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Contraintes et variation en sarde et ailleurs
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In: https://hal.archives-ouvertes.fr/tel-03348417 ; Linguistique. Université Côte d’Azur, 2021 (2021)
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Translation as dissent and as self-representation in the works of Beppe Fenoglio
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Die Académie française im Zeitalter der Digitalisierung – zwischen normativem Wirken und symbolischem Wert
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Pour le multilinguisme: exploiter à l’école la diversité des contextes européens : résultats d’une étude internationale, Septembre 2007
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In: Liege: Editions de l´Universite de Liege (2021)
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The Core Vocabulary of Romance Plurilingualism : Portuguese and Spanish word lists
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Meißner, Franz-Joseph. - : Justus-Liebig-Universität Gießen, 2021. : FB 05 - Sprache, Literatur, Kultur. Romanistik, 2021
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The Core Vocabulary of Romance Plurilingualism : French and Italian word lists
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Meißner, Franz-Joseph. - : Justus-Liebig-Universität Gießen, 2021. : FB 05 - Sprache, Literatur, Kultur. Romanistik, 2021
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La tradizione manoscritta del "Livre du gouvernement des roys et des princes" di Henri de Gauchy. Studio filologico e saggio di edizione
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In: Scala, Gavino. La tradizione manoscritta del "Livre du gouvernement des roys et des princes" di Henri de Gauchy. Studio filologico e saggio di edizione. 2021, University of Zurich, Faculty of Arts. (2021)
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Finché legge non vi separi - Il divorzio nella narrativa d’autrice tra Otto e Novecento
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In: Iaconis, Valeria. Finché legge non vi separi - Il divorzio nella narrativa d’autrice tra Otto e Novecento. 2021, University of Zurich, Faculty of Arts. (2021)
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«sola admiratio quaeritur» – Das Staunen in der Dichtung der italienischen Renaissance
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In: Elmer, Andrea. «sola admiratio quaeritur» – Das Staunen in der Dichtung der italienischen Renaissance. 2021, University of Zurich, Faculty of Arts. (2021)
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El ‹Libro de Apolonio›. Una edición crítica digital
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In: Brugger, Madlaina. El ‹Libro de Apolonio›. Una edición crítica digital. 2021, University of Zurich, Faculty of Arts. (2021)
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Interactions in Romance languages: multimodal studies ; Les interactions en langues romanes : études multimodales ; Le interazioni in lingue romanze: studi multimodali
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In: ISSN: 1023-2044 ; Bulletin suisse de Linguistique appliquée ; https://hal.archives-ouvertes.fr/hal-02987600 ; Bulletin suisse de Linguistique appliquée, pp.1-181, 2020 (2020)
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Zwischen Kognition und Emotion: Bildung, Funktionen und Bewertung französischer und deutscher Schokoladennamen ...
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(S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French
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Nurturing bilingual children: the voice of Spanish-speaking families in the West of Scotland
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Masculinism in Twentieth-Century Literature: Dissidence and Dissemblance in André Gide’s The Immoralist, Vladimir Nabokov’s Lolita, and Philip Roth’s Sabbath’s Theater
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Abstract:
Although masculinist literature may appear to be about masculinity as such or often explicit articulations of male carnality or even crudeness, it is actually about the use of masculinity, or gender performance, and prurience as rebellion; it is a means to undercut a sexually sublimating, artistically stifling system of values whose primary aim is to erect unseen, virtually undetectable, impediments to freedom. Masculinism is about man shackled by invisible but palpable chains, trying not only to break free, but to be free. At first glance, there is little revelatory in this abbreviated definition; in fact, the very attention given the implied man in masculinism seems overtly patriarchal, dated. But, man first needed to be centered in order to be decentered; masculinism knows this. If the prominence of man seems archaic, it is of course because it is. This is why this definition of masculinism belongs if not in then to the twentieth century: it is indicative of a timespan that experienced the continued eminence of man with his connotations of strength, virility, and savvy; but, it is also indicative of an era that felt first the rise of woman in particular, then otherness in general. The precariousness of ‘man’s moment’ accounts for the palpable angst of masculinist literature; there is a feeling of being ousted, an impulse to retreat. This dissertation ruminates the implications of three masculinist texts, The Immoralist, Lolita and Sabbath’s Theater, and the reverberations of each of these protagonist’s actions. It does so under the impression that art is never for art’s sake alone. It does so knowing there is something to be learned from these characters, not because they are human, real, but because they are not. They are shown as the manifestations, the distillations, of man’s hopes and fears, but, most importantly, his surrender. For they are the last stand against the post-gendered, pan-sexual society that they have unwittingly helped to create. And they, the masculinist (anti-)heroes of masculinist literature, are raising the white flag, as they, with all their (post)modern angst and alienation, submit to and usher in a new literary era centered on cultural pluralism.
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Keyword:
100; 100 Philosophy; 300; 300 Social sciences; 370; 370 Education; 420; 420 English; 440; 440 Romance languages French; 800; 800 Literature and rhetoric; 810; 810 American literature in English; 820; 820 English and Old English literatures; 840; 840 Literatures of Romance languages
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URL: https://archiv.ub.uni-heidelberg.de/volltextserver/28738/ https://nbn-resolving.org/urn:nbn:de:bsz:16-heidok-287387 https://doi.org/10.11588/heidok.00028738
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Zwischen Kognition und Emotion: Bildung, Funktionen und Bewertung französischer und deutscher Schokoladennamen
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Defying and defining the darkness: Translating French memories of the Holocaust
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Defying and defining the darkness: Translating French memories of the Holocaust
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