line of chorus] Billy Jackson (composer lyricist). - : The S. Brainard's Sons Co., 20 E. 17th St., 1899 BASE Show details 111 Miss Brown's In Town. A Hot Coon Song. ; If coons inquiring why I'm so stylish, don't stop admiring [first line] ; Brush by, you bullies, dream that you're blind [first line of chorus] Michael B. Garrett (composer lyricist). - : Sol Bloom, 1897 BASE Show details 112 Mister Johnson. Song and Chorus. ; T'other eb'ning eb'ryting was still, Oh! babe [first line] ; Oh, Mr. Johnson turn me loose, got no money but a good excuse [first line of chorus] Ben R. Harney (composer lyricist). - 1896 BASE Show details 113 At Last! De New Bully. Big Hit in the "Widow Jones." ; Did you see de new Bully dat just come to town [first line] ; When I walk dat levee roun' roun' roun' roun' [first line of chorus] Will C. Carleton (lyricist); J. W. Cavanagh (composer). - : The Essex Music Publishing Co., 1896 BASE Show details 114 May Irwin's "Bully" Song. ; Have yo' heard about dat bully dat's just come to town [first line] ; When I walk dat levee round, round, round, round [first line of chorus] Charles E. Trevathan (composer lyricist). - : White-Smith Music Publishing Co., 1896 BASE Show details 115 May Irwin's "Bully" Song. ; Have yo' heard about dat bully dat's just come to town [first line] ; When I walk dat levee round, round, round, round [first line of chorus] Charles E. Trevathan (composer lyricist). - : White-Smith Music Publishing Co., 1896 BASE Show details 116 May Irwin's "Bully" Song. ; Have yo' heard about dat bully dat's just come to town [first line] ; When I walk dat levee round, round, round, round [first line of chorus] Charles E. Trevathan (composer lyricist). - 1896 BASE Show details 117 International Pragmatics Association FEARFUL, FORCEFUL AGENTS OF THE LAW: IDEOLOGIES ABOUT LANGUAGE AND GENDER IN POLICE OFFICERS ’ NARRATIVES ABOUT THE USE OF PHYSICAL FORCE Bonnie Mcelhinny In: http://elanguage.net/journals/pragmatics/article/download/388/314/ BASE Show details 118 Composing Violence: Student Talk, University Discourse, and the Politics of Witnessing. Dickinson, Hannah Andrews BASE Show details 119 Gallows Erected in the Bedroom: A Critical Analysis of Violence in the Case of Capital Punishment Biabanimilani, Omid. - : Université d'Ottawa / University of Ottawa BASE Show details Page: 1 2 3 4 5 6

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