| 1 |
Роздуми Над Історичною Долею Комуністичних Ідеалів К. Маркса ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 3 |
"Drushba-Trasse 1975-77": Forschungsbericht II
|
|
|
|
In: 75 (2014)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
Spectral Socialisms: Marxism-Leninism and the Future of Marxist Thought in Post-Socialist Bulgaria
|
|
|
|
In: Valiavicharska, Zhivka Venelinova. (2011). Spectral Socialisms: Marxism-Leninism and the Future of Marxist Thought in Post-Socialist Bulgaria. UC Berkeley: Rhetoric. Retrieved from: http://www.escholarship.org/uc/item/6j85900c (2011)
|
|
BASE
|
|
Show details
|
|
|
| 5 |
Spectral Socialisms: Marxism-Leninism and the Future of Marxist Thought in Post-Socialist Bulgaria
|
|
|
|
BASE
|
|
Show details
|
|
|
| 12 |
O revisionismo de Eduard Bernstein e a negação da dialética ; The revisionism of Eduard Bernstein and the denial of the dialectic
|
|
|
|
BASE
|
|
Show details
|
|
|
| 13 |
Writing Revolution: The British Radical Literary Tradition as the Seminal Force in the Development of Adult Education, its Australian Context, and the Life and Work of Eric Lambert ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 14 |
Writing Revolution: The British Radical Literary Tradition as the Seminal Force in the Development of Adult Education, its Australian Context, and the Life and Work of Eric Lambert
|
|
|
|
BASE
|
|
Show details
|
|
|
| 16 |
Poets with blood on our tongues
|
|
|
|
Abstract:
The following areas of poetics and politics are engaged with in the writing practices that constitute this thesis : 1.The class context of poiesis (imaging and making). 2.The construction of the tropes : 'poet' and 'revolutionary'. 3.The ongoing process of making oneself as a poet. 4.The consciousness of oneself as a bodily (economic, political) movement in the oikos (house) and the polis (city), both of which are in the process of being unmade and made. 5.The dialectics of : destruction and creation, analysis (loosening the elements) and poiesis (assembling elements), naivete and terror, revolution and the state, the freely developing human and the crowd (as subject of becoming and binding), the necessity of telling and its impossibility, tightness and looseness, imperialism/post-coloniality, catholic christianity/post-theism, Marx and angels, social analysis and magical realism, presentation and marginalization, labour and capital, black and white, the making of poems and the making of a doctoral thesis, doctor and dictator, the epic and the fragmentary, the beginning and the end, the tongue and the blood. 6.The failure of the practices of Social Democracy and Stalinism in the face of the creativity and destructiveness of capital. 7.The unity/disjunction of the political and the passionate in creative practices. 8.Concrete historical conditions as the basis for poiesis. The text's polyvocality asks, and also avoids asking, how a tongue can speak and not belie its blood and how a voice can be produced that is not sundered from the speaker's blood and how a writer can stake a claim to write (genetically or apocalyptically) with any body's blood. Two paradigmatic images meld the fragmentary pieces into a work. The first is the image made by Marx of the human essence as an ensemble of social relations. The second is the image of the jazz ensemble in which the relationship between the musician and the ensemble produces the effect that nothing is background and all is semiotically loaded.
|
|
Keyword:
class; Doctor of Philosophy (PhD); Marxism; poet; poetry; revolutionary; socialism; state; writing
|
|
URL: http://handle.uws.edu.au:8081/1959.7/336
|
|
BASE
|
|
Hide details
|
|
|
| 17 |
Introduction: The fate of marxism
|
|
|
|
In: Sheehan, Helena (1993) Introduction: The fate of marxism. In: Marxism and the philosophy of science: a critical history. Humanities Press International, Atlantic Highlands, NJ, USA, xiii-xvii. ISBN 0-391-03780-3 (1993)
|
|
BASE
|
|
Show details
|
|
|
|
|
