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1	At Home in Pieces: Forms of Fragmentation in Caribbean and Jewish Diasporic Literatures
	Mazur, Dalia Bolotnikov. - : eScholarship, University of California, 2020
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2	Book Review: Bandia, Paul F., ed., Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, Amsterdam-New York: Rodopi, 2014.
	Brisset, Frédérique
	In: Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora ; https://hal.archives-ouvertes.fr/hal-02543875 ; Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, 2020 (2020)
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3	A Phenomenology of Gede: Thinking with the Dead in Haiti ...
	Dize, Nathan H.. - : Humanities Commons, 2020
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4	PoCo Mas/ A Poetics of Salvage and Speculation in the Caribbean Diaspora
	Thomas, Cathy Theresa. - : eScholarship, University of California, 2019
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5	Africana Profunda: The Aesthetic Blackening of Puerto Rico and its Diaspora
	Rodriguez, Judith. - : eScholarship, University of California, 2019
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6	A grammar of Pichi ...
	Yakpo, Kofi. - : Freie Universität Berlin, 2019
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7	The Post-Windrush Ethos ; The Post-Windrush Ethos: Bibliography
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/hal-01812921 ; 2018, ⟨10.17605/OSF.IO/24MH8⟩ (2018)
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8	The Post-Windrush Ethos
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/hal-01812736 ; 2018, ⟨10.17605/OSF.IO/C5YTE⟩ (2018)
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9	Aestheticizing Traumatic Memory in the Americas ; Esthétiser la mémoire traumatique aux Amériques
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/hal-01861860 ; 2018 (2018)
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10	The Post-Windrush Ethos ; The Post-Windrush Ethos: Collaboration
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/hal-01812924 ; 2018, ⟨10.17605/OSF.IO/K2V45⟩ (2018)
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11	24.919 Topics in Linguistics: Creole Languages and Caribbean Identities, Spring 2004 ; Topics in Linguistics: Creole Languages and Caribbean Identities
	DeGraff, Michel. - 2018
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12	Crúbadán language data for Caribbean Hindustani
	Kevin Scannell. - 2018
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13	Crúbadán language data for Caribbean Javanese
	Kevin Scannell. - 2018
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14	Picturing the revolution in Grenada: trauma, censorship, liberation ; Peindre la révolution à la Grenade : trauma(s), censure(s), libération(s)
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/medihal-01819088 ; 2017 (2017)
	Abstract: This presentation aims at showing that traumatic memory has bequeathed a legacy of self-censorship in some regions of the Caribbean subjected to domination. Under such circumstances, the repressed desire for freedom can only find its way under the guise of aesthetic artifacts. The case study that we will examine to defend this thesis is the historical record of the collective trauma which occurred thirty-five years ago in Grenada. In retrospect, the Grenadian coup d'etat of 1983 has had a peculiar echo in the history of the Caribbean. A political leader named Maurice Bishop gave his life for the sake of the humanist ideals he defended under the banner of the socialist revolution. The "Revo", as it came to be called, was short-lived, though. Indeed, Bishop fell victim to the ideological counter-currents which vied for predominance on the geopolitical scene during the Reagan years. His assassination left a resilient yet orphaned people haunted by the loss of all improvement prospects. The recollection of that traumatic event has not even been given the chance of impregnating the collective unconscious since the remains of the national hero were totally destroyed. As a result of this censorship, an aborted mourning was all that was left to the artists who endeavored to transmit to the following generations an artistic representation of their own traumatic memories. ; Cette communication vise à montrer que la mémoire du traumatisme a légué un héritage d’autocensure dans certaines régions de la Caraïbe qui ont été soumises à la domination d’une puissance étrangère. En pareilles circonstances, le désir de liberté refoulé peut seulement se frayer un chemin sous le couvert d’artefacts esthétiques. L’étude du cas que nous allons examiner est censée étayer cette thèse dans la mesure où elle s’appuie sur l’observation des faits historiques en rapport avec le traumatisme collective qui survint il y a trente-cinq ans à la Grenade.Avec le recul, le coup d’état de 1983 aura eu un écho particulier dans l’histoire de la Caraïbe. Un leader politique nommé Maurice Bishop a donné sa vie pour les idéaux humanistes qu’il défendait sous la bannière de la révolution socialiste. La « Revo », comme on finit par l’appeler, fut de courte durée, cependant. En effet, Bishop devint la victime des contre-courants idéoogiques concurrents qui luttaient pour obtenir la prédominance sur la scène géopolitique caribéenne, au cours des années Reagan. Après son assassinat, Bishop, a laissé derrière lui un peuple orphelin hanté par la perte de toute perspective d’amélioration.Le souvenir de cet événement traumatique n’aura même pas eu l’opportunité d’imprégner l’inconscient collectif, vu que la dépouille du héros nationale a été totalement détruite. En définitive, cette censure n’aura laissé aux artistes qu’un deuil avorté, et l’incapacité de transmettre aux générations suviantes une représentation artistique de leurs propres mémoires traumatiques.
	Keyword: [SHS.ART]Humanities and Social Sciences/Art and art history; [SHS.GENRE]Humanities and Social Sciences/Gender studies; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.LITT]Humanities and Social Sciences/Literature; [SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museology; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; [SHS.PSY]Humanities and Social Sciences/Psychology; art; artivisme; arts; arts plastiques; arts visuels; Caraïbe; Caraïbe anglophone; Caribbean; Caribbean Basin Initiative; colonialism; colonialisme; Cuba; désir; desire; domination; engagement; Etats-Unis; freedom; Grenada; Grenade; identité; imperialism; impérialisme; inconscient; Jimi Rand; liberté; Maurice Bishop; nation; plastic arts; Reagan; refoulement; repressed; repression; Revo; révolution; socialism; socialisme; unconscious; visual arts
	URL: https://hal.archives-ouvertes.fr/medihal-01819088/document https://hal.archives-ouvertes.fr/medihal-01819088 https://hal.archives-ouvertes.fr/medihal-01819088/file/Revo-2704-6.mp4
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15	The Other's Scene_Oniric Space in Derek Walcott's Dream on Monkey Mountain ; L'AUTRE SCENE : L'ESPACE DU REVE DANS DREAM ON MONKEY MOUNTAIN DE DEREK WALCOTT
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/hal-01664245 ; 2017 (2017)
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16	"Kreyòl Pale, Kreyòl Konprann": Haitian Identity and Creole Mother Tongue Learning in Maténwa, Haiti
	Rachèle Delva. - : Westminster College, 2017
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17	Regards croisés sur l'Atelier 45 et le Jamaican Art Movement
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/medihal-01819091 ; 2016 (2016)
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18	Diasporic Visual Aesthetics ; Ethétique diasporique des arts visuesl
	Lefrançois, Frédéric
	In: https://hal.archives-ouvertes.fr/hal-01817357 ; 2016 (2016)
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19	The school system in Trinidad and Tobago
	Carla. - : Audio Lingua, 2016
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20	Ex Cathedra: Stories by Machado de Assis: Bilingual edition (2014) ...
	Weinberg, Eyal. - : The University of Texas at Austin, 2015
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