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Tod durch Schlangenbiß. Kleopatras Selbstmord im Film und in der literarischen Tradition
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| 2 |
Raumkonzepte und Antikenrezeption in Abdelaziz Ferrahs Roman "Moi, Saint Augustin"
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Description of Fear as a Narrative Device in the Historiae Alexandri Magni of Curtius Rufus
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| 4 |
Writing Order and Emotion. Affect and the Structures of Power in Greek and Latin Authors
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Rezension zu: Venantius Fortunatus, Vita Sancti Martini/Das Leben des Heiligen Martin
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Literarisches Schaffen als imitatio Christi in der Augustinusvita des Possidius
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| 8 |
Writing Order and Emotion. Affect and the Structures of Power in Greek and Latin Authors
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| 9 |
Overcoming and Placing the Emotion of Fear in a Philosophical System. The Case of the Epicurean Diogenes of Oenoanda
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| 10 |
Rufius Festus: Kleine Geschichte des römisches Volkes. Lateinisch-Deutsch
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| 11 |
For Example. Martyrdom and Imitation in Early Christian Texts and Art
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| 13 |
Zwischen Karthago, Rom und Hippo Regius: Augustinus in der nordafrikanischen und der europäischen Tradition
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| 14 |
Banquet Scenes in Ancient Epic
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Abstract:
Banquets are among the most prominent type-scenes in ancient epic. They provide an unobtrusive occasion to bring the protagonists together, to characterise them, and to introduce and negotiate new threads in the epic plot. They often include elaborate descriptions of the setting, the characters, and the entertainment held at the dinner table, and they also offer a chance to include the author’s metapoetic views in a meaningful way. This contribution focuses on the presentation of the typical pattern of epic banquet scenes from a diachronic perspective. This pattern allows the poet to claim his own place in the history of the genre through skilful imitation and variation of traditional structures. The paper will also discuss questions of hierarchy and social status. For example, how does the exchange of gifts, a common feature in epic banquets, affect the social position of the characters? How does this process relate to past and future events in the poem? Other relevant questions include the way emotions are being conveyed to and created in the reader in order to guide his or her expectation and attention. The present study will look specifically at examples inwhich events on the level of the plot are at odds with the superior knowledge of the reader. This includes instances of dramatic irony as well as examples in which banquets unfold in an uneventful way, but are presented to the reader in a new and unexpected fashion. These examples will be set against banquet scenes that, from a diachronic perspective, follow a more traditional pattern.
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Keyword:
ddc:470; ddc:930
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URL: https://kups.ub.uni-koeln.de/46177/
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| 15 |
Mind the gap – the reception of antiquity in Maghrebinian novels on the ancient world
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| 17 |
Die Begegnung von Gott und Mensch beim Mahl im Bibelepos des Sedulius
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| 18 |
„Jetzt büßten die Nachfahren die Schuld ihrer Ahnen“: Das Problem der Branchidenepisode bei Curtius Rufus
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| 19 |
"Hoc satis in titulo": Studien zu den Inschriften in der römischen Elegie
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