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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 17 of 17 1 Monologizität ... : Monologisches Sprechen in Theatertexten seit den 1960er Jahren und im Gegenwartstheater ... Agathangelidou, Marina. - : Freie Universität Berlin, 2021 BASE Show details 2 Takitoru: creative practice toward the development of a trilingual dramaturgical kaupapa Lodge, Alexandra Rose Pittaway. - : The University of Waikato, 2020 BASE Show details 3 Loghorrée, aphasie, lettres : les états de la parole dans le cinéma d’Arnaud Desplechin Rossi, Diane H.. - 2019 BASE Show details 4 Judite: um monólogo a duas vozes Silva, Andreia Raquel Moreira Ribeiro da. - 2015 Abstract: Um processo criativo em teatro é sempre jogado em equipa, cruzando processos inventivos, abordagens sobre a arte em geral e o objeto artístico específico, que ora colidem ora se encontram, numa perseguição conjunta e partilhada pelo cumprimento dum mesmo objetivo. Esta pesquisa assentou na criação a dois de um espetáculo, intitulado Judite, que assumiu a forma de monólogo, e que teve por base um texto escrito “por encomenda”. Tendo por pano de fundo a temática da identidade e a sua fragmentação, Judite, a única personagem em palco, nasceu a dois, da fusão entre a conceção do autor/encenador e eu, a atriz. O espetáculo é o resultado do confronto e do encontro, da análise e da crítica, num jogo dialético de aceitação e negação de ideias e propostas provenientes de visões diferentes da vida, do teatro, das mulheres e desta personagem. Este ensaio descreve e reflete acerca do processo de interação na co-criação de um espetáculo, e analisa a construção da personagem Judite, que entre conquistas, dificuldades e a sua superação, nos é aqui apresentada como resultado deste trabalho a dois, bem como enquanto elemento fundamental de mediação da interação criativa. ; A creative process in theatre is always a team activity, an exchange of inventive processes and approaches to art in general and the artistic object specifically, that, whether they colide or fuse, result in a collective search and sharing towards the realisation of the same objective. This research focussed on the creation by two people of a theatre play entitled Judite, that took the form of a monologue, and had at its base a “made to measure” text. Underlying the piece are the themes of identity and its fragmentation, Judite, the only character onstage, was born of both, the fusion of the conception of the author and myself, the actress. The performance arose from this confrontation and meeting, and from the analysis and criticism, of a dialectic game of acceptance and negation of ideas and proposals that came from different visions of life, of theatre, of women and of this character. This essay describes and reflects on the process of intereactive co-creation of a theatre performance and analyses the construction of the character Judite, who between conquests, difficulties and their resolution is represented here as the result of the work of both, as a fundamental element of mediation in the creative interaction. Keyword: Author/director/actress relationship; Co-creation; Co-criação; Construção da personagem; Creation of character; Creative interaction; Identidade; Identity; Interação criativa; Monólogo; Monologue; Relação autor/encenador-atriz URL: http://hdl.handle.net/10400.22/8882 BASE Hide details 5 Student conceptions of effective classroom discourse Murphy, Sophie Kim. - 2015 BASE Show details 6 Représentations du sens linguistique 5 Lagorgette, Dominique; Larrivée, Pierre. - : HAL CCSD, 2013. : Université de Savoie, Laboratoire Langages, Littératures, Sociétés, 2013 In: https://hal.archives-ouvertes.fr/hal-00985723 ; Université de Savoie, Laboratoire Langages, Littératures, Sociétés, 378 p., 2013, Langages, 978-2-919732-15-9 (2013) BASE Show details 7 Impossible Speech: 19th-century women poets and the dramatic monologue Luu, Helen. - 2008 BASE Show details 8 Impossible Speech: 19th-century women poets and the dramatic monologue Luu, Helen. - 2008 BASE Show details 9 Postmonologue: politics and parody in performance PATERSON, EDWARD REUBEN BURKE. - 2008 BASE Show details 10 Narratives from the crib Nelson, Katherine; Oster, Emily. - Cambridge, MA : Harvard University Press, 2006 MPI für Psycholinguistik Show details 11 DOCUMENT DE SYNTHÈSE : Parcours critique, position théorique et perspectives de recherche De Mattia-Viviès, Monique. - : HAL CCSD, 2004 In: https://tel.archives-ouvertes.fr/tel-01021141 ; Linguistique. Université de Paris X-Nanterre, 2004 (2004) BASE Show details 12 I, writing thus: Victorian women poets write the dramatic monologue. Williams, Laura Marie. - 1999 BASE Show details 13 El monólogo en el teatro español desde los años setenta : un estudio sobre las funciones del lenguaje en un "nuevo" género dramático Lauzière, Carole.. - : McGill University, 1996 BASE Show details 14 El monólogo en el teatro español desde los años setenta : un estudio sobre las funciones del lenguaje en un "nuevo" género dramático Lauzière; Carole.. - : McGill University, 1996 BASE Show details 15 Narratives from the crib Nelson, Katherine. - Cambridge, MA : Harvard University Press, 1989 MPI für Psycholinguistik Show details 16 Mythmaking and storytelling: The monologue in contemporary American drama. Geis, Deborah R.. - 1988 BASE Show details 17 Monolog und Dialog : Untersuchungen zu strukturellen und genetischen Beziehungen zwischen sprachlichen Solitär- und Gemeinschaftshandlungen Canisius, Peter. - Bochum : Brockmeyer, 1986 MPI-SHH Linguistik Show details

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