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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 17 of 17 1 Monologizität ... : Monologisches Sprechen in Theatertexten seit den 1960er Jahren und im Gegenwartstheater ... Agathangelidou, Marina. - : Freie Universität Berlin, 2021 BASE Show details 2 Takitoru: creative practice toward the development of a trilingual dramaturgical kaupapa Lodge, Alexandra Rose Pittaway. - : The University of Waikato, 2020 BASE Show details 3 Loghorrée, aphasie, lettres : les états de la parole dans le cinéma d’Arnaud Desplechin Rossi, Diane H.. - 2019 BASE Show details 4 Judite: um monólogo a duas vozes Silva, Andreia Raquel Moreira Ribeiro da. - 2015 BASE Show details 5 Student conceptions of effective classroom discourse Murphy, Sophie Kim. - 2015 BASE Show details 6 Représentations du sens linguistique 5 Lagorgette, Dominique; Larrivée, Pierre. - : HAL CCSD, 2013. : Université de Savoie, Laboratoire Langages, Littératures, Sociétés, 2013 In: https://hal.archives-ouvertes.fr/hal-00985723 ; Université de Savoie, Laboratoire Langages, Littératures, Sociétés, 378 p., 2013, Langages, 978-2-919732-15-9 (2013) BASE Show details 7 Impossible Speech: 19th-century women poets and the dramatic monologue Luu, Helen. - 2008 BASE Show details 8 Impossible Speech: 19th-century women poets and the dramatic monologue Luu, Helen. - 2008 BASE Show details 9 Postmonologue: politics and parody in performance PATERSON, EDWARD REUBEN BURKE. - 2008 BASE Show details 10 Narratives from the crib Nelson, Katherine; Oster, Emily. - Cambridge, MA : Harvard University Press, 2006 MPI für Psycholinguistik Show details 11 DOCUMENT DE SYNTHÈSE : Parcours critique, position théorique et perspectives de recherche De Mattia-Viviès, Monique. - : HAL CCSD, 2004 In: https://tel.archives-ouvertes.fr/tel-01021141 ; Linguistique. Université de Paris X-Nanterre, 2004 (2004) BASE Show details 12 I, writing thus: Victorian women poets write the dramatic monologue. Williams, Laura Marie. - 1999 BASE Show details 13 El monólogo en el teatro español desde los años setenta : un estudio sobre las funciones del lenguaje en un "nuevo" género dramático Lauzière, Carole.. - : McGill University, 1996 BASE Show details 14 El monólogo en el teatro español desde los años setenta : un estudio sobre las funciones del lenguaje en un "nuevo" género dramático Lauzière; Carole.. - : McGill University, 1996 BASE Show details 15 Narratives from the crib Nelson, Katherine. - Cambridge, MA : Harvard University Press, 1989 MPI für Psycholinguistik Show details 16 Mythmaking and storytelling: The monologue in contemporary American drama. Geis, Deborah R.. - 1988 Abstract: Although the monologue has survived as a dramatic device since the time of Greek and Roman theater, relatively little attention has been devoted to its effect on dramatic narrative. Contemporary American playwrights extend and redefine the tradition of the monologue; drawing upon the experimental theater movements of the past two decades and sometimes imitating the fluidity of film, they invite us to establish a new theoretical context for discussing the kinds of storytelling that their monologues create. This dissertation argues that monologue transforms the stage space in a play into narrative space. Because of the monologue's ability to maneuver time and place, the process of telling has the power to subsume onstage activity and to become dramatic action. The focus of a performance, then, is not merely the narrative being relayed, but the act of monologue-speaking as well. Chapter One describes the mechanisms whereby these narrative transformations occur, and sets the boundaries of the monologue in an historical context through a discussion of its function in the works of such major dramatists as Shakespeare, Shaw, Brecht, and Beckett. The second chapter examines the role of monologue in the plays of earlier American dramatists (O'Neill, Williams, Miller, Albee) and in experimental movements such as the Open Theater. Chapter Three discusses monological speech in Sam Shepard's plays: his emphasis on its metatheatrical qualities in his early works, his excursions into popular culture in search of a new storytelling language, and his creation of a mythological narrative that transcends the realism of the traditional family play. The fourth chapter treats David Mamet's use of the monologue; storytelling, ritualized in his early plays, becomes a metaphor for the types of con games enacted by his characters. Mamet unmasks the fraud involved in the monologues of his various salesmen, yet suggests that they are quintessential performers in the larger con game of the theater itself. Finally, through a discussion of the works of Maria Irene Fornes and Ntozake Shange, Chapter Five shows that monologue also serves as a means for the creation and assertion of a female identity as conveyed by the performative voice. ; Ph.D. ; American literature ; Communication and the Arts ; Language, Literature and Linguistics ; Theater ; University of Michigan, Horace H. Rackham School of Graduate Studies ; http://deepblue.lib.umich.edu/bitstream/2027.42/128215/2/8821573.pdf Keyword: American; Contemporary; Drama; Monologue; Mythmaking; Storytelling URL: https://hdl.handle.net/2027.42/128215 http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:8821573 BASE Hide details 17 Monolog und Dialog : Untersuchungen zu strukturellen und genetischen Beziehungen zwischen sprachlichen Solitär- und Gemeinschaftshandlungen Canisius, Peter. - Bochum : Brockmeyer, 1986 MPI-SHH Linguistik Show details

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