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1
Bol Processor Grammars
In: Understanding Music with AI ; https://hal.archives-ouvertes.fr/hal-00256386 ; Mira Balaban. Understanding Music with AI, AAAI Press, pp.366-400, 1992 (1992)
Abstract: Bol Processor grammars are an extension of unrestricted generative grammars allowing a simple representation of string "patterns", here taken to mean repetitions and homomorphic transformations. These have been successfully applied to the simulation of improvisatory techniques in traditional drum music, using a production-rule system called "Bol Processor BP1". The basic concepts and parsing techniques of BP1 are presented. A new version of Bol Processor, namely "BP2", has been designed to serve as a aid to rule-based composition in contemporary music. Extensions of the syntactic model, such as metavariables, remote contexts, substitutions and programmed grammars, are briefly introduced.
Keyword: [INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI]; [SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnology; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; bol processor; ethnomusicologie; ethnomusicology; Formal grammars; Grammaires formelles; langages de formes; membership test; pattern languages; test d'appartenance
URL: https://hal.archives-ouvertes.fr/hal-00256386
https://hal.archives-ouvertes.fr/hal-00256386/document
https://hal.archives-ouvertes.fr/hal-00256386/file/277.pdf
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2
Modelling improvisatory and compositional processes
In: Languages of Design, Formalisms for Word, Image and Sound ; https://hal.archives-ouvertes.fr/hal-00256385 ; Languages of Design, Formalisms for Word, Image and Sound, 1992, 1 (1), pp.11-26 (1992)
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3
Modelling music with grammars: formal language representation in the Bol Processor
In: Computer Representations and Models in Music ; https://halshs.archives-ouvertes.fr/halshs-00004506 ; Computer Representations and Models in Music, Academic Press, pp.207-238, 1992 (1992)
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4
The identification and modelling of a percussion 'language', and the emergence of musical concepts in a machine-learning experimental set-up
In: ISSN: 0010-4817 ; EISSN: 1572-8412 ; Computers and the Humanities ; https://halshs.archives-ouvertes.fr/halshs-00004505 ; Computers and the Humanities, Springer Verlag, 1989, 23 (3), pp.119-214 (1989)
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